Geoff Ryman - Was

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Was: краткое содержание, описание и аннотация

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From Publishers Weekly
Ryman's darkly imaginative, almost surreal improvisation on L. Frank Baum's Oz books combines a stunning portrayal of child abuse, Wizard of Oz film lore and a polyphonic meditation on the psychological burden of the past.
From Kirkus Reviews
The Scarecrow of Oz dying of AIDS in Santa Monica? Uncle Henry a child abuser? Dorothy, grown old and crazy, wearing out her last days in a Kansas nursing home? It's all here, in this magically revisionist fantasy on the themes from The Wizard of Oz. For Dorothy Gael (not a misprint), life with Uncle Henry and Aunty Em is no bed of roses: Bible-thumping Emma Gulch is as austere (though not as nasty) as Margaret Hamilton, and her foul- smelling husband's sexual assaults send his unhappy niece over the line into helpless rage at her own wickedness and sullen bullying of the other pupils in nearby Manhattan, Kansas. Despite a brush with salvation (represented by substitute teacher L. Frank Baum), she spirals down to madness courtesy of a climactic twister, only to emerge 70 years later as Dynamite Dottie, terror of her nursing home, where youthful orderly Bill Davison, pierced by her zest for making snow angels and her visions of a happiness she never lived, throws over his joyless fianc‚e and becomes a psychological therapist. Meanwhile, in intervening episodes in 1927 and 1939, Frances Gumm loses her family and her sense of self as she's transformed into The Kid, Judy Garland; and between 1956 and 1989, a little boy named Jonathan, whose imaginary childhood friends were the Oz people, grows up to have his chance to play the Scarecrow dashed by the AIDS that will draw him to Kansas-with counselor Davison in pursuit-in the hope of finding Dorothy's 1880's home and making it, however briefly, his own. This tale of homes lost and sought, potentially so sentimental, gets a powerful charge from Ryman's patient use of homely detail in establishing Dorothy's and Jonathan's childhood perspectives, and from the shocking effects of transforming cultural icons, especially in detailing Dorothy's sexual abuse. Science-fiction author Ryman (The Child Garden, 1990) takes a giant step forward with this mixture of history, fantasy, and cultural myth-all yoked together by the question of whether you can ever really go home.

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"It's a good, clean family show, Mrs. Story," smiled Frank. "And it's the coolest spot in the valley. When it's one hundred degrees out here, it's seventy inside my movie house."

"Well, it is hot, Mr. Gumm, I won't deny."

"Now you just do me a favor and take two of these, Mrs. Story. Good for any night of the week, just come and visit and take in the show when there's something on you want to see."

The tickets were held out.

"Well…" Mrs. Story took them. "Thank you very much, Mr. Gumm."

"Terrible name, isn't it? Frank Gumm. Just remember. Honest and sticky."

"Daddy, don't say that," said Janie, wincing.

"I'm sure I will remember, Mr. Gumm," said Mrs. Story, looking at the tickets.

"And say hello to Mrs. Abbot for me."

"Will do. Thank you for the tickets."

"Goodbye Mrs. Story!" Frances shouted as the car pulled away, was flung back onto the seat. Frank Gumm kept smiling, looking in his rearview mirror, until Story was well behind them. The smile fell then. "She'll be pleased enough when she sees you girls sing," he murmured. He chewed the tip of his thumbnail.

He stuck out his arm to signal and turned onto Cedar Avenue. They passed the grammar school. Whenever he stopped grinning, Frank Gumm looked worried. "The summer's almost over," he told his girls. "Janie, Jinny, you'll be starting school again here soon."

"I won't," said Baby Gumm.

"Ho-ho, no," said Frank Gumm, darkly. "No, your mother has other plans for you, Baby."

"Where did Mama go today?" asked Janie.

Frank Gumm didn't answer. He didn't say anything else until the car slid to a stop outside their new house.

It was painted white, two-story, on the corner across from the school. Grandmother Milne was on the steps waiting for them.

"Now come along, Frances, your mother wants you straight upstairs to wash. Mary Jane and Virginia, help me please to set the table." She said nothing to Frank. He helped Frances down from the car, and walked with her. She held on to his finger.

"I'll be downstairs, Baby," he murmured to Frances. "You run upstairs and have your bath and get all pretty for the show. Saturday night tonight."

Grandmother Milne held the door open with one hand, and took charge of Frances with another. But Frances stood her ground, in the hallway, turning to her father.

"Afterward can I show you my ballet steps?" she asked.

Her father smiled his huge, too-wide grin. "Sure, Baby. I'll be here," he whispered.

"Come on then, Granny, let's get this over with," said Frances with a theatrical sigh.

