John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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"Let's look this situation over," I said. This time neither Winston nor the lover of hot fudge looked up, but I decided to continue my monologue internally, and it went something like this:

What with umpty-ump suicide attempts, Hildy, it's been what you might call a bad year.

You greeted the appearance of the Silver Girl with the loud hosannas of a Lost Soul who has Seen The Light.

You brought her to ground, using fine journalistic instincts honed by more years than you care to remember-helped by the fact that she wasn't exactly trying to stay hidden.

And-yea verily!-she was what you'd hoped she'd be: the key to a place where people were not content to coast along, year to year, in the little puddle of light and heat known as the Solar System, evicted from our home planet, cozened by a grand Fairy Godfather of our own creation who made life easier for us than it had ever been in the history of the species, and who was capable of things few of us knew or cared about. Let me hear you say amen !

Amen!

So then… so then…

Once you've got the story a certain post-reportoral depression always sets in. You have a smoke, pull on your shoes, go home. You start looking for the next story. You don't try to live in the story.

And why not? Because covering any story, whether it be the Flacks and Silvio or V.M. Smith and his merry band, just showed you more people, and I was beginning to fear that my problem was simply that I'd had it with people. I'd set out looking for a sign, and what I'd found was a story. The Angel Moroni materialized out of good old flash powder, and was held up with wires. The burning bush smelled of kerosene. Ezekiel's wheel, flashing across the sky? Look closely. Is that bits of pie crust on it, or what?

How can you say that, Hildy? I protested. (And the lady with the sundae got up and moved to another table, so maybe the monologue wasn't as interior as I had hoped. Maybe it was about to get positively Shakespearean and I would stand up on my chair and commit a soliloquy. To be or not to be!) After all (I went on, more calmly), he's building a starship.

Well… yeah. And his daughter is building pigs with wings, and maybe they'll both fly, but my money was on needing protection from falling pigshit before I held an interstellar boarding pass in my hand.

Yeah, but… well, they're resisting in here. They don't kow-tow to the CC. Not two weeks ago you were moved almost to tears to be accepted among them. Now we'll do something about the CC, you thought.

Sure. One of these days.

Two things had come clear to me once the fuzzy-headed camaraderie had worn off and my cynicism re-asserted itself. One was that the Heinleiners were as capable of lollygagging procrastination as anyone else. Aladdin had admitted to me that the resistance was mostly a passive thing, keeping the CC out rather than bearding him in his lair, mostly because no one had much of a clue as to how to go about the latter. So they all figured they'd take the fight to him… when they felt like it. Meantime, they did what we all did about insurmountable problems: they didn't think about it.

The second thing I realized was that, if the CC wanted to be in Heinlein Town, he would be in Heinlein Town.

I wasn't privy to all their secrets. I didn't know anything of the machinations that had brought the MacDonald-clone to Minamata, nor much of anything else about just how hard the CC was trying to penetrate the little Heinleiner enclave. But even such as me could tell it would be easy to get a spy in here. Hell, Liz had visited the previous week-end, with me, and had been admitted solely on the strength of her reputation as a person of known Heinleiner tendencies. Some sorts of checks were run, I'm sure, but I would bet anything the CC could get around them if he wanted to infiltrate a spy.

No, the CC was surely curious about these people, and no doubt frustrated, but the CC was a strange being. Whatever cryogenic turmoil was currently animating his massive brain was and probably would remain a mystery to me. It was clear that things were going wrong, or he'd never have been able to over-ride his programming and do the things he'd done to me. But it was equally clear that most of his programming was still intact, or he'd simply have kicked down the front door of this place and marched everyone off for trial.

Having said all that, why the disillusion, Hildy?

Two reasons. Unreasonable expectations: in spite of all good sense, I had hoped these people would be somehow better than other people. They weren't. They just had different ideas. And two, I didn't fit. They didn't need reporters in here. Gossip sufficed. Teaching was taken very seriously; no dilettantes need apply. The only other thing I was interested in was building a starship, and I'd be about as useful as a kewpie with a slide rule.

"Three reasons," I said. "You're depressed, too."

"Don't be," Libby said. "I'm here."

I looked up and saw him sit down after first carefully placing a dish oozing with chocolate, caramel, and melting ice cream on the table in front of him. He reached down and scratched Winston's head. The dog licked his nose, sniffed, and went back to sleep, ice cream being one of the few foodstuffs he had little interest in. Libby grinned at me.

"Hope I didn't keep you waiting too long," he said.

"No problem. Where's H amp; G?"

"They said they'd be along later. Liz is back, though." I saw her approaching across the village green. She had a bottle in one hand. The Heinleiners made their own booze, naturally, and Liz had professed to like it on her earlier visit. Probably that little dab of kerosene they added for flavor.

"Can't stay, folks, can't stay, gotta run," she said, just as if I'd urged her to stick around. She produced a folding cup from her gunbelt and poured a shot of pure Virginia City Bonded, tossed it down. It wasn't the first of the day.

That's right, I said gunbelt. Liz had taken to Heinlein Town from the first moment I brought her in, because it was the only place outside of the movie studios where she worked that she could wear a gun. But in here she could load it with real bullets. She currently sported a matched pair of Colt.45's, with pearl handles.

"I was hoping we could go do some shooting," Libby said.

"Not today, sweetie. I just dropped by to get a bottle, and retrieve my dog. Next weekend, I promise. But you buy the lead."

"Sure."

"Has he been a good dog?" Liz cooed, crouching down and scratching his back, almost toppling over in the process. She was probably talking to Winston, but I told her he'd been good, anyway. She didn't seem to hear.

Libby leaned a little closer to me and looked at me with concern.

"Are you really feeling depressed?" he asked. He put his hand on mine.

All I really needed at that point in my life was another case of puppy love, but that's just what had happened. At the rate he was going, pretty soon he'd be humping my leg, like Winston.

For pity sake, Hildy, give it a rest.

"Just a little blue," I said, putting on a smile for him.

"How come?"

"Wondering where my life is going."

He looked blankly at me. I'd seen the same expression on Brenda's face when I said something incomprehensible to one who sees nothing but endless, unlimited vistas stretching ahead. Charitably, I didn't kick him. Instead, I removed my hand from under his, patted his hand, and finally noticed the disturbance going on under the table.

"Problems, Liz?" I asked.

"I think he wants to stay here." She had attached a leash to his collar and was tugging on it, but he had planted his forepaws and dug in. Forget mules; if you want a metaphor for stubbornness, you need look no farther than the English Bulldog.

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