Карин Тидбек - Jagannath

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Jagannath: краткое содержание, описание и аннотация

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An award-winning debut story collection by Karin Tidbeck, author of Amatka and heir to Borges, Le Guin, and Lovecraft.
A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated readers around the world. Originally published by the tiny press Cheeky Frawg—the passion project of Ann and Jeff VanderMeer—Jagannath has been celebrated by readers and critics alike, with rave reviews from major outlets and support from lauded peers like China Miéville and even Ursula K. Le Guin herself. These are stories in which fairies haunt quiet towns, and an immortal being discovers the nature of time—stories in which anything is possible.

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“You talked to 3426 for almost an hour and then you fell off your chair,” said Cornelia.

“But I took the call just now.”

“No, you’ve been going on for an hour.”

“What did I talk about?”

Cornelia was silent for a moment. She was probably glaring at him. “You know we don’t listen to each others’ calls.”

“Yes,” mumbled Arvid to the floor.

A hand landed on his shoulder. “You should probably go home,” said Konrad.

“I think I have to talk to the manager,” said Arvid.

The door to the manager’s office had an unmarked window of opaque glass. Arvid knocked on the glass. When there was no reply, he carefully pressed down the door handle and stepped inside. The room was smaller than he remembered it, but then again it was only his second time in here. There were no shelves or cabinets, just the enormous mahogany desk that covered most of the room. The desk was bare save for a telephone and a crossword puzzle magazine. Behind the desk, doing a crossword puzzle with a fountain pen, sat the manager in her powder blue suit and immaculate gray curls. She looked up as Arvid opened the door and smiled, her cheeks drawing back in deep folds.

“Egyptian dung beetle, six letters?” said the manager.

Arvid opened his mouth.

“S-C-A-R-A-B,” said the manager. “Thank you.” She closed and folded the magazine, put it aside and leaned back into her chair. She smiled again, with both rows of teeth.

Arvid waited.

“You have neglected to log three calls this month, Arvid,” the manager said. “Subject 3426 at 2.35 PM on March 15; subject 3426 at 1.10 PM on March 21; subject 3426 at 4.56 PM on March 30. Why is this, Arvid?”

“I’m having a bit of trouble,” said Arvid and shifted his weight from side to side.

“Trouble.” The manager was still smiling, cheeks folded back like accordions.

“I think I may be having a nervous breakdown.”

“And that’s why you haven’t logged your calls.”

“This is going to sound insane,” said Arvid.

“Go on,” said the Manager.

Arvid took a deep breath. “Subject number 3426… ”

“Miss Sycorax,” supplied the Manager.

“Miss Sycorax,” Arvid continued, “has been making some very strange calls.”

“Many of our subjects do.”

“Yes, but not like her. Something’s off.”

“I see.”

“Eh, I don’t know,” he said. “Maybe I need some time off.”

“If you think you’re having a nervous breakdown Arvid” said the Manager, “I’ll book an appointment with the company doctor and let him decide. We need to know if it’s a workplace injury, you know. Oh, and do talk to Cornelia. She’s the union representative.”

“I will.”

“All right, Arvid. Go on home. I’ll have the doctor’s office call you this afternoon.” The Manager smiled at him with both rows of teeth.

At the switchboard, Konrad and Cornelia were back at work. Cornelia was doing her best to ignore a little army of ants who were marching in a circle around her desk. Konrad and the dung beetle, on the other hand, seemed to have become fast friends. The dung beetle was rolling a sticky ball of masticated cookie crumbs.

Arvid sat down in his chair and stared at the terminal. After some hesitation, he put his headset on. Then he put a call through to Miss Sycorax.

“Hello,” said Miss Sycorax after the third ring.

“Hello,” echoed Arvid.

“Hello.”

“This is the operator,” Arvid managed.

“Oh.”

Arvid took a deep breath. “Who is this Arvid Pekon you wanted to be put through to?”

At the other end of the line, Miss Sycorax burst into laughter. The sound made Arvid cower in his chair.

“It’s a funny name,” she said. “Pekon, it sounds like a fruit. Like plums or pears. Or like someone from China. Or like a dog breed.”

“Who is Arvid Pekon?” Arvid repeated.

“There is no Arvid Pekon,” Miss Sycorax replied.

“Yes there is!”

“No there isn’t. I thought there was, but then I realized I was mistaken.”

Arvid disconnected and tore his headset off.

“I’m right here!” he yelled at the cockroach on the in-box. “Look!” He banged his fist on the desk so hard that it tingled. “Would I be able to do that if I wasn’t here?”

Something crackled. He looked down at his hand, which was lying in shards on the desk. The tingling sensation spread up his arm, which shuddered and then exploded in a cloud of dust.

“Where did Arvid go?” Cornelia asked Konrad a little while later.

“Who?” Konrad was looking at a ball of cookie crumbs on his desk, having no clear idea of how it got there. He popped it in his mouth.

Cornelia shook her head. “I don’t know what I’m on about. Never mind.”

“Coffee break?” said Konrad. “I’ve brought Finnish shortbread.”

Brita’s Holiday Village

29/5

The cab ride from Åre station to Aunt Brita’s holiday village took about half an hour. I’m renting the cottage on the edge of the village that’s reserved for relatives. The rest are closed for summer. Mum helped me make the reservation—Brita’s her aunt, really, not mine, and they’re pretty close. Yes, I’m thirty-two years old. Yes, I’m terrible at calling people I don’t know.

I didn’t bring a lot of stuff. Clothes and writing things, mostly. The cottage is a comforting old-fashioned red thing with white window frames, the interior more or less unchanged since the 1970s: lacquered pine, green felt wallpaper, woven tapestries decorated with little blobs of green glass. It smells stale in a cosy way. There’s a desk by one of the windows in the living room, overlooking Kall Lake. No phone reception, no Internet. Brita wondered if I wanted a landline, but I said no. I said yes to the bicycle. The first thing I did was bike down to the ICA store I saw on the way here. I stocked up on pasta and tomatoes and beans. I found old-fashioned soft whey-cheese, the kind that tastes like toffee. I’m eating it out of the box with a spoon.

“Holiday village” is a misleading expression; the village is really just twelve bungalows arranged in two concentric circles with a larger house—the assembly hall—in the middle. The dark panelling, angled roofs and panoramic windows must have looked fresh and modern in the sixties, or whenever they were built. The wood is blackened now, and the windows somehow swallow the incoming light, creating caverns under the eaves. I’m a little relieved to be staying in the cottage.

Brita said that before she bought the holiday village, back when they were building it, the old man who owned the cottage refused to leave. When he finally died, the cottage was left standing for private use. It’s much more cosy, anyway. I’d feel naked behind those panoramic windows.

30/5

I got up late and unpacked and sorted music. I’ve got a playlist with old punk and goth for the teenage project, an ambient playlist for the space project, and a list of cosy music, everything in order to feel at home and get into the mood and avoid writing. Did some cooking. Rode the bike around until I was tired. Found an old quarry. Tried to go for a swim in Kall Lake and cut my feet on the rocks. Bought goat whey curd. Finally, I couldn’t avoid it anymore: writing.

So I have two stories I want to do something about. First there’s the science fiction story about child workers in the engine room of a spaceship. It’s a short story really, but I’d like to expand it into a novel. I know you’re not supposed to worry about form or length—it’s a guaranteed way to jinx the whole thing—but I’d really like to. I like the characters and their intense relationships, like Lord of the Flies in space.

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