S Morden - No Way

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No Way: краткое содержание, описание и аннотация

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In the sequel to the terrifying science fiction thriller, One Way, returning home from Mars may mean striking a deal with the very people who abandoned him.
They were sent to build a utopia, but all they found on Mars was death.
Frank Kitteridge has been abandoned. But XO, the greedy—and ultimately murderous—corporate architects of humanity’s first Mars base made a costly mistake when they left him there: they left him alive. Using his skills and his wits, he’s going to find a way back home even if it kills him.
Little does he know that Mars isn’t completely empty. Just over the mountain, there’s another XO base where things are going terribly, catastrophically wrong. And when the survivors of that mission find Frank, they’re going to want to take even the little he has away from him.
If there’s anything in Frank’s favor, it’s this: he’s always been prepared to go to the extremes to get the job done. That’s how he ended up on Mars in the first place. It just might be his ticket back.
For more from S. J. Morden, check out:
One Way

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Music wafts up, carried in the night but unpleasant and cacophonous because it comes from competing religious factions, bombastic individuals and the dome tourists. It is mostly percussion-accompanied chanting.

There are, by my estimate, thousands of people. They are of all colours and creeds: black Nigerians, Arabs, Japanese, Pakistani, Persians, white Europeans and a mishmash of others. All hope to be healed or changed in some specific way. They sing and pray to facilitate the Opening. The dome is, as always, indifferent to their reverence or sacrilege.

Some hold a rapt, religious awe on their faces and cannot bring themselves to talk, while others shout in a continuous, sustained manner. An imam has suspended himself from a roof in a harness that looks homemade, and is preaching through a bullhorn. His words are lost in the din, which swallows meaning and nuance and shits out a homogenous roar. Fights break out but are quashed in seconds because nobody knows if you have to be “good” to deserve the blessings from the biodome.

A barricade blocks access to the dome and armed constables form up in front of it. The first civilians are one hundred metres away, held back by an invisible stanchion. The officers look like they will shoot to kill. This is something they have done in the past, the latest incident being three years back, when the crowd showed unprecedented rowdiness. Seventeen dead, although the victims rose during that year’s Opening. They were… destroyed two weeks later as they clearly were not themselves any more. This happens. The alien can restore the body, but not the soul, something Anthony told me back in ’55, eleven years ago.

I cough from the peppery heat of the akara. The fit drives my vision briefly to the sky and I see a waning gibbous, battling bravely to be noticed against the light pollution.

I see the press, filming, correspondents talking into microphones. Here and there are lay scientists with big scanners pointed finger-like towards the dome. Sceptics, true believers, in-between, all represented, all busy. Apart from the classified stuff about sensitives and the xenosphere, most information about the dome is in the public domain, but it is amazing that the fringe press and conspiracy theorists have different ideas. A large segment of the news-reading population, for example, believes that the alien is entirely terrestrial, a result of human biological experimentation. There is “proof” of this on Nimbus, of course. There are scientists who don’t believe, but they take observations and collate data for ever, refusing to come to conclusions. There are those who believe the dome is a magical phenomenon. I won’t get started on the quasi-religious set.

I feel a gentle tap on my left shoulder and emerge from the vision. Aminat is looking at me. Bola and her husband have shifted out of earshot.

“What do you see?” she asks. She smiles as if she is in on some joke but unsure if it’s at my expense.

“People desperate for healing,” I say. “What do you see?”

“Poverty,” says Aminat. “Spiritual poverty.”

“What do you mean?”

“Nothing. Maybe humankind was meant to be sick from time to time. Maybe there is something to be learned from illness.”

“Are you politically inclined against the alien?”

“No, hardly. I don’t have politics. I just like to examine all angles of an issue. Do you care?”

I shake my head. I don’t want to be here, and if not for Bola’s invitation I would be home contemplating my cholesterol levels. I am intrigued by Aminat, but not enough to want to access her thoughts. She is trying to make conversation, but I don’t like talking about the dome. Why then do I live in Rosewater? I should move to Lagos, Abuja, Accra, anywhere but here.

“I don’t want to be here either,” says Aminat.

I wonder for a moment if she has read my thoughts, if Bola matched us because she is also a sensitive. That would be irritating.

“Let’s just go through the motions to keep Bola happy. We can exchange numbers at the end of the evening and never call each other again. I will tell her tomorrow, when she asks, that you were interesting and attentive, but there was no chemistry. And you will say…?”

“That I enjoyed my evening, and I like you, but we didn’t quite click.”

“You will also say that I had wonderful shoes and magnificent breasts.”

“Er… okay.”

“Good. We have a deal. Shake on it?”

Except we cannot shake hands because there is oil on mine from the akara, but we touch the backs of our hands together, co-conspirators. I find myself smiling at her.

A horn blows and we see a dim spot on the dome, the first sign. The dark spot grows into a patch. I have not seen this as often as I should. I saw it the first few times but stopped bothering after five years.

The patch is roughly circular, with a diameter of six or seven feet. Black as night, as charcoal, as pitch. It looks like those dark bits on the surface of the sun. This is the boring part. It will take half an hour for the first healing to manifest. Right now, all is invisible. Microbes flying into the air. The scientists are frenzied now. They take samples and will try to grow cultures on blood agar. Futile. The xenoforms do not grow on artificial media.

In the balcony everyone except me takes a deep breath, trying to get as many microbes inside their lungs as possible. Aminat breaks her gaze from the dome, twists in her seat and kisses me on the lips. It lasts seconds and nobody else sees it, intent as they are upon the patch. After a while, I am not sure it happened at all. I don’t know what to make of it. I can read minds but I still don’t understand women. Or men. Humans. I don’t understand humans.

Down below, it begins, the first cries of rapture. It is impossible to confirm or know what ailments are taken care of at first. If there is no obvious deformity or stigmata, like jaundice, pallor or a broken bone, there is no visible change except the emotional state of the healed. Already, down at the front, younger pilgrims are doing cartwheels and crying with gratitude.

A man brought in on a stretcher gets up. He is wobbly at first, but then walks confidently. Even from this distance I can see the wideness and wildness of his eyes and the rapid flapping of his lips. Newcomers experience disbelief.

This continues in spurts and sometimes ripples that flow through the gathered people. The trivial and the titanic are equally healed.

The patch is shrinking now. At first the scientists and I are the only ones to notice. Their activities become more agitated. One of them shouts at the others, though I cannot tell why.

I hear a tinkle of laughter from beside me. Aminat is laughing with delight, her hands held half an inch from her face and both cheeks moist. She is sniffing. That’s when it occurs to me that she might be here for healing as well.

At that moment, I get a text. I look at my palm to read the message off the flexible subcutaneous polymer. My boss again.

Call right now, Kaaro. I am not kidding.

BY S. J. MORDEN

One Way

No Way

Praise for ONE WAY

“A provocative premise, with an interesting main character. … Morden brings it together nicely in the last pages, setting up the premise for an exciting sequel.”

Los Angeles Times

“Sharp thriller in a crisply imagined near future. … Morden makes the science accessible as he steadily ratchets up the tension and paranoia, fully utilizing the starkly beautiful but utterly deadly setting.”

Publishers Weekly

“A claustrophobic, high-tension, survival-against-the-odds thriller.”

Guardian

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