"Cute as a button," grunted Grandmother Milne. "Knows it too."

Her daddy was left behind in the hall.

Upstairs, her mother was waiting. She knelt down in front of Frances to kiss her, as if coming back from Los Angeles were like returning from an even longer journey. "Hiya, Baby," she said, smelling of makeup and lipstick and perfume. She was slightly damp with the heat. Honest and sticky. "Good picture?" Mama asked.

"Oh yes, it was about a man running around the skyscrapers."

"Many people there?" Her mother's face was crossed with concern.

"No," said Frances in a small voice.

"Well, early days yet," said her mother, her voice wavering.

"There were two boys talking to Daddy, but they didn't look very nice."

Mrs. Gumm went very still. "Were there? What wasn't nice about them?"

"They looked funny," said Frances, watching her mother. She had meant to cheer her up by telling her about people who had come to the show. "He says they come every Saturday."

"I bet they do," said her mother. She started playing with her daughter's hair, rubbing it between her fingers. "You're as dusty as a welcome mat," she said, with a sudden wrench of emotion. "Honestly, this place! You need a brush just to walk down the street."

Then she kissed her daughter, hard, on the cheek, and stayed there, on her knees for a full moment. Then she pulled back. She was trying to be cheerful, but Frances could see that she wasn't. "How about a bath?"

"Will it be cold?" Frances asked.

"Yes, Baby, nice and cold," said her mother, and stood up.

Frances skipped toward the bathroom. The bathtub was already full, and Frances held her arms over her head, dancing to have the dusty little dress pulled off. There were two kinds of clothes: ordinary clothes, which usually had once been her sisters', and show clothes. Show clothes were nicer, but scratched more and were specially made.

The gray little dress was hoisted off. "Janie and Jinny start school soon," said Frances, under its momentary shelter.

"Yes, Baby. Seventh and fifth grade, if you can credit it." Mrs. Gumm shook her head as she folded the dress. Frances shook her head too, at the unattainable heights of the seventh grade.

"How long before I'm in the seventh grade?" she asked. It was the summit of her ambition.

"Oh, years and years yet," said Mrs. Gumm, leaning over and testing the bathwater with her plump hands.

"How old will I be then?"

"Oh, about thirteen."

"And will I go to school just like Janie?"

"Maybe," said Mrs. Gumm.

"Daddy says you've got some other plans for me."

"Did he?" said Mrs. Gumm briskly and looked at her daughter.

"Yes," said Frances, pleased,, because the plans meant that she was someone special. She tried to hug her mother again, but her mother swept her up and put her in the cool water.

"Oooooooo!" said Frances, squirming with the shock and with delight.

"Don't splash, Baby."

"It's nice and cool." Frances slid down under the water. She liked to hold her breath underwater. She felt the edge of the water close in over her bobbed and dusty hair. Her mother lifted her back up.

"Are you going to wash my hair?"

"Yes, honey."

"With 'poo?" asked Frances and giggled because it sounded rude.

"Yes," said her mother. "See?" Her mother held up a bottle of baby shampoo. She poured shampoo onto her hands. "Now turn around. Close your eyes."

Frances loved having her head rubbed and she loved the smell of the shampoo and the feel of her mother's hands working it up into a lather.

"Did your father say what the plans were?" her mother asked.

"No. Are you gonna tell me?" Frances asked.

"Well. You won't be starting school for a while yet. So I thought we could drive you into Los Angeles from time to time for special lessons."

"Singing and dancing?" asked Frances, her eyes screwed shut. She kicked her legs to show that she was pleased.

She had done the right thing. Her mother laughed. "Singing, dancing, anything you like, Baby." Rubbing the lather and the hair together.

"Is that why you were in Los Angeles today?" Frances asked.

The hands stopped.

"Yes," said her mother, not sounding pleased any longer.

"Oh, boy. That's going to be fun," said Frances, to make her happy again. But her mother said nothing else. They had lived in Los Angeles for a while. Frances remembered it, as if in a dream, a little low brown house with red tiles on top. "It's Spanish," her father had said, trying to make them happy. But Mama hadn't liked it. Maybe her mama didn't like Los Angeles.

The hands began to work again. Afterward there would be the big woolly towel and running cool and naked into the bedroom to dress.

Downstairs the piano began to play, and her sisters to sing. Eyes shut, lather slipping down her face, Frances began to breathe out the words with them.

You didn't eat in show clothes, of course. You got to wear a soft white shirt and shorts. Frances hopped down the stairs. She went gerump, like a frog.

"Daddy," she said at the bottom of the stairs. "I'm a frog, Daddy."

"Good Lord, Ethel. Do you see? There's a frog in the living room."

Ethel Gumm was following her daughter down the steps.

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