S Morden - No Way

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No Way: краткое содержание, описание и аннотация

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In the sequel to the terrifying science fiction thriller, One Way, returning home from Mars may mean striking a deal with the very people who abandoned him.
They were sent to build a utopia, but all they found on Mars was death.
Frank Kitteridge has been abandoned. But XO, the greedy—and ultimately murderous—corporate architects of humanity’s first Mars base made a costly mistake when they left him there: they left him alive. Using his skills and his wits, he’s going to find a way back home even if it kills him.
Little does he know that Mars isn’t completely empty. Just over the mountain, there’s another XO base where things are going terribly, catastrophically wrong. And when the survivors of that mission find Frank, they’re going to want to take even the little he has away from him.
If there’s anything in Frank’s favor, it’s this: he’s always been prepared to go to the extremes to get the job done. That’s how he ended up on Mars in the first place. It just might be his ticket back.
For more from S. J. Morden, check out:
One Way

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A man and a woman came in and, on seeing every table full, started to back out again.

Wong sprung to his feet. “Hey, wait. Table here.” He kicked Petrovitch’s chair-leg hard enough to cause them both to wince. “Coffee? Coffee hot and strong today.” He bustled behind the counter, leaving Petrovitch to wearily slide his device back into its delivery pouch and then into his shoulder bag.

His watch told him it was time to go. He stood, finished the last of his drink in three hot gulps, and made for the door.

“Hey,” called Wong. “You no pay.”

Petrovitch pulled out his cash card and held it up.

“You pay next time, Petrovitch.” He shrugged and almost smiled. The lines around his eyes crinkled.

“Yeah, whatever.” He put the card back in his bag. It had only a few euros on it now, anyway. “Thanks, Wong.”

Back out onto the street and the roar of noise. The leaden sky squeezed out a drizzle and speckled the lenses in Petrovitch’s glasses so that he started to see the world like a fly would.

He’d take the tube. It’d be hot, dirty, smelly, crowded: at least it would be dry. He turned his collar up and started down the road toward Clapham South.

The shock of the new had barely reached the Underground. The tiled walls were twentieth-century curdled cream and bottle green, the tunnels they lined unchanged since they’d been hollowed out two centuries earlier, the fans that ineffectually stirred the air on the platforms were ancient with age.

There was the security screen, though: the long arched passage of shiny white plastic, manned by armed paycops and monitored by gray-covered watchers.

Petrovitch’s travelcard talked to the turnstile as he waited in line to pass. It flashed a green light, clicked and he pushed through. Then came the screen which saw everything, saw through everything, measured it and resolved it into three dimensions, running the images it gained against a database of offensive weapons and banned technology.

After the enforced single file, it was abruptly back to being shoulder to shoulder. Down the escalator, groaning and creaking, getting hotter and more airless as it descended. Closer to the center of the Earth.

He popped like a cork onto the northbound platform, and glanced up to the display barely visible over the heads of the other passengers. A full quarter of the elements were faulty, making the scrolling writing appear either coded or mystical. But he’d had practice. There was a train in three minutes.

Whether or not there was room for anyone to get on was a different matter, but that possibility was one of the few advantages in living out along the far reaches of the line. He knew of people he worked with who walked away from the center of the city in order to travel back.

It became impossible even to move. He waited more or less patiently, and kept a tight hold of his bag.

To his left, a tall man, air bottle strapped to his Savile Row suit and soft mask misting with each breath. To his right, a Japanese woman, patriotically displaying Hello Kitty and the Rising Sun, hollow-eyed with loss.

The train, rattling and howling, preceded by a blast of foulness almost tangible, hurtled out from the tunnel mouth. If there hadn’t been barriers along the edge of the platform, the track would have been choked with mangled corpses. As it was, there was a collective strain, an audible tightening of muscle and sinew.

The carriages squealed to a stop, accompanied by the inevitable multi-language announcements: the train was heading for the central zones and out again to the distant, unassailable riches of High Barnet, and please—mind the gap.

The doors hissed open, and no one got out. Those on the platform eyed the empty seats and the hang-straps greedily. Then the electromagnetic locks on the gates loosened their grip. They banged back under the pressure of so many bodies, and people ran on, claiming their prizes as they could.

And when the carriages were full, the last few squeezed on, pulled aboard by sympathetic arms until they were crammed in like pressed meat.

The chimes sounded, the speakers rustled with static before running through a litany of “doors closing” phrases: English, French, Russian, Urdu, Japanese, Kikuyu, Mandarin, Spanish. The engine spun, the wheels turned, the train jerked and swayed.

Inside, Petrovitch, face pressed uncomfortably against a glass partition, ribs tight against someone’s back, took shallow sips of breath and wondered again why he’d chosen the Metrozone above other, less crowded and more distant cities. He wondered why it still had to be like this, seven thirty-five in the morning, two decades after Armageddon.

A Preview of “Rosewater”

if you enjoyed
NO WAY
look out for
ROSEWATER
The Wormwood Trilogy: Book One
by
Tade Thompson

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome and doesn’t care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Chapter One
Rosewater: Opening Day 2066
Now

I’m at the Integrity Bank job for forty minutes before the anxieties kick in. It’s how I usually start my day. This time it’s because of a wedding and a final exam, though not my wedding and not my exam. In my seat by the window I can see, but not hear, the city. This high above Rosewater everything seems orderly. Blocks, roads, streets, traffic curving sluggishly around the dome. I can even see the cathedral from here. The window is to my left, and I’m at one end of an oval table with four other contractors. We are on the fifteenth floor, the top. A skylight is open above us, three foot square, a security grid being the only thing between us and the morning sky. Blue, with flecks of white cloud. No blazing sun yet, but that will come later. The climate in the room is controlled despite the open skylight, a waste of energy for which Integrity Bank is fined weekly. They are willing to take the expense.

Next to me on the right, Bola yawns. She is pregnant and gets very tired these days. She also eats a lot, but I suppose that’s to be expected. I’ve known her two years and she has been pregnant in each of them. I do not fully understand pregnancy. I am an only child and I never grew up around pets or livestock. My education was peripatetic; biology was never a strong interest, except for microbiology, which I had to master later.

I try to relax and concentrate on the bank customers. The wedding anxiety comes again.

Rising from the centre of the table is a holographic teleprompter. It consists of random swirls of light right now, but within a few minutes it will come alive with text. There is a room adjacent to ours in which the night shift is winding down.

“I hear they read Dumas last night,” says Bola.

She’s just making conversation. It is irrelevant what the other shift reads. I smile and say nothing.

The wedding I sense is due in three months. The bride has put on a few pounds and does not know if she should alter the dress or get liposuction. Bola is prettier when she is pregnant.

“Sixty seconds,” says a voice on the tannoy.

I take a sip of water from the tumbler on the table. The other contractors are new. They don’t dress formally like Bola and me. They wear tank tops and T-shirts and metal in their hair. They have phone implants.

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