Bruce Sterling - Crystal Express

Once they had mourned the dead, the Edokko were ready to rebuild. They were always ready. Fires, even earthquakes, were nothing new to them. It was a rare building in Low City that escaped the Flowers of Edo for as long as twenty years.

But this was Imperial Tokyo now, and not the Shogun's old Edo anymore. The Governor had come down from High City in his horse-drawn coach and looked over the smoldering ruins of Ginza. Low City townsmen still talked about it -- how the Governor had folded his arms -- like this -- with his wrists sticking out of his Western frock coat. And how he had frowned a mighty frown. The Edo townsmen were getting used to those unsettling frowns by now. Hard, no- nonsense, modern frowns, with the brows drawn low over cold eyes that glittered with Civilization and Enlightenment.

So the Governor, with a mighty wave of his modern frock-coated arm, sent for his foreign architects. And the Englishmen had besieged the district with their charts and clanking engines and tubs full of brick and mortar. The very heavens had rained bricks upon the black and flattened ruins. Great red hills of brick sprang up -- were they houses, people wondered, were they buildings at all? Stories spread about the foreigners and their peculiar homes. The long noses, of course -- necessary to suck air through the stifling brick walls. The pale skin -- because bricks, it was said, drained the life and color out of a man....

The rickshaw drew up short with a final brass jingle. The older rickshawman spoke, panting, "Far enough, gov?"

"Yeah, this'll do," said one passenger, piling out. His name was Encho Sanyutei. He was the son and successor of a famous vaudeville comedian and, at thirty-five, was now a well-known performer in his own right. He had been telling his companion about the Ginza Bricktown, and his folded arms and jutting underlip had cruelly mimicked Tokyo's Governor.

Encho, who had been drinking, generously handed the older man a pocketful of jingling copper sen. "Here, pal," he said. "Do something about that cough, will ya?" The runners bowed, not bothering to overdo it. They trotted off toward the nearby Ginza crowd, hunting another fare.

Parts of Tokyo never slept. The Yoshiwara District, the famous Nightless City of geishas and rakes, was one of them. The travelers had just come from Asakusa District, another sleepless place: a brawling, vibrant playground of bars, Kabuki theaters, and vaudeville joints.

The Ginza Bricktown never slept either. But the air here was different. It lacked that earthy Low City workingman's glow of sex and entertainment. Something else, something new and strange and powerful, drew the Edokko into the Ginza's iron-hard streets.

Gaslights. They stood hissing on their black foreign pillars, blasting a pitiless moon-drowning glare over the crowd. There were eighty-five of the appalling wonders, stretching arrow-straight across the Ginza, from Shiba all the way to Kyobashi.

The Edokko crowd beneath the lights was curiously silent. Drugged with pitiless enlightenment, they meandered down the hard, gritty street in high wooden clogs, or low leather shoes. Some wore hakama skirts and jinbibaori coats, others modern pipe-legged trousers, with top hats and bowlers.

The comedian Encho and his big companion staggered drunkenly toward the lights, their polished leather shoes squeaking merrily. To the Tokyo modernist, squeaking was half the fun of these foreign-style shoes. Both men wore inserts of "singing leather" to heighten the effect.

"I don't like their attitudes," growled Encho's companion. His name was Onogawa, and until the Emperor's Restoration, he had been a samurai. But Imperial decree had abolished the wearing of swords, and Onogawa now had a post in a trading company. He frowned, and dabbed at his nose, which had recently been bloodied and was now clotting. "It's all too free-and-easy with these modern rickshaws. Did you see those two runners? They looked into our faces, just as bold as tomcats."

"Relax, will you?" said Encho. "They were just a couple of street runners. Who cares what they think? The way you act, you'd think they were Shogun's Overseers." Encho laughed freely and dusted off his hands with a quick, theatrical gesture. Those grim, spying Overseers, with their merciless canons of Confucian law, were just a bad dream now. Like the Shogun, they were out of business.

"But your face is known all over town," Onogawa complained.

"What if they gossip about us? Everyone will know what happened back there. It's the least I could do for a devoted fan," Encho said airily.

Onogawa had sobered up a bit since his street fight in Asakusa. A scuffle had broken out in the crowd after Encho's performance -- a scuffle centered on Onogawa, who had old acquaintances he would have preferred not to meet. But Encho, appearing suddenly in the crowd, had distracted Onogawa's persecutors and gotten Onogawa away.

It was not a happy situation for Onogawa, who put much stock in his own dignity, and tended to brood. He had been born in Satsuma, a province of radical samurai with stern unbending standards. But ten years in the capital had changed Onogawa, and given him an Edokko's notorious love for spectacle. Somewhat shamefully, Onogawa had become completely addicted to Encho's sidesplitting skits and impersonations.

In fact, Onogawa had been slumming in Asakusa vaudeville joints at least twice each week, for months. He had a wife and small son in a modest place in Nihombashi, a rather straitlaced High City district full of earnest young bankers and civil servants on their way up in life. Thanks to old friends from his radical days, Onogawa was an officer in a prosperous trading company. He would have preferred to be in the army, of course, but the army was quite small these days, and appointments were hard to get.

This was a major disappointment in Onogawa's life, and it had driven him to behave strangely. Onogawa's long-suffering in-laws had always warned him that his slumming would come to no good. But tonight's event wasn't even a geisha scandal, the kind men winked at or even admired. Instead, he had been in a squalid punch-up with low-class commoners.

And he had been rescued by a famous commoner, which was worse. Onogawa couldn't bring himself to compound his loss of face with gratitude. He glared at Encho from under the brim of his bowler hat. "So where's this fellow with the foreign booze you promised?"

"Patience," Encho said absently. "My friend's got a little place here in Bricktown. It's private, away from the street." They wandered down the Ginza, Encho pulling his silk top-hat low over his eyes, so he wouldn't be recognized.

He slowed as they passed a group of four young women, who were gathered before the modern glass window of a Ginza fabric shop. The store was closed, but the women were admiring the tailor's dummies. Like the dummies, the women were dressed with daring modernity, sporting small Western parasols, cutaway riding-coats in brilliant purple, and sweeping foreign skirts over large, jutting bustles. "How about that, eh?" said Encho as they drew nearer. "Those foreigners sure like a rump on a woman, don't they?"

"Women will wear anything," Onogawa said, struggling to loosen one pinched foot inside its squeaking shoe. "Plain kimono and obi are far superior."

"Easier to get into, anyway," Encho mused. He stopped suddenly by the prettiest of the women, a girl who had let her natural eyebrows grow out, and whose teeth, unstained with old- fashioned tooth-blacking, gleamed like ivory in the gaslight.

"Madame, forgive my boldness," Encho said. "But I think I saw a small kitten run under your skirt."

"I beg your pardon?" the girl said in a flat Low City accent.

Encho pursed his lips. Plaintive mewing came from the pavement. The girl looked down, startled, and raised her skirt quickly almost to the knee. "Let me help," said Encho, bending down for a better look. "I see the kitten! It's climbing up inside the skirt!" He turned. "You'd better help me, older brother! Have a look up in there."