Дэймон Найт - Orbit 8

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ORBIT 8
is the latest in this unique series of anthologies of the best new SF: fourteen stories written especially for this collection by some of the top names in the field.
—Harlan Ellison in “One Life, Furnished in Early Poverty” tells a moving story of a man who goes back in time to help his youthful self.
—Avram Davidson finds a new and sinister significance in the first robin of Spring.
—R. A. Lafferty reveals a monstrous microfilm record of the past
—Kate Wilhelm finds real horror in a story of boy-meets-girl.
—and ten other tales by some of the most original minds now writing in this most exciting area of today’s fiction are calculated to blow the mind.

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“You want something, old man? Cold water? Shade? Roots? Medicine? You want me to break your head?”

The club did not waver. He watched it descend slowly, felt it touch his skull, watched it ascend. The man made a show of bunching his muscles, settling his feet, tightening his hands on his log of a weapon. He was taking his time, delighting in the torment. As Brandon had.

“You are not afraid? You not want say love words to wives? Maybe see something in cave?” The brute face smiled: immense white teeth.

Brandon struggled to lift his head. His jaw muscles worked, seeming somehow detached from him. It was a strange thing he said, even to his own ears. He fought to phrase it:

“I must ask you not—”

“Not!” The giant’s nostrils flared. Brandon knew how he himself would have reacted.

“You must not take other wife. You must kill her, Jilly, and Little New One. Bring them here. Their spirits must accompany me.”

The brute smiled. “Your wives all be mine, old man. All are mine. Baby will live, too. You will not want to be bothered with baby, old man; you have no milk.” He chuckled. So, obediently, did Jalene. “What else you want?”

Brandon had set the pattern. What he said he wanted would be doubled back on itself. What he asked would be denied. He would have what he wished because he would ask the opposite.

“I want—you must not look at book in cave. My book, not yours. Never go and look at it. It—tears things in you. Makes you too wise. Makes you change, like me. Never look at it!”

The strong man hesitated, frowning, but only for a moment. He smiled confidently.

“I will look. Every day. I am strong. I can bear to look at it!” His muscles bunched. He glanced at the woman to be certain she had heard his boast and would remember.

“Wait!” Brandon croaked. “One thing more. One thing you must not do—this above all else. You must not—”

“Tell me, old man. I have no fear of your shadow-spirit. Tell me what I must not do.” Grinning, white teeth flashing, knuckles whitening about the club.

As from a great distance Brandon forced out the words that expressed the strangest wish. The most important wish of all.

“You must not eat of my brain.”

CAROL CARR

INSIDE

The house was a jigsaw puzzle of many dreams. It could not exist in reality and, dimly, the girl knew this. But she wandered its changing halls and corridors each day with a mild, floating interest. In the six months she had lived here the house had grown rapidly, spinning out attics, basements, and strangely geometric alcoves with translucent white curtains that never moved. Since she believed she had been reborn in this house, she never questioned her presence in it.

Her bedroom came first. When she woke to find herself in it she was not frightened, and she was only vaguely apprehensive when she discovered that the door opened to blackness. She was not curious and she was not hungry. She spent most of the first day in her four-poster bed looking at the heavy, flowered material that framed the bay window. Outside the window was a yellow-gray mist. She was not disturbed; the mist was a comfort. Although she experienced no joy, she knew that she loved this room and the small bathroom that was an extension of it.

On the second day she opened the carved doors of the mahogany wardrobe and removed a quilted dressing gown. It was a little large and the sleeves partially covered her hands. Her fingers, long and pale, reached out uncertainly from the edge of the material. She didn’t want to open the bedroom door again but felt that she should; if there were something outside to discover, it too would belong to her.

She turned the doorknob and stepped out into a narrow hall paneled, like the wardrobe in her room, in carved mahogany. There were no pictures and no carpet. The polished wood of the floor felt cool against her bare feet. When she had walked the full distance to the end and touched a wall, she turned and walked to the other end. The hall was very long and there were no new rooms leading from it.

When she got back to her bedroom she noticed a large desk in the corner near the window. She didn’t remember a desk but she accepted it as she accepted the rest. She looked out and saw that the mist was still there. She felt protected.

Later that afternoon she began to be hungry. She opened various drawers of the desk and found them empty except for a dusty tin of chocolates. She ate slowly and filled a glass with water from the bathroom sink and drank it all at once. Her mouth tasted bad; she wished she had a toothbrush.

On the second day she had wandered as far as the house allowed her to. Then she slept, woke in a drowsy, numb state, and slept again.

On the third day she found stairs, three flights. They led her down to a kitchen, breakfast area and pantry. Unlike her room, the kitchen was tiled and modern. She ate a Swiss cheese sandwich and drank a glass of milk. The trip back to her room tired her and she fell asleep at once.

The house continued to grow. Bedrooms appeared, some like her own, some modern, some a confusion of periods and styles. A toothbrush and a small tube of toothpaste appeared in her medicine cabinet. In each of the bedrooms she found new clothes and wore them in the order of their discovery.

She began to awaken in the morning with a feeling of anticipation. Would she find a chandeliered dining room or perhaps an enclosed porch whose windows looked out on the mist?

At the end of a month the house contained eighteen bedrooms, three parlors, a library, dining room, ballroom, music room, sewing room, a basement and two attics.

Then the people came. One night she awoke to their laughter somewhere beyond her window. She was furious at the invasion but comforted herself with the thought that they were outside. She would bolt the downstairs door, and even if the mist disappeared she would not look. But she couldn’t help hearing them talk and laugh. She strained to catch the words and hated herself for trying. This was her house. She stuffed cotton into her ears and felt shut out rather than shut in, which angered her even more.

The house stopped growing. The mist cleared and the sun came out. She looked through her window and saw a lake made up of many narrow branches, its surfaces covered with a phosphorescent sparkle like a skin of dirty green sequins. She saw no one—the intruders came late at night, dozens of them, judging from the sound they made.

She lost weight. She looked in the mirror and found her hair dull, her cheeks drawn. She began to wander the house at odd hours. Her dreams were haunted by the voices outside, the splash of water, and, worst of all, the endless laughter. What would these strangers do if she suddenly appeared at the doorway in her quilted robe and demanded that they leave? If she said nothing but hammered a “No Trespass” sign to the oak tree? What if they just stood there, staring at her, laughing?

She continued to wander. There were no new rooms, but she discovered hidden alcoves and passageways that connected bedroom to bedroom, library to kitchen. She used these passageways over and over again, avoiding the main halls.

Now when she woke, it was with a feeling of dread. Had any of them got in during the night, in spite of her precautions? She found carpenters’ tools in a closet and nailed the windows shut. It took weeks to finish the job, and then she realized she had forgotten the windows in the basement. That part of the house frightened her and she put off going down. But when the voices at night began to sound more and more distinct, when she imagined that they were voices she recognized, she knew that she had no choice.

The basement was dark and damp. She could find no objects to account for the shadows on the walls. There was not enough light to work by, and when she finished, she knew she had done badly. If they really wanted to come in, these crooked nails would not stop them.

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