Clive Barker - Imajica 02 - The Reconciliator

Maybe it was these thoughts that ushered her to the place where the lovers had stood; maybe it was that same serendipity she'd hoped might lead her hand to the King's book. If so, this was a finer leading. Here was the wall where Bloxham and his mistress had coupled; she knew it without a trace of doubt. Here were the shelves the woman had clung to while her ridiculous beau had labored to fulfill her. Between the books they bore, the mortar was tinged with the faintest trace of blue. She didn't call Oscar but went to the shelves and took down several armfuls of books, then put her fingers to the stains. The wall was bitterly cold, but the mortar crumbled beneath her touch, as though her sweat was sufficient agent to unbind its elements. She was shocked at what she'd caused, and gratified, retreating from the wall as the message of dissolution spread with extraordinary rapidity. The mortar began to run from between the bricks like the finest of sand, its trickle becoming a torrent in seconds.

"I'm here," she told the prisoner behind the wall. "God knows, I've taken my time. But I'm here."

Oscar didn't catch Jude's words, not even the remotest echo. His attention had been claimed two or three minutes before by a sound from overhead, and he'd climbed the stairs in pursuit of its source. He'd disgraced his manhood enough in the last few days, hiding himself away like a frightened widow, and the thought that he might reclaim some of the respect he'd lost in Jude's eyes by confronting the trespasser above gave purpose to the chase. He'd armed himself with a piece of timber he'd found at the bottom of the stairs and was almost hoping as he went that his ears weren't playing tricks on him, and that there was indeed something tangible up above. He was sick of being in fear of rumors, and of pictures half glimpsed in flying stones. If there was something to see, he wanted to see it and either be damned in the seeing or cured of fear.

At the top of the stairs he hesitated. The light spilling through the door from Roxborough's room was moving, very slightly. He took his bludgeon in both hands and stepped through the door. The room swung with the lights, the solid table and its solid chairs giddied by the motion. He surveyed the room from corner to corner. Finding every shadow empty, he moved towards the door that led out into the foyer, as delicately as his bulk allowed. The rocking of the lights settled as he went, and they were still by the time he reached the door. As he stepped outside a perfume caught his nostrils, as sweet as the sudden, sharp pain in his side was sour. He tried to turn but his attacker dug a second time. The timber went from his hand, and a shout came from his lips....

"Oscar?"

She didn't want to leave the wall of Celestine's cell when it was undoing itself with such gusto—the bricks were dropping onto each other as the mortar between them decayed, and the shelves were creaking, ready to fall—but Oscar's shout demanded her attention. She headed back through the maze, the sound of the wall's capitulation echoing through the passageways, confounding her. But she found her way back to the stairs after a time, yelling for Oscar as she went. There was no reply from the library itself, so she decided to climb back up into the meeting room. That too was silent and empty, as was the foyer when she got to it, the only sign that Oscar had passed through a block of wood lying close to the door. What the hell was he up to? She went out to see if he'd returned to the car for some reason, but there was no sign of him in the sun, which narrowed the options to one: the tower above.

Irritated, but a little anxious now, she looked towards the open door that led back into the cellar, torn between returning to welcome Celestine and following Oscar up the tower. A man of his bulk was perfectly capable of defending himself, she reasoned, but she couldn't help but feel some residue of responsibility, given that she'd cajoled him into coming here in the first place.

One of the doors looked to be a lift, but when she appreached she heard the hum of its motor in action, so rather than wait she went to the stairs and began to climb. Though the flight was in darkness, she didn't let that slow her but mounted the stairs three and four at a time until she reached the door that led out onto the top floor. As she groped for the handle she heard a voice from the suite beyond. The words were indecipherable, but the voice sounded cultivated, almost clipped. Had one of the Tabula Rasa survived after all? Bloxham, perhaps, the Casanova of the cellar?

She pushed the door open. It was brighter on the other side, though not by that much. All the rooms along the corridor were murky pits, their drapes drawn. But the voice led her on through the gloom towards a pair of doors, one of which was ajar. A light was burning on the other side. She approached with caution, the carpet underfoot lush enough to silence her tread. Even when the speaker broke off from his monologue for a few moments she continued to advance, reaching the suite without a sound. There was little purpose in delay, she thought, once she was at the threshold. Without a word, she pushed open the door.

There was a table in the room, and on it lay Oscar, in a double pool: one of light, the other of blood. She didn't scream, or even sicken, even though he was laid open like a patient in mid-surgery. Her thoughts flew past the horror to the man and his agonies. He was alive. She could see his heart beating like a fish in a red pool, gasping its last.

The surgeon's knife had been cast onto the table beside him, and its owner, who was presently concealed by shadow, said, "There you are. Come in, why don't you? Come in." He put his hands, which were clean, on the table. "It's only me, lovey."

"Dowd...."

"Ah! To be remembered. It seems such a little thing, doesn't it? But it's not. Really, it's not."

The old theatricality was still in his manner, but the mellifluous quality had gone from his voice. He sounded, and indeed looked, like a parody of himself, his face a mask carved by a hack.

"Do join us, lovey," he said. "We're in this together, after all."

Startled as she was to see him (though hadn't Oscar warned her that his type was difficult to kill?) she didn't feel intimidated by him. She'd seen his tricks and deceits and performances; she'd seen him hanging over an abyss, begging for life. He was ridiculous.

"I wouldn't touch Godolphin, by the way," he said.

She ignored the advice and went to the table.

"His life's hanging by a thread," Dowd went on. "If he's moved, I swear his innards will just drop out. My advice is let him lie. Enjoy the moment."

"Enjoy?" she said, the revulsion she felt surfacing, though she knew it was exactly what the bastard wanted to hear.

"Not so loud, sweetie," Dowd said, as if pained by her volume. "You'll wake the baby." He chuckled. "He is a baby, really, compared to us. Such a little life...."

"Why did you do this?"

"Where do I begin? With the petty reasons? No. With the big one. I did it to be free." He leaned in towards her, his face a chiaroscuro jigsaw beneath the lamp. "When he breathes his last, lovey—which'H be very soon now—that's the end of the Godolphins. When he's gone, we're in thrall to nobody."

"You were free in Yzordderrex."

"No. On a long leash, maybe, but never free. I felt his desires, I felt his discomforts. A little part of me knew I should be at home with him, making his tea and drying between his toes. In my heart, I was still his slave." He looked at the body again. "It seems almost miraculous, how he manages to linger."

He reached for the knife.

"Leave him!" she snapped, and he retreated with surprising alacrity.

She leaned towards Oscar, afraid to touch him for fear of shocking his traumatized system further and stopping it. There were tics in his face, and his white lips were full of tiny tremors.