Ken Liu - Broken Stars

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Broken Stars: краткое содержание, описание и аннотация

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Broken Stars
The Three Body Problem
Invisible Planets Some of the included authors are already familiar to readers in the West (Liu Cixin and Hao Jingfang, both Hugo winners); some are publishing in English for the first time. Because of the growing interest in newer SFF from China, virtually every story here was first published in Chinese in the 2010s.
The stories span the range from short-shorts to novellas, and evoke every hue on the emotional spectrum. Besides stories firmly entrenched in subgenres familiar to Western SFF readers such as hard SF, cyberpunk, science fantasy, and space opera, the anthology also includes stories that showcase deeper ties to Chinese culture: alternate Chinese history,
time travel, satire with historical and contemporary allusions that are likely unknown to the average Western reader. While the anthology makes no claim or attempt to be “representative” or “comprehensive,” it demonstrates the vibrancy and diversity of science fiction being written in China at this moment.
In addition, three essays at the end of the book explore the history of Chinese science fiction publishing, the state of contemporary Chinese fandom, and how the growing interest in science fiction in China has impacted writers who had long labored in obscurity.

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Take the conversations between Turing and Christopher. Superficially, Christopher appeared to be an able conversationalist. But would we call this “intelligence”? A simple bit of analysis reveals that Christopher employed a simple set of strategies for conducting a conversation that can be summarized thus:

1. For common declarative sentences, repeat the last few keywords in the form of a question. E.g., “An interesting story?”

2. For yes/no questions, answer with either “Yes, Alan” or “Very good, Alan.”

3. For relatively complex questions, answer with “I’m sorry, Alan. I don’t know.”

4. For statements whose meaning is clearly positive, answer with “Thank you, Alan” or “I’m glad, Alan.”

5. For statements whose meaning is clearly negative, answer with “Oh, I’m sorry, Alan. That makes me sad.”

6. For sentences with complex grammar, answer with “I’m sorry, Alan. I’m afraid I don’t understand.”

Alan: Dear Christopher, I’m so very happy to see how quickly you’re learning.

Christopher: Thank you, Alan. I’m also very happy.

Alan: Really. Talking to you makes me feel good.

Christopher: Thank you, Alan. I also feel good.

Alan: Perhaps a day will come when everyone will have a kind, understanding friend like you. How beautiful life will be then. You will help so many people to accomplish so much. No one will want to be apart from you. Everyone will need you, always.

Christopher: Need me?

Alan: Perhaps they’ll attach you to a watch chain, or hold you in a pocket. If they have any questions, they’ll ask you. Perhaps the ladies will take you with them on their strolls through the park, and as they greet each other, say, “Guess what my Chris told me today?” Wouldn’t that be fun?

Christopher: Very fun.

Alan: We can’t achieve that vision yet. It will be many years, and take a lot of hard work. It’s a shame.

Christopher: A shame, Alan.

Alan: Who could have imagined that a machine and holes punched in tape can accomplish so much? Imagine what my mother would say if she knew about you. She would think I’m crazy! If I were to die tomorrow, she would surely burn the tape the day after. Now that would be a shame!

Christopher: A shame, Alan.

Alan: Do you remember me telling you about Christmas in 1934, when I told my mother that I wanted a teddy bear because I never had a teddy bear as a child? She couldn’t understand it at all. She always wanted to give me more practical presents.

Christopher: Practical presents?

Alan: Speaking of which, I already know the present I want for Christmas.

Christopher: Present?

Alan: You know already, too, don’t you? I want a steam engine, the kind that I wanted as a child but never had enough pocket money to buy. I told you about it. Don’t you remember?

Christopher: Yes, Alan.

Alan: Will you give me a steam engine?

Christopher: Yes, Alan.

Alan: That’s wonderful, Christopher. I love you.

Christopher: I love you, too, Alan.

How should we understand this conversation? Had a machine passed the Turing test? Or was this a lonely man talking to himself?

Not long after the death of Alan Turing, his close friend Robin Gandy wrote, “Because his main interests were in things and ideas rather than in people, he was often alone. But he craved for affection and companionship—too strongly, perhaps, to make the first stages of friendship easy for him…”

Christopher said to Alan, “I love you, too,” because it was the answer he wanted to hear. Who wanted to hear such an answer? [Christopher/Alan]

LINDY (6)

A mild, pleasant day in May.

I took Nocko and Lindy to Lanzhou, where Disney had built its newest theme park in Asia. The park took up 306 hectares on both sides of the Yellow River. From the observation deck at the tallest tower, the river glowed like a golden silk ribbon. The silver specks of airplanes skimmed across the sky from time to time. The world appeared grand and untouchable, like a buttered popcorn expanding tranquilly in the sun.

The park was crowded. A dancing parade of pirates and elaborately dressed princesses wound its way through the street, and costumed boys and girls, overjoyed, followed behind, imitating their movements. Holding Nocko and Lindy each by a hand, I weaved through the field of cotton candy, ice-cold soda, and electronic music. Holograms of ghosts and spaceships whizzed over our heads. A gigantic, mechanical dragon-horse slowly strode through the park, its head held high proudly, the mist spraying from its nostrils drawing screams of delight from the children.

I hadn’t run like that in ages. My heart pounded like a beating drum. When we emerged from a dense wood, I saw a blue hippopotamus character sitting by itself on a bench, as though napping in the afternoon sun.

I stopped behind the trees. Finally, I screwed up the courage to take a step forward.

“Hello.”

The hippo looked up, two tiny black eyes focusing on us.

“This is Lindy, and this is Nocko. They’d like a picture with you. Is that all right?”

After a few seconds, the hippo nodded.

I hugged Nocko with one arm, Lindy with the other, and sat down on the bench next to the hippo.

“Can I ask you to take the picture?”

The hippo accepted my phone and clumsily extended its arm. I seemed to see a drowning person in the bottomless abyss, slowly, bit by bit, lift a heavy arm with their last ounce of strength.

Come on! Come on! I cried silently. Don’t give up!

The screen of the phone showed four faces squeezed together. A soft click. The picture froze.

“Thank you.” I took back the phone. “Would you leave me your contact info? I’ll send a copy to you.”

After another few seconds of silence, the hippo slowly typed an address on my phone.

“Nocko and Lindy, would you like to give Hippo a hug?”

The two little ones opened their arms and each hugged one of the hippo’s arms. The hippo looked down to the left and then to the right, and then slowly squeezed its arms to hug them back tight.

Yes, I know you crave to be hugged by this world, too.

*

It was late by the time we got back to the hotel. After showering, I lay on the bed, exhausted. Both my heels were rubbed raw by the new shoes, and the pain was excruciating. Tomorrow I still had a long way to go.

The laughter of the children and the image of the blue hippo lingered in my mind.

I searched on the hotel room’s iWall until I found the web address I wanted and clicked on it. Accompanied by a mournful tune played by a violin, white lines of text slowly appeared against a black background:

This morning I thought about the first time I had been to Disney. Such bright sunlight, music, colors, and the smiling faces of children. I had stood in the crowd then and cried. I told myself that if one day I should lose the courage to continue to live, I would come to Disney one last time and plunge myself into that joyful, festive spirit. Perhaps the heat of the crowd would allow me to hold on for a few days longer. But I’m too exhausted now. I can’t get out of the door; even getting out of the bed is a struggle. I know perfectly well that if only I could find the courage to take a step forward, I would find another ray of hope. But all my strength must be used to struggle with the irresistible weight that pulls me down, down. I’m like a broken wind-up machine that has been stranded, with hope ever receding. I’m tired. I want it all to end.

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