Geoff Ryman - Was

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Was: краткое содержание, описание и аннотация

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From Publishers Weekly
Ryman's darkly imaginative, almost surreal improvisation on L. Frank Baum's Oz books combines a stunning portrayal of child abuse, Wizard of Oz film lore and a polyphonic meditation on the psychological burden of the past.
From Kirkus Reviews
The Scarecrow of Oz dying of AIDS in Santa Monica? Uncle Henry a child abuser? Dorothy, grown old and crazy, wearing out her last days in a Kansas nursing home? It's all here, in this magically revisionist fantasy on the themes from The Wizard of Oz. For Dorothy Gael (not a misprint), life with Uncle Henry and Aunty Em is no bed of roses: Bible-thumping Emma Gulch is as austere (though not as nasty) as Margaret Hamilton, and her foul- smelling husband's sexual assaults send his unhappy niece over the line into helpless rage at her own wickedness and sullen bullying of the other pupils in nearby Manhattan, Kansas. Despite a brush with salvation (represented by substitute teacher L. Frank Baum), she spirals down to madness courtesy of a climactic twister, only to emerge 70 years later as Dynamite Dottie, terror of her nursing home, where youthful orderly Bill Davison, pierced by her zest for making snow angels and her visions of a happiness she never lived, throws over his joyless fianc‚e and becomes a psychological therapist. Meanwhile, in intervening episodes in 1927 and 1939, Frances Gumm loses her family and her sense of self as she's transformed into The Kid, Judy Garland; and between 1956 and 1989, a little boy named Jonathan, whose imaginary childhood friends were the Oz people, grows up to have his chance to play the Scarecrow dashed by the AIDS that will draw him to Kansas-with counselor Davison in pursuit-in the hope of finding Dorothy's 1880's home and making it, however briefly, his own. This tale of homes lost and sought, potentially so sentimental, gets a powerful charge from Ryman's patient use of homely detail in establishing Dorothy's and Jonathan's childhood perspectives, and from the shocking effects of transforming cultural icons, especially in detailing Dorothy's sexual abuse. Science-fiction author Ryman (The Child Garden, 1990) takes a giant step forward with this mixture of history, fantasy, and cultural myth-all yoked together by the question of whether you can ever really go home.

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And then there was a knock, and Bill Davison came in. "Hello, I saw the note in the office," Bill began, to Angel.

"Bill!" Jonathan shouted, not at all surprised to see him. "Bill, I got her!" He shook the papers at him. Bill stood stunned for a moment. "I found Dorothy!" Jonathan said.

Bill answered him. "That's why I'm here," he said.

After they had talked for a while, Bill gave Jonathan something to help him sleep. Jonathan crept back to bed in a darkened room, and found Karl waiting for him there. Karl's body was smooth and cold. He kissed the tip of Jonathan's nose and asked the question that everyone asked. "What," Karl asked Jonathan, "do you want to do?"

"I want to stay here in Kansas," said Jonathan. "With you."

Manhattan, Kansas-September 1989

"Oz Ev"

"Real Home"- a motto on many trucks in Turkey, usually accompanied by a painting of a white house in green fields by a river

In the morning Jonathan wasn't in his room.

Bill walked out into the parking lot. There was a low, golden light pouring across Highway 24, the trucks tirelessly rumbling past. On the other side of the road there was a warehouse made of aluminum sheeting with an orange sign-REX'S TIRE C. Above that there was a rise of large trees, like clouds, up a slope to a deliberate clearing. MANHATTAN, said giant white letters. On the top of the hill there was a water tower, like a white upside-down test tube. There was an apple painted on it. MANHATTEN, said the water tower, the little apple.

Bill saw Jonathan walking out of the shrubbery. Jonathan was walking backward. A newspaper was curled up and held firmly under his arm.

"There you are," said Bill. "I was getting worried."

Jonathan answered with his back toward Bill. "The river moved. I was trying to find it."

"By walking backward? Come on, Jonathan." Bill tugged Jonathan around to face him. Jonathan was grinning. As soon as Bill let him go, like a door on a spring, Jonathan spun back around.

"Jonathan, turn around, please."

"I could walk into the river backward," he said.

"We're going to have breakfast. Are you up for breakfast?"

"Oh, yeah, I could eat a horse."

"Good, then let me look at you." He pulled Jonathan back around. Jonathan was still grinning. Bill held him in place and peered into his eyes, which had gone yellow.

"What color is your pee?" Bill asked.

"Bet you say that to all the girls."

"Come on, just tell me what color it is."

"How should I know? I'm color-blind!" Jonathan replied.

"Open wide." Jonathan stared back at him like Groucho Marx. "Your mouth, not your eyes."

