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Линда Нагата: The Martian Obelisk

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Линда Нагата The Martian Obelisk

The Martian Obelisk: краткое содержание, описание и аннотация

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A powerful science fiction story about an architect on Earth commissioned to create (via long distance) a masterwork with materials from the last abandoned Martian colony, a monument that will last thousands of years longer than Earth, which is dying. At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied.

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Nate reached past her to open the door, a dark scowl on his worn face. “No detectable activity and radio silence for nine months? I don’t think so. There’s no one in that homestead, Susannah, and there’s no good reason for it to visit the obelisk, especially without any notice to us that it was coming. When my people find out who’s issuing the orders we’ll get it turned around, but in the meantime, do what you have to do to take care of our equipment.”

Nate had always taken an interest in the Martian Obelisk, but over the years, as so many of his other aspirations failed, the project had become more personal. He had begun to see it as his own monument and himself as an Ozymandias whose work was doomed to be forgotten, though it would not fall to the desert sands in this lifetime or any other.

* * *

“What can I do for you, Susannah?” he had asked, seventeen years ago.

A long-time admirer of her architectural work, he had come to her after the ruin of the Holliday Towers in Los Angeles—her signature project—two soaring glass spires, one eighty-four floors and the other 104, linked by graceful sky bridges. When the Hollywood Quake struck, the buildings had endured the shaking just as they’d been designed to do, keeping their residents safe, while much of the city around them crumbled. But massive fires followed the quake and the towers had not survived that.

“Tell me what you dream of, Susannah. What you would still be willing to work on.”

Nathaniel had been born into wealth, and through the first half of his life he’d grown the family fortune. Though he had never been among the wealthiest individuals of the world, he could still indulge extravagant fancies.

The request Susannah made of him had been, literally, outlandish.

“Buy me the rights to the Destiny Colony.”

“On Mars?” His tone suggested a suspicion that her request might be a joke.

“On Mars,” she assured him.

Destiny had been the last attempt at Mars colonization. The initial robotic mission had been launched and landed, but money ran out and colonists were never sent. The equipment sat on Mars, unused.

Susannah described her vision of the Martian Obelisk: a gleaming, glittering white spire, taking its color from the brilliant white of the fiber tiles she would use to construct it. It would rise from an empty swell of land, growing more slender as it reached into the sparse atmosphere, until it met an engineering limit prescribed by the strength of the fiber tiles, the gravity of the Red Planet, and by the fierce ghost-fingers of Mars’ storm winds. Calculations of the erosional force of the Martian wind led her to conclude that the obelisk would still be standing a hundred thousand years hence and likely far longer. It would outlast all buildings on Earth. It would outlast her bloodline, and all bloodlines. It would still be standing long after the last human had gone the way of the passenger pigeon, the right whale, the dire wolf. In time, the restless Earth would swallow up all evidence of human existence, but the Martian Obelisk would remain—a last monument marking the existence of humankind, excepting only a handful of tiny, robotic spacecraft faring, lost and unrecoverable, in the void between stars.

Nate had listened carefully to her explanation of the project, how it could be done, and the time that would be required. None of it fazed him and he’d agreed, without hesitation, to support her.

The rights to the colony’s equipment had been in the hands of a holding company that had acquired ownership in bankruptcy court. Nathaniel pointed out that no one was planning to go to Mars again, that no one any longer possessed the wealth or resources to try. Before long, he was able to purchase Destiny Colony for a tiny fraction of the original backers’ investment.

When Susannah received the command codes, Destiny’s homestead vehicle had not moved from the landing site, its payload had not been unpacked, and construction on its habitat had never begun. Her first directive to the AI in charge of the vehicle was to drive it three hundred kilometers to the site she’d chosen for the obelisk, at the high point of a rising swell of land.

Once there, she’d unloaded the fleet of robotic construction equipment: a mini-dozer, a mini-excavator, a six-limbed beetle cart to transport finished tiles, and a synth—short for synthetic human although the device was no such thing. It was just a stick figure with two legs, two arms, and hands capable of basic manipulation.

The equipment fleet also included a rolling factory that slowly but continuously produced a supply of fiber tiles, compiling them from raw soil and atmospheric elements. While the factory produced an initial supply of tiles, Susannah prepared the foundation of the obelisk, and within a year she began to build.

The Martian Obelisk became her passion, her reason for life after every other reason had been taken from her. Some called it a useless folly. She didn’t argue: what meaning could there be in a monument that would never be seen directly by human eyes? Some called it graffiti: Kilroy was here! Some called it a tombstone and that was the truth too.

Susannah just called it better-than-nothing.

* * *

The Mars room was a circular extension that Nathaniel had ordered built onto the back of the cottage when Susannah was still in the planning stages of the obelisk’s construction. When the door was closed, the room became a theater with a 360-degree floor-to-ceiling flex-screen. A high-backed couch at the center rotated, allowing easy viewing of the encircling images captured in high resolution from the construction site.

Visually, being in this room was like being at Destiny, and it did not matter at all that each red-tinted image was a still shot, because on the Red Planet, the dead planet, change came so slowly that a still shot was as good as video.

Until now.

As Susannah entered the room, she glimpsed an anomalous, bright orange spot in a lowland to the northwest. Nathaniel saw it too. He gestured and started to speak but she waved him to silence, taking the time to circle the room, scanning the entire panorama to assess if anything else had changed.

Her gaze passed first across a long slope strewn with a few rocks and scarred with wheel tracks. Brightly colored survey sticks marked the distance: yellow at 250 meters, pink at 500, green for a full kilometer, and bright red for two.

The red stick stood at the foot of a low ridge that nearly hid the tile factory. She could just see an upper corner of its bright-green, block shape. The rest of it was out of sight, busy as always, processing raw ore dug by the excavator from a pit beyond the ridge, and delivered by the mini-dozer. As the factory slowly rolled, it left a trail of tailings, and every few minutes it produced a new fiber tile.

Next in the panorama was a wide swath of empty land, more tire tracks the only sign of human influence all the way out to a hazy pink horizon. And then, opposite the door and appearing no more than twenty meters distant, was Destiny’s homestead vehicle. It was the same design as the approaching crawler: a looming cylindrical cargo container resting on dust-filled tracks. At the forward end, the cab, its windows dusty and lightless, its tiny bunkroom never used. Susannah had long ago removed the equipment she wanted, leaving all else in storage. For over sixteen years, the homestead had remained in its current position, untouched except by the elements.

Passing the Destiny homestead, her gaze took in another downward slope of lifeless desert and then, near the end of her circuit, she faced the tower itself.

The Martian Obelisk stood alone at the high point of the surrounding land, a gleaming-white, graceful, four-sided, tapering spire, already 170-meters high, sharing the sky with no other object. The outside walls were smooth and unadorned, but on the inside, a narrow stairway climbed around the core, rising in steep flights to the tower’s top, where more fiber tiles were added every day, extending its height. It was a path no human would ever walk, but the beetle cart, with its six legs, ascended every few hours, carrying in its cargo basket a load of fiber tiles. Though she couldn’t see the beetle cart, its position was marked as inside the tower, sixty percent of the way up the stairs. The synth waited for it at the top, its headless torso just visible over the rim of the obelisk’s open stack, ready to use its supple hands to assemble the next course of tiles.

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