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Дэймон Найт: Orbit 8

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Дэймон Найт Orbit 8

Orbit 8: краткое содержание, описание и аннотация

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ORBIT 8 is the latest in this unique series of anthologies of the best new SF: fourteen stories written especially for this collection by some of the top names in the field. —Harlan Ellison in “One Life, Furnished in Early Poverty” tells a moving story of a man who goes back in time to help his youthful self. —Avram Davidson finds a new and sinister significance in the first robin of Spring. —R. A. Lafferty reveals a monstrous microfilm record of the past —Kate Wilhelm finds real horror in a story of boy-meets-girl. —and ten other tales by some of the most original minds now writing in this most exciting area of today’s fiction are calculated to blow the mind.

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Deep darkness now. The lights begin to come on across the gulfs of shadow, but I am afraid to count them. Thinking of these things has chilled me, and I shudder. The wind is cold, filled with dampness. There will be a storm Later. Distant lightning flickers behind the Towers, each flash sending jagged shadows leaping toward me, striking blue highlights from every reflecting surface. Each lightning stroke seems to momentarily reverse the order of things, etching the Towers in black relief against the blue-white dazzle of the sky, then the brilliance draining, leaving the Towers as before: islands of light against an inky background of black. The cycle is repeated, shadows lunging in at me, in at me, thrusting swords of nigger blackness. It was on a hellish night like this that the Building Committee came.

It was a mistake to give them so much power. I admit it. I’m not too proud to own up to my own mistakes. But we were tired of struggling with an uncooperative and unappreciative society. We were beaten into weariness by a horde of supercilious bastards, petty and envious little men hanging on our coattails and trying to chivy us down. We were. sick of people with no respect, no traditions, no heritage, no proper ambitions. We were disgusted by a world degenerating at every seam, in every aspect. We had finally realized the futility of issuing warnings no one would listen to. Even then the brakes could have been applied to our skidding society if someone had bothered to listen, if anyone had had the guts and foresight to take the necessary measures. But we were tired, and we were no longer young.

So we traded our power for security. We built the Towers; we formed a company, turned our affairs over to them, and retired from the world into our own tight-knit society. Let the company have the responsibility and the problems, let them deal with the pressures and the decisions, let them handle whatever comes; we will be safe and comfortable regardless. They are the bright, ambitious technicians; let them cope. They are the expendable soldiers; let them fight and be expended as they are paid for doing; we shall be safe behind the lines. Let them have the mime show of power; we are civilized enough to enjoy the best things of life without it. We renounce the painted dreams; they are hollow.

It was a mistake.

It was a mistake to give them the voting proxies; Anderson was a fool, senile before his time. It was all a horrible mistake. I admit it. But we were no longer young.

And the world worsened, and one day the Building Committee came.

It was crisis, they said, and Fear was walking in the land. And the Charter specified that we were to be protected, that we must not be disturbed. So they came with the work crews and meshed over my balcony. And welded a slab of steel over my door as they left. They would not listen to my protest, wrapped in legalities, invulnerable in armor of technical gobbledygook. Protection was a specific of the Charter, they said, and with the crisis this was the only way they could ensure our protection should the outer defenses go down; it was a temporary measure.

And the work crews went about their business with slapdash efficiency, and the balding, spectacled foreman told me he only worked here. So I stood quietly and watched them seal me in, although I was trembling with rage. I am no longer young. And I would not lose control before these vermin. Every one of them was waiting for it, hoping for it in their petty, resentful souls, and I would let myself be flayed alive before I would give them the satisfaction. It is a small comfort to me that I showed them the style with which a gentleman can take misfortune.

(When I finally realize what they are doing, I rage and bluster. The foreman pushed me away. “It’s for your own good,” he says, mouthing the cliche halfheartedly, not really interested. I beat at him with ineffectual fists. Annoyed, he shrugs me off and ducks through the door. I try to run after him. One of the guards hits me in the face with his rifle butt. Pain and shock and a brief darkness. And then I realize that I am lying on the floor. There is blood on my forehead and on my mouth. They have almost finished maneuvering the steel slab into place, only a man-sized crack left open. The guard is the only one left in the room, a goggled technician just squeezing out through the crack. The guard turns toward the door. I hump myself across the room on my knees, crawling after him, crying and begging. He plants his boot on my shoulder and pushes me disgustedly away. The room tumbles, I roll over twice, stop, come up on my elbows and start to crawl after him again. He says, “Fuck off, dad,” and slaps his rifle, jangling the magazine in the breech. I stop moving. He glares at me, then leaves the room. They push the slab all the way closed. It makes a grinding, rumbling sound, like a subway train. Still on my knees, I throw myself against it, but it is solid. Outside there are welding noises. I scream.)

There is a distant rumbling now. Thunder: the storm is getting nearer. The lightning flashes are more intense, and closer together. They are too bright, too fast, blending into one another, changing the dimensions of the world too rapidly. With the alternating of glare and thrusting shadow there is too much motion, nothing ever still for a second, nothing you can let your eye rest on. Watching it strains your vision. My eyes ache with the motion.

I close them, but there are squiggly white afterimages imprinted on the insides of my eyelids. A man of breeding should know how to control his emotions. I do; in the old circles, the ones that mattered, I was known for my self-discipline and refinement. But this is an unseasonable night, and I am suddenly afraid. It feels like the bones are rattled in the body of the earth, it feels like maybe it will come now.

But that is an illusion. It is not the Time; It will not come yet. Only I know when the Time is, only I can say when It will come. And It will not come until I call for It, that is part of the bargain. I studied military science at Annapolis. I shall recognize the most strategic moment, I shall know when the Time is at hand for vengeance and retribution. I shall know. And the Time is not now. It will not come tonight. This is only an autumn storm.

I open my eyes. And find my stare returned. Windows ring me on all sides like walls of accusing, lidless eyes. Lightning oozes across the horizon: miniature reflections of the electric arc etched in cold echoes across a thousand panes of glass, a thousand matches struck simultaneously in a thousand dusty rooms.

A sequence of flares. The sky alternates too quickly to follow. Blue white, black. Blue-white. Black again. The roofs flicker with invested motion, brick dancing in a jerky, silent-movie fashion.

Oh, God, the chimneys, humped against dazzle, looming in shadow. Marching rows of smoky brick gargoyles, ash-cold now with not an ember left alive. The rows sway closer with every flash. I can hear the retch of mortar-footed brick against tile, see the waddling, relentless rolling of their gait. They are people actually, the poor bastard refugees of the rabble frozen into brick, struck dumb with mortar. I saw it happen on the night of the Building Committee, thousands of people swarming like rats over the roofs to escape the burning world, caught by a clear voice of crystal that metamorphosed them with a single word, fixing them solid to the roofs, their hands growing into their knees, their heels into their buttocks, their heads thrown back with mouths gaped in a scream, flesh swapped for brick, blood for mortar. They hump toward me on their blunt knees in ponderously bobbing lines. With a sound like fusing steel, nigger-black shadows humping in at me. Christ hands sealing my eyes with clay stuffing down my mouth my throat filling Oh God oh christ christ christ

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