Beginning at the back of Jonathan's throat there were ulcers, patches of yellow in pink swellings.

"Can you hold anything down?"

"Not even a job." Released, Jonathan spun around again. "If I walk backward, I'll go backward. Maybe I'll disappear."

"Jonathan," said Bill, to his back. "Do you want to find Dorothy?"

Silence.

"If you keep acting up, I'll have to take you straight to the nearest hospital. So turn around. You can turn around."

"Nope. Can't," said Jonathan, and turned around to face him.

"You're jaundiced, Jonathan. You may have something wrong with your liver. And you've got something very nasty down your gullet. You should be in the hospital. Now. I can give you today, Jonathan, but by evening, I want you in the hospital."

"Sure, Ira," said Jonathan.

There was a steakhouse next door to the Best Western, next door being about a fifth of a mile away. They walked across dirt to a breeze-block bungalow. The floor was made of tiles designed to look like blocks of wood. The Formica tables looked like wood. The food looked like wood. The hash browns looked like sawdust, the egg like putty. Breaded mushrooms steamed in tin basins like wooden knobs. Caterers had finally found a way to bottom-line breakfast.

Jonathan stared at the buffet, looking ill.

"You could try some bacon," said Bill. It looked purple and soggy. Jonathan very firmly shook his head, no.

"Jonathan, you've got to take something. How about some coffee? Tea?" Jonathan just kept shaking his head.

Bill's heart sank. The physical symptoms were bad enough, but it was the presenting behavior that was really worrying him. "Okay, let's sit down. Do you think you could swallow some soup?"

Jonathan's eyes moved sideways, terrorized by the prospect of food. He nodded yes. Bill took him by the arm and led him to a table.

A waitress came up to their table. "Coffee?" she asked. She had brown circles under her eyes and slightly hunched shoulders, but she seemed cheerful.

Bill said yes, and she poured coffee, not from the spout, but from the side, over the edge of the black-rimmed glass container.

"Did you catch my awesome backhand?" she asked.

Jonathan was staring up at the lights overhead. They were imitation oil lamps, with pink roses printed on them. Bill could see the dots.

"Are those old?" Jonathan asked the waitress.

"I don't know, we just got them in last week." The waitress giggled. "I'll come back for your order in just a sec." She waddled up to the next table and gave a gladsome cry. "Hi, Horace, how are you?"

An officer of the law in a brown uniform placed his cowboy hat on the table. "Well how you doing, boss lady?" he boomed.

"How was Ira?" Jonathan asked.

At last, a sensible question. Bill almost sighed with relief.

"He's hysterical," said Bill. "He blames himself, he's full of worry. He thinks you can't cope on your own. I told him how you'd used the credit cards to buy a ticket and rent a car and said it didn't sound exactly helpless to me. I-um-told him it would probably be better if he didn't come along."

"He told me to go away."

"He may not have meant that."

"I don't want to go back."

"Okay. But do you think you could write him a card or something?"

Without looking at him, without saying anything, Jonathan took the newspaper out from under his arm and gave it to Bill. It was a local newspaper, and the edge was ringed around and around with Jonathan's handwriting. It was a letter to Ira.

The waitress was back with them, breathing good cheer, perfume and sweat. "Right, gentlemen, what will it be?"

"Do you cook any breakfast fresh?" Bill asked.

They found the car. Jonathan had the keys, and they had a plastic tab that said the license number, model, color.

They drove it to the Registry Office. Jonathan's knees jiggled with nerves, and he hummed to himself. In the office, Sally greeted them.

"Sally, Sally," he said, bobbing up and down. "I found the school!"

"Great!" she said. "Which one is it?"

"Sunflower School?" he asked.

"We'll find it for you. Who's your good-looking friend?"

"This is Bill," said Jonathan, rather proudly. "He's my psychiatrist."

Sally shook hands properly. "You think he could be my psychiatrist, too?"

"Sure," said Jonathan in a faraway voice. "But you have to be sick like me."

Her smile faltered for a second. "Right," she said. "Let's check out that school."

In the safe room, the big book was taken out, and Sally's metallic pink fingernails raced across the pages. "We need its number," she said. "Here we are. Sunflower School, number forty-three. It's Zeandale Township but where exactly…" Scowling slightly, she went to another book. "Uh. Okay. I'll show you where that is."

She led them out of the main records room to the map on the wall and pointed. "That's it, there, Zeandale Township, smack dab where Sectors 23, 24, 25, and 26 all meet." She stood back and with a hooked finger delicately rubbed the tip of her nose.

Both Bill and Jonathan crowded around the map. Beside the main road was a tiny square with a number. It was near the Kaw, not far from the main road.

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