Clive Barker - Imajica 02 - The Reconciliator

He began towards them, tree and step, the memories already returning in force. He heard the children singing behind him, the song that had so tormented him when the Autarch had told him who he was. Sartori, he'd said, and this charmless ditty, sung by piping voices, had come in pursuit of the name. He'd loathed it then. Its melody was banal; its words were nonsense. But now he remembered how he'd first heard it, walking along this very pavement with the children in procession on the opposite shore, and how flattered he'd been that he was famous enough to have reached the lips of children who would never read or write or, most probably, reach the age of puberty. .All of London knew who he was, and he liked his fame. He was talked about at court, Roxborough said, and should soon expect an invitation. People who'd not so much as touched his sleeve were claiming intimate association.

But there were still those, thank God, who kept an exquisite distance, and one such soul had lived, he remembered, in the house opposite: a nymph called Allegra who liked to sit at her dressing table near the window with her bodice half unlaced, knowing she had an admirer in the Maestro across the street. She'd had a little curly-haired dog, and sometimes in the evening he'd hear her piping voice summon the lucky hound onto her lap, where she'd let it snuggle. One afternoon, a few paces from where he stood now, he'd met the girl out walking with her mother and had made much of the dog, suffering its little tongue on his mouth for the smell of her sex in its fur. What had become of that child? Had she died a virgin or grown old and fat, wondering about the man who'd been her most ardent admirer?

He glanced up at the window where Allegra had sat. No light burned in it now. The house, like almost all these buildings, was dark. Sighing, he turned his gaze towards number 28 and, crossing the street, went to the door. It was locked, of course, but one of the lower windows had been broken at some point and never repaired. He reached through the smashed pane and unlocked it, then slid the window up and himself inside. Slowly, he reminded himself; go slowly. Keep the flow under control.

It was dark, but he'd come prepared for that eventuality, with candle and matches. The flame guttered at first, and the room rocked at its indecision, but by degrees it strengthened, and he felt a sensation he'd not expected swelling like the light: pride. In its time, this, his house, had been a place of great souls and great ambition, where all commonplace debate had been banned. If you wanted to talk politics or tittle-tattle you went to the coffee house; if you wanted commerce, to the Exchange. Here, only miracles. Here, only the rising of the spirit. And, yes, love, if it was pertinent (which it was, so often); and sometimes bloodletting. But never the prosaic, never the trivial. Here the man who brought the strangest tale was the most welcome. Here every excess was celebrated if it brought visions, and every vision analyzed for the hints it held to the nature of the Everlasting.

He lifted the candle and, holding it high, began to walk through the house. The rooms—there were many—were badly dilapidated, the boards creaking under his feet, weakened by rot and worm, the walls mapping continents of damp. But the present didn't insist upon him for long. By the time he reached the bottom of the stairs, memory was lighting candles everywhere, their luminescence spilling through the dining room door and from the rooms above. It was a generous light, clothing naked walls, putting lush carpets underfoot, and setting fine furniture on their pile. Though the debaters here might have aspired to pure spirit, they were not averse to comforting the flesh while still cursed with it. Who would have guessed, seeing the modest facade of the house from the street, that the interior would be so finely furnished and ornamented? And seeing these glories appear, he heard the voices of those who'd wallowed in that luxury. Laughter first; then vociferous argument from somebody at the top of the stairs. He couldn't see the debaters yet—perhaps his mind, which he'd instructed in caution, was holding the flood back—but he could put names to both of them, sight unseen. One was Horace Tyrwhitt, the other Isaac Abelove. And the laughter? That was Joshua Godolphin, of course. He had a laugh like the Devil's laugh, full and throaty.

"Come on, then," Gentle said aloud to the memories. "I'm ready to see your faces."

And as he spoke, they came: Tyrwhitt on the stairs, overdressed and overpowdered, as ever, keeping his distance from Abelove in case the magpie his pursuer was nursing flew free.

"It's bad luck," Tyrwhitt was protesting. "Birds in the house are bad luck!"

"Luck's for fishermen and gamblers," Abelove replied.

"One of these days you'll turn a phrase worth remembering," Tyrwhitt replied. "Just get the thing out before I wring its neck." He turned towards Gentle. "Tell him, Sartori."

Gentle was shocked to see the memory's eyes fix so acutely upon him. "It does no harm," he found himself replying. "It's one of God's creatures."

At which point the bird rose flapping from Abelove's grasp, emptying its bowels as it did so on the man's wig and face, which brought a hoot of laughter from Tyrwhitt.

"Now don't wipe it off," he told Abelove as the magpie fluttered away. "It's good luck."

The sound of his laughter brought Joshua Godolphin, imperious as ever, out of the dining room. "What's the row?"

Abelove was already clattering after the bird, his calls merely alarming it more. It fluttered around the hallway in panic, cawing as it went.

"Open the damned door!" Godolphin said. "Let the bloody thing out!"

"And spoil the sport?" Tyrwhitt said.

"If everyone would but calm their voices," Abelove said, "it would settle."

"Why did you bring it in?" Joshua wanted to know.

"It was sitting on the step," Abelove replied. "I thought it was injured."

"It looks quite well to me," Godolphin said, and turned his face, ruddied with brandy, towards Gentle. "Maestro," he said, inclining his head a little. "I'm afraid we began dinner without you. Come in. Leave these bird brains to play."

Gentle was crossing to the dining room when there was a thud behind him, and he turned to see the bird dropping to the floor beneath one of the windows, where it had struck the glass. Abelove let out a little moan, and Tyrwhitt's laughter ceased.

"There now!" he said. "You killed the thing!"

"Not me!" Abelove said.

"You want to resurrect it?" Joshua murmured to Gentle, his tone conspiratorial.

"With a broken neck and wings?" Gentle mourned. "That wouldn't be very kind."

"But amusing," Godolphin replied with mischief in his puffy eyes.

"I think not," Gentle $aid, and saw his distaste wipe the humor off Joshua's face. He's a little afraid of me, Gentle thought; the power in me makes him nervous.

Joshua headed into the dining room, and Gentle was about to step through the door after him when a young man—eighteen at most, with a plain, long face and chorister's curls—came to his side.

"Maestro?" he said.

Unlike Joshua and the others, these features seemed more familiar to Gentle. Perhaps there was a certain modernity in the languid lidded gaze and the small, almost effeminate, mouth. He didn't look that intelligent, in truth, but his words, when they came, were well turned, despite the boy's nervousness. He barely dared look at Sartori, but with those lids downcast begged the Maestro's indulgence.

"I wondered, sir, if you had perhaps considered the matter of which we spoke?"

Gentle was about to ask, What matter?, when his tongue replied, his intellect seizing the memory as the words spilled out. "I know how eager you are, Lucius."

Lucius Cobbitt was the boy's name. At seventeen he already had the great works by heart, or at least their theses. Ambitious and apt at politics, he'd taken Tyrwhitt as a patron (for what services only his bed knew, but it was surely a hanging offense) and had secured himself a place in the house as a menial. But he wanted more than that, and scarcely an evening went by without his politely plying the Maestro with coy glances and pleas.