Arthur Clarke - 2010 - Odyssey Two

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This sequel to "2001: A Space Odyssey" answers the questions left by its predecessor. Captain Chandler investigates the lapse in HAL's sanity and the disappearance of Dave Bowman...

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To get a better view, he moved around to one of the other observation windows. And what he saw there – or, rather, what he did not see there – made him forget about Io, and almost everything else.

When he had recovered, and satisfied himself that he was not suffering – again? – from hallucinations, he called the other ship.

'Good morning, Woody,' yawned Sasha. 'No – I wasn't asleep. How are you getting on with old Tolstoi?'

'I'm not. Take a look outside and tell me what you see.'

'Nothing unusual, for this part of the cosmos. Io doing its thing. Jupiter. Stars. Oh my God!'

'Thanks for proving I'm sane. We'd better wake the skipper.'

'Of course. And everyone else. Woody – I'm scared.'

'You'd be a fool not to be. Here we go. Tanya? Tanya? Woody here. Sorry to wake you up – but your miracle's happened. Big Brother has gone. Yes – vanished. After three million years, he's decided to leave.

'I think he must know something that we don't.'

It was a sombre little group that gathered, during the next fifteen minutes, for a hasty conference in the wardroom-cum-observation lounge. Even those who had just gone to sleep were instantly awake, as they sipped thoughtfully from bulbs of hot coffee – and kept glancing at the shockingly unfamiliar scene outside Leonov's windows, to convince themselves that Big Brother had indeed vanished.

'It must know something that we don't.' That spontaneous phrase of Floyd's had been repeated by Sasha and now hung silently, ominously, in the air. He had summed up what everyone was now thinking – even Tanya.

It was still too early to say 'I told you so' – nor did it really matter whether that warning had any validity. Even if it was perfectly safe to stay, there was no point in doing so. With nothing to investigate, they might as well go home, just as quickly as possible. Yet it was not quite as simple as that.

'Heywood,' said Tanya, 'I'm now prepared to take that message, or whatever it was, much more seriously. I'd be stupid not to after what's happened. But even if there is danger here, we still have to weigh one risk against another. Coupling Leonov and Discovery together, operating Discovery with that huge off-axis load, disconnecting the ships in a matter of minutes so we can fire our engines at the right moment; no responsible captain would take such chances without very good – I'd say overwhelming – reasons. Even now, I don't have such reasons. I've only got the word of ... a ghost. Not very good evidence in a court of law.'

'Or a court of inquiry,' said Walter Curnow, in an unusually quiet voice, 'even if we all backed you up.'

'Yes, Walter – I was thinking of that. But if we get home safely, that will justify everything – and if we don't, it hardly matters, does it? Anyway, I'm not going to decide now. As soon as we've reported this, I'm going back to bed. I'll give you my decision in the morning after I've slept on it. Heywood, Sasha, will you come up to the bridge with me? We have to wake up Mission Control, before you go back on watch.'

The night had not yet finished with its surprises. Somewhere around the orbit of Mars, Tanya's brief report passed a message going in the opposite direction.

Betty Fernandez had talked at last, Both the CIA and the National Security Agency were furious; their combined blandishments, appeals to patriotism, and veiled threats had failed completely – yet the producer of a sleazy gossip network had succeeded, thereby making himself immortal in the annals of Videodom.

It was half luck, half inspiration. The news director of 'Hello, Earth!' had suddenly realized that one of his staff bore a striking likeness to David Bowman; a clever makeup artist had made it perfect. José Fernandez could have told the young man that he was taking a terrible risk, but he had the good fortune that often favours the brave. Once he had got his foot inside the door, Betty had capitulated. By the time she had – quite gently – thrown him out, he had obtained essentially the whole story. And to do him credit, he had presented it with a lack of leering cynicism quite uncharacteristic of his network. It got him that year's Pulitzer.

'I wish,' Floyd said rather wearily to Sasha, 'she'd talked earlier. It would have saved me a lot of trouble. Anyway, that settles the argument. Tanya can't possibly have any doubts now. But we'll leave it until she wakes up – don't you agree?'

'Of course – it's not urgent, even though it's certainly important. And she'll need the sleep. I have a feeling none of us will get much from now on.'

I'm sure you're right, thought Floyd. He felt very tired, but even if he had not been on duty he would have found it impossible to sleep. His mind was too active, analysing the events of this extraordinary night, trying to anticipate the next surprise.

In one way, he felt an enormous sense of relief: All uncertainty about their departure was surely ended; Tanya could have no further reservations.

But a much greater uncertainty remained. What was happening?

There was only one experience in Floyd's life that matched the situation. As a very young man, he had once gone canoeing with some friends down a tributary of the Colorado River – and they had lost their way.

They had been swept faster and faster between the canyon walls, not completely helpless, but with only enough control to avoid being swamped. Ahead might be rapids – perhaps even a waterfall; they did not know. And in any case, there was little they could do about it.

Once again, Floyd felt himself in the grip of irresistible forces, sweeping him and his companions toward an unknown destiny. And this time the dangers were not only invisible; they might be beyond human comprehension.

45 – Escape Manoeuvre

'This is Heywood Floyd, making what I suspect – indeed, hope – will be my last report from Lagrange.

'We are now preparing for the return home; in a few days we will leave this strange place, here on the line between Io and Jupiter where we made our rendezvous with the huge, mysteriously vanished artifact we christened Big Brother. There is still not a single clue as to where it has gone – or why.

'For various reasons, it seems desirable for us not to remain here longer than necessary. And we will be able to leave at least two weeks earlier than we had originally planned by using the American ship Discovery as a booster for the Russian Leonov.

'The basic idea is simple; the two ships will be joined together, one mounted piggyback on the other. Discovery will burn all its propellant first, accelerating both vessels in the desired direction. When its fuel is exhausted, it will be cut loose – like an empty first stage – and Leonov will start to fire its engines. It won't use them earlier, because if it did it would waste energy dragging along the dead weight of Discovery.

'And we're going to use another trick, which – like so many of the concepts involved in space travel – at first sight seems to defy common sense. Although we're trying to get away from Jupiter, our first move is to get as close to it as we possibly can.

'We've been there once before, of course, when we used Jupiter's atmosphere to slow us down and get into orbit around the planet. This time we won't go quite so close – but very nearly.

'Our first burn, up here in the 350,000-kilometres-high orbit of Io, will reduce our velocity, so that we fall down to Jupiter and just graze its atmosphere. Then, when we're at the closest possible point, we'll burn all our fuel as quickly as we can, to increase speed and inject Leonov into the orbit back to Earth.

'What's the point of such a crazy manoeuvre? It can't be justified except by highly complex mathematics, but I think the basic principle can be made fairly obvious.

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