Patricia Cornwell - Black Notice

"One medium pepperoni, extra cheese," he mumbled. "Ordered last night at five-fifty-three."

He dug around some more and found crumpled napkins, three slices of the pizza and at least half a dozen cigarette butts.

"Now we're cookin'," he said. "Bray didn't smoke. Looks like she had company last night."

"When did the nine-one-one call come in?"

"Nine-oh-four. About an hour and a half ago. And it don't look to me like she was up making coffee, reading the paper or anything else this morning."

"I'm pretty sure she was already dead by this morning," Butterfield offered.

We moved on, following a carpeted hallway to the master bedroom in the back of the house. When we reached the open doorway, both of us stopped. Violence seemed to absorb all light and air. Its silence was complete, its stains and destruction everywhere.

"Holy shit," Marino said under his breath.

Whitewashed walls, floor, ceiling, overstuffed chairs, chaise longue were spattered so completely with blood it almost seemed part of a decorator's plan. But these droplets, smears and streaks weren't dye or paint; they were fragments from a terrible explosion caused by a psychopathic human bomb. Dried speckles and drips sullied antique mirrors, and the floor was thick with coagulated puddles and splashes. The king-size bed was soaked with blood and oddly stripped of its linens.

Diane Bray had been beaten so severely I couldn't have told her race. She was on her back, green satin blouse and black underwire bra on the floor. I picked them up. They had been ripped from her body. Every inch of skin was dried wipes and smears and swirls reminding me of fingerpainting again, her face a mush of splintered bone and battered tissue. On her left wrist was a smashed gold watch. On her right ring finger, a gold band was beaten into the bone.

For a long time we stared. She was naked from the waist up. Her black corduroy pants and belt didn't seem to have been touched. The soles of her feet and her palms were chewed up, and this time Loup-Garou hadn't bothered eradicating his bite marks. They were circles of widely spaced, narrow teeth that didn't look human. He had bitten and sucked and beaten, and-Bray's complete degradation, her mutilation, especially of her face, instantly screamed rage. It cried out that she might have known her killer, just as Loup-Garou's other victims had.

Only, he didn't know them. Before he showed up at the door, he and his victims had never met except in his hellish fantasies.

"What's wrong` with Anderson?" Marino was asking Butterfield.

"She heard about it and freaked."

"That's kinda interesting. That mean we don't got a detective here?"

"Marino, let me see your flashlight, please," I said.

I shone the light all around. Blood was spattered on the headboard and a bedside lamp, caused when the impact of blows or slashes projected small droplets away from the weapon. There were low-velocity stains as well, blood that had dripped to the carpet. I got down and probed the bloody hardwood floor next to the bed, and I found more pale long hairs. They were on Bray's body, too:

"The word we got was to secure the scene and wait for a supervisor," one of the cops was saying.

"What supervisor?" Marino asked.

I shone light obliquely on bloody footprints close to the bed. They had a distinctive tread and I looked up at the officers in the room.

"Uh, I think the chief himself. I think he wants to assess the situation before anything's done," Butterfield was talking to Marino.

"Well, that's tough shit," Marino said. "And he shows up., he can stand out in the rain."

"How many people have been inside this room?" I asked.

"I don't know," one of the officers answered.

"If you don't know, then it's too many," I replied. "Did either of you touch the body? How close did you get to it?"

"I didn't touch her."

"No, ma'am."

"Whose footprints are these?" I pointed them out. "I need to know, because if they aren't yours, then the killer hung around long enough for the blood to dry."

Marino looked at the officers' feet. Both men were wearing black crosstrainers. Marino squatted and looked at the faint tread pattern on the hardwood floor.

"Could it be Vibram?" he sarcastically said.

"I need to get started," I said, getting swabs and a chemical thermometer out of my case.

"We got too damn many people in here!" Marino announced. "Cooper, Jenkins, go find something useful to do., He jerked his thumb at the open doorway. They stared at him. One of them started to say something.

"Swallow it, Cooper," Marino told him. "And give me the camera. And maybe you followed orders by securing the scene, but you weren't told to work the damn scene. What? Couldn't resist seeing your deputy chief like this? That the deal? How many other assholes been in here gawking?"

"Wait a minute…" Jenkins protested.

Marino snatched the Nikon out of his hands.

"Give me your radio," Marino snapped.

Jenkins reluctantly detached it from his duty belt and handed that over to him, too.

"Go," Marino said.

"Captain, I can't leave without my radio."

"I just gave you permission."

No one dared remind Marino that he had been suspended. Jenkins and Cooper left in a hurry.

"Sons of bitches," Marino declared in their wake.

I turned Bray's body on its side. Rigor mortis was complete, suggesting she had been dead at least six hours. I pulled down her pants and swabbed her rectum for seminal fluid before inserting the thermometer.

"I need a detective and some crime-scene techs," Marino was saying on the air.

"Unit nine, what's the address?"

"The one in progress," Marino cryptically replied.

"Ten-four, unit nine," said the dispatcher, a woman.

"Minny," Marino said to me.

I waited for an explanation.

"We go way back. She's my radio room snitch," he said.

I withdrew the thermometer and held it up.

"Eighty-eight-point-one," I said. "The body usually cools about one and a half degrees an hour for the first eight hours. But she's going to cool a little quicker because she's partially unclothed. It's what? Maybe seventy degrees in here?"

"I don't know. I'm burning up," he said. "For sure she was murdered last night, that much we know."

"Her stomach contents may tell us more," I said. "Do we have any idea how the killer got in?"

"I'm gonna check out the doors and windows after we finish up in here."

"Long linear lacerations,",I said, touching her wounds and looking for any trace evidence that might not make it to the morgue. "Like a tire iron. Then there are these punched-out areas, too. Everywhere."

"Could be the end of the tire iron," Marino said, looking on.

"But what made this?" I asked.

In several places on the mattress, blood had been transferred from some object that left a striped pattern reminiscent of a plowed field. The stripes were approximately an inch and a half long with maybe an eighth of an inch of space between them, the total surface area of each transfer about the size of my palm.

"Make sure we check the drains for blood," I said as voices sounded down the hall.

"Hope that's the Breakfast Boys," Marino said, referring to Ham and Eggleston.

They showed up carrying large Pelican cases.

"You got any idea what the hell's going on?" Marino asked them.

The two crime-scene technicians stared.

"Mother of God," Ham finally said.

"Does anyone have any idea what happened here?" Eggleston asked, his eyes fixed on what was left of Bray on the bed.

"You know about as much as we do," Marino replied. "Why weren't you-called earlier?"

"I'm surprised you found out," Ham said. "No one told us until now."

"I got my sources," Marino said.

"Who tipped the media?" I asked..