John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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The soldier never did stop fighting. I guess that's why they're soldiers. With Winston hanging from his leg, his pants around his ankles, missing a hand, he still came at me and I swung the rifle up and held the trigger down and didn't really see what happened next because on full auto-fire the weapon packed such a kick that I was knocked on my ass again, and when I opened my eyes he was mostly on the walls, except for bits here and there on the floor, and the one big piece still in Winston's mouth.

I could say I paused and reflected on the enormity of taking a human life, or how nauseated I was at the sight of his dismembered body. I did think of those things, and many others. But later. Much later. At that time my mind had collapsed on itself and was only large enough to hold a few thoughts, and only one of those at a time. First, I was going to get out of there. Second, anybody between me and getting out of there was going to have a Hildy-sized hole drilled right through his or her stinking carcass. I had killed, and by god I meant to keep on killing if that's what I had to do to get to safety.

"Winston. Here, boy." I got up on one knee and talked to him. I didn't know what to expect. Would he recognize me? Was he too far gone in bloodlust?

But after a final shake of the soldier's leg, he let go and came to me. He was dragging his hind leg and he was gut-shot, but still walking.

I will admit I don't know why I took him. I mean, I really don't. My holocam recorded the scene, but it doesn't tape thoughts. Mine weren't very organized just then. I remember thinking I sure as hell owed him. It also crossed my mind that I was probably safer with him than without him; he was one hell of a weapon. I prefer to think I thought those things in that order. I won't swear to it.

I scooped him up in one arm, holding the rifle in the other, and stuck my head around the corner. Nobody blew it off. Nobody seemed to be moving at all. The square was a lot smokier and there was still a lot of gunfire, but everyone seemed to have taken cover. I could do that, too, and wait for somebody to find me, or I could use the smoke to hide in, knowing I could easily stumble on someone else who was doing the same thing, and was a better shot than I was.

I don't know how you make a decision like that. I mean, I made it, but I don't recall weighing the pro's and con's. I just looked around the corner, didn't see anybody, and then I was running.

Actually, running is a very generous word for what I did, with a dying dog tucked under one arm and a heavy weapon dangling from the other. And don't forget a belly the size of Phobos. Thank god holocams record only what you see, and not what you look like. That couldn't have been an image I'd like preserved for posterity.

My goal was the entrance to a corridor that led back toward the Heinlein , and I was about halfway there when someone behind me yelled "Halt!" in a firm and not-at-all-friendly voice, and things happened very fast… and I did everything right, even with all the things that went wrong.

I turned and kept back-pedaling, slowly, and I dropped Winston (who uttered the only yelp of pain he made through his entire heroic ordeal-and I'm sorry, Winston, wherever you are). I saw it was a King City cop, and he was young, and he looked as scared as I was, and he carried a huge drilling laser, which was pointed at me.

"Drop your weapon," he said, and I said Sorry, chum, this isn't personal , only not out loud, and I pulled the trigger. Nothing happened, and it was then I noticed the blinking red light on this curved metal thingy that must have been the ammo clip, and which must have been saying feed me !, or words to that effect in gun-language, and understood why what I'd thought was a short burst had had such a cataclysmic effect on my would-be rapist. So I dropped the gun and I held up my hands, and I saw Winston making his last dash, hobbling across the ten meters or so that separated us, and I put my hands out , palms up , and I shouted No !, and I will swear in any court in the world that I saw the man's finger tightening on the trigger from ten meters away, with the muzzle wavering between me and Winston as if he couldn't decide which to shoot first. And I know this is flatly impossible, but I even thought I saw the light start to come out the end of the weapon in the same fraction of a second that I grabbed my null-suit control and twisted it hard .

I was dazzled by green light. For a few moments I was blind. When vision returned the world was full of multi-colored incandescent balloons that drifted here and there, obscuring the world, popping like cartoon soap bubbles. I was sweating horribly inside my suit-field. It could have been worse. Outside the field, most everything seemed to be on fire.

About the only way you can go wrong with a laser is to shoot it at a mirror. You couldn't blame the cop for that. I hadn't been a mirror when he pulled the trigger; it was that close.

But he really should have let go a lot sooner.

Everywhere the beam hit me, it was reflected back, but because the human body is much a complex shape the reflected beam went all over the place. The resulting scorch line hit the walls in many places, melting plastic panels and starting fires behind them. It hit the cop at least three times. I think any of them would have been fatal without quick treatment. He was lying still, with flames engulfing his clothing in three deep, black slashes.

Somewhere in its wild gyrations the beam had hit Winston. His fur was on fire and he wasn't moving, either.

I was trying to think of what to do when a high wind rose. It briefly whipped the flames into a white-hot frenzy, but then it snuffed them out. All the smoke cleared in an instant and the scene took on that crisp clarity you find only in vacuum.

I turned, and ran for cover.

CHAPTER TWENTY-FOUR

I crouched in a pile of chrome-plated pipes not twenty meters from two patrolling figures in spacesuits, trying to pretend I was just another piece of bent pipe. I wasn't quite sure how to go about this. Don't move, and think tubular thoughts, I finally decided, and it had worked so far.

I was keeping one eye on the clock, one eye on the soldiers, and one eye on the blinking red light in my head-up display. Since this adds up to three eyes, you can imagine how busy I was. I was the busiest motionless person you ever saw. Or didn't see.

As if that weren't enough, I was calling every telephone number in my vast mental card file.

Forget those trivial inventions like fire, the wheel, the bow and arrow, the plow. Man didn't become truly civilized until Alex Bell uttered those immortal words, "Shit, Watson, I spilled acid all over my balls." Hiding there with my oxygen running out, my only hope of staying alive lay in getting some help over the telephone, and if it worked I resolved to light a candle every year on Mr. Bell's birthday.

My situation was dire, but it could have been worse. I could have been a member of the King City police dragooned (I later learned) into the first wave of the assault on Virginia City. In addition to the hazards of an armed populace, not to mention the meanest, gamest dog who ever lived, they had the added problem of not having pressure suits when the second wave, which attacked from the surface, began cutting the cables which brought power from the solar panels topside, which powered the null-fields which kept the air in.

That's what had happened just after I was lasered by the last cop. It was the air rushing out of the public square that had first fanned, then extinguished the flames on Winston's corpse.

It wasn't a blow-out like the one at Nirvana, or I wouldn't be here to tell you about it. What we're used to in a blow-out is a lot of air rushing through a relatively small hole. You get picked up and battered, then you get squeezed, and even in a null-suit your chances of survival are slim. But when a null-field goes, it goes all at once, and the air just expands. You get a gentle wind, then poof ! Like a soap bubble. And then you get a lot of cops and soldiers grabbing their throats, spitting blood, and falling quietly to the ground. I saw two people die like this. I guess it's a fairly quick, peaceful way to go, but I still get nauseous just thinking about it.

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