Дэймон Найт - Orbit 11

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“Mother, I love you,” Maureen cried. She felt too content to move. Her mother smiled at her again, overcome with love and revulsion. She was halfway into it: half mother, half blob. She became a distorted Greek legend squirming with love. Her face snapped in rictus, a mask of fright and love. Maureen could only watch. She loved her mother. “You are beautiful, Mother.”

It belched and flattened itself on the rug. She could not smell it.

She finished the picture. Father came downstairs and tripped over a tentacle, waving bye-bye. She drew it quickly. It was easier that way. She could construct the memory later. She wanted the full bloom of love now.

Uncle Milton departed with a loving frown. She did not say good-bye. He had never really been.

The asterisk was perfect, fully grown, carefully tended by its retinue of self. It spurted pus into the air. It was a cereal-box sun radiating cereal-box love.

The drum was upstairs. She ran into her room, found the drum on her toy chest, and carried it downstairs. Before she could reach the living room, it disappeared.

It was late. She had to get on with it. Now. For Mother. And Father. And maybe Uncle Milton.

Outstretching her palms, she walked toward the trembling star, measuring her steps with, its palpitations. Sliding her hands under it, she lifted it into the air. It hung between her fingers.

She took it inside her; she ate it, she osmosed it; she transformed it. She felt it in her eyes, a heaviness, a largeness that could span anything, envision everything—with love.

Dream the dream, paint the picture. It’s all in the cereal box ready to eat. Can’t be changed now. The drum’s disappeared again. You had the chance. She opened the door carefully, squinting her oval eyes at the morning sun.

And everyone was there. Standing. Smiling. Laughing.

Gardner R. Dozois

MACHINES OF LOVING GRACE

DAWN WAS JUST beginning to color the sky. She huddled inside the small bathroom—door closed, bolt slid and locked—sitting on the toilet lid and hugging her knees. Her head was tilted and hung down, chin almost on breast, and her eyes were nearly closed. She had wrapped her hands around her ankles. Her fingers were turning white. There was no noise in the empty apartment, not even the scurry of a cockroach. She had stopped crying hours ago.

There was noise beyond the window on her left, be­yond plaster and glass, outside the vacuum of bedroom-kitchen-livingroom-guestroom-bath: a frozen automobile horn had been honking steadily for the last hour, occasionally traffic whined on the asphalt below, earlier in the evening there had been radios in nearby buildings, tuned to the confusion of a dozen different stations and fading one by one toward morning. She didn’t pay any attention to these noises. The silence inside her apartment was too loud.

She opened her hands, flexed her stiff fingers, let her legs uncurl. One of them had gone to sleep, and she stamped it softly, automatically, to restore circulation. The floor was cold under her bare feet. Gooseflesh blossomed along her arms and she ran her hands down over them to smooth it. She had put on a new half-slip for the occasion. She shifted her weight; the toilet lid had been chilly at first, but now it had grown hot and sticky with the heat of her body. She leaned in closer to the hotwater pipe that descended from ceiling to floor—it was still warm to the touch. The dull paint had flaked off it in jigsaw pieces. There was a dingy gray toilet brush leaning against the base of the pipe. The bristles were broken and matted down. All this without thinking at all.

To be free, she thought.

Her head came up; eyes snapped open, closed to slits, opened again, wider.

The muscles in her neck had started to cord.

Her head jerked to the left. She stared out the window. Dawn was a growing red wash across the horizon, clustered buildings blocky beast-silhouettes, a factory plume of smoke etched black against tones of scarlet. Lights far away and lonely. A television antenna like a cross of stark metal. Her head turned back to center, wobbling: the string cut.

For a while she did not think. The shaving mirror on the wall over the sink, clutter on the shelves to the right of the basin: empty bottles of mouthwash, witch hazel, deodorant, the cardboard center from a roll of toilet paper, crumpled toothpaste tube, box of vaginal suppositories. The burlap curtains, frayed edges polarizing in the new light. Cracked and chipped plaster around the edges of the windowsill, streaks of white on the walls where paint had run thin. The closed door, the whorls in dark wood: beyond were the cluttered kitchen, the empty bedroom. They pressed in against the door. The door hinges were made in five sections.

I’m going to go crazy, she thought.

She reached out and flicked off the light switch. It was bright enough now to see: a gritty, hard light; harsh, too much grain and contrast. She had begun to tremble. The noise of the horn in the background was a steady buzz through her teeth. She picked up the razor blade from the window ledge. The horn stopped abruptly. In the silence, she could hear pigeons fluttering and cooing on the adjacent roof.

She turned the razor blade over in her fingers. The blade was smooth and sharp. No nicks in it, like the ones she used to shave her legs. She’d saved this one special. Orange sunlight refracted along the honed edge of the blade.

The bathtub was only inches away on her right, its head to the toilet. Without getting up, she leaned over, turned on the hotwater tap. Let the water run. This early it was reluctant: the water sputtered, the pipes knocked. But after a while it began to run hot. A thin wisp of steam. She put her arm under the hot water and sliced her wrist, holding the razor between thumb and forefinger. Clumsily, she switched hands and sliced her other wrist. Then she dropped the blade. Her wrists stung dully, and she felt a spreading warmth and wetness. She lifted her arms away from the water. Blood, welling up in thick clots, running down her arms toward the elbows.

To be free, she thought.

She sat with her arms held over the tub, palms up. Already it was better; the pressure that had been trying to turn her into someone else was receding. She wouldn’t go crazy this time. She tilted her arms up to help the flow. She noticed that the shower curtain had a pattern of yellow swans and fountains on it, that there was a quarterfull plastic bottle of shampoo and a bit of melted soap in the bath shelf. A big glob of blood splattered against the porcelain bottom of the tub. The flowing water stretched it out elastically, tugged at it, swept it loose and swirled it down the drain.

Too slow. The Lysol had been faster.

She fumbled for the razor blade, dropped it, wiped her hand dry on the shower curtain, picked it up again. She tilted her head back, felt for the big vein in her throat, located it with a finger. Very carefully, she positioned the razor blade. Then she closed her eyes and hacked with all her strength.

* * * *

The control light flittered on the Big Board: green dulled to amber, died to red, guttered out completely. A siren began to scream. The duty tech put down his magazine, winced at the metallic wailing, and touched the arm of his chair. Pneumatics hissed, the chair moved up and then sideways along the scaffolding, ghosting past thousands of unwinking green eyes set in horizontal rows, rows stacked in fifty-by-fifty-foot banks, banks filling the walls of the hexagonal Monitoring Complex, each tiny light in the walls in the banks in the rows representing the state of the life-system of one person in this sector of the City.

The tech found the deader easily: one blank spot in a solid wall of green—like a missing tooth, like the empty eye socket of a skull. He read the code symbols from the plaque above the dead light, relayed them through his throat mike to the duty runner down on the floor. “Got that?” “Check.” Below, in Dispatching, the runner would be feeding the code symbols into a records computer, getting the coordinates of the deader’s address, sending a VHF pulse out to the activated monitor in the deader’s body, the monitor replying with a pulse of its own so that the computer could check by triangulation that the deader was actually at his home address and then flash confirmation to the runner. The whole process took about a minute. Then the runner, fingers racing over a keyboard, would relay the coordinates to the sophisticated robot brain of the meat wagon, flick the activating switch, and the pickup squad would whoosh out over the private government monorail system that webbed the City’s roofs.

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