Kim Robinson - Fifty Degrees Below

After a while Frank moved on, descending in darkness through the trees. The gash of the torn ravine appeared below him, white in the darkness. A broad canyon of sandstone, brilliant under the luminous cloud. The creek was a black ribbon cutting through it. Probably the moon was near full, somewhere up above the clouds; there was more light than the city alone could account for. Both the cloud ceiling and the newly torn ravine glowed, the sandstone like sinuous naked flesh.

A truck, rumbling in the distance. The sound of the creek burbling over stones. Distant laughter, a car starting; tinkle of broken glass; something like a dumpster lid slamming down. And always the hum of the city, a million noises blended together, like the light caught in the cloud. It was neither quiet, nor dark, nor empty. It definitely was not wilderness. It was city and forest simultaneously. It was hard to characterize how it felt.

Where would one sleep out here?

Immediately the question organized his walk. He had been wandering before, but now he was on the hunt again. He saw that many things were a hunt. It did not have to be a hunt to kill and eat animals. Any search on foot was a kind of hunt. As now.

He ranged up and away from the ravine. First in importance would be seclusion. A flat dry spot, tucked out of the way. There, for instance, a tree had been knocked over in the flood, its big tangle of roots raised to the sky, creating a partial cave under it—but too damp, too closed in.

Cobwebs caught his face and he wiped them away. He looked up into the network of black branches. Being up in a tree would solve so many problems… That was a prehominid thought, perhaps caused merely by craning his neck back. No doubt there was an arboreal complex in the brain crying out: Go home, go home!

He ranged uphill, moving mostly northward. A hilltop was another option.

He looked at one of the knolls that divided Rock Creek’s vestigial western tributaries. Nice in some ways; flat; but as with root hollows, these were places where all manner of creatures might take refuge. The truth was that the best nooks were best for everything out there. A distant crash in the brush reminded him that this might include the zoo’s jaguar.

He would need to make some daytime explorations, that was clear. He could always stay in his van, of course, but this felt more real. Scouting trips for the Feral Observation Group. We’re all in the fog now, Nancy had said. He would spend some of his time hunting for animals. A kind of return to the paleolithic, right here in Washington, D.C. Repaleolithization: it sounded very scientific, like the engineers who spoke of amishization when they meant to simplify a design. Landscape restoration inside the brain. The pursuit of happiness; and the happiness was in the pursuit.

Frank smiled briefly. He realized he had been tense ever since leaving the rented apartment. Now he was more relaxed, watchful but relaxed, moving about easily. It was late, he was getting tired. Another branch across the face and he decided to call it a night.

He made his way west to Connecticut, hit it at Fessenden, walked south on the sidewalk blinking in the flood of light. It might as well have been Las Vegas or Miami to him now, everything blazing neon colors in the warm spring night. People were out. He strolled along among them. The city too was a habitat, and as such a riot of sensation. He would have to think about how that fit in with the repaleolithization project, because the city was a big part of contemporary society, and people were obviously addicted to it. Frank was himself, at least to parts of it. The technological sublime made everything magical, as if they were all tripping with the shaman—but all the time, which was too much. They had therefore lost touch with reality, gone mad as a collective.

And yet this street was reality too. He would have to think about all this.

When he came to his van no one was in sight, and he slipped inside and locked the doors. It was dark, quiet, comfortable. Very much like a room. A bit stuffy; he turned on the power, cracked the windows. He could start the engine and power the air conditioner for a while if he really needed to.

He set his wristwatch alarm for 4:30 a.m., afraid he might sleep through the dawn in such a room. Then he lay down on his familiar old mattress, and felt his body start to relax even further. Home sweet home! It made him laugh.

At 4:30 his alarm beeped. He squeezed it quiet and slipped on his running shoes and got out of the van before his sleepiness knocked him back down. Out into the dawn, the world of grays. This was how cats must see, all the grays so finely gradated. A different kind of seeing altogether.

Into the forest again. The leafy venation of the forest air was a masterpiece of three-dimensionality, the precise spacing of everything suggesting some kind of vast sculpture, as in an Ansel Adams photo. The human eye had an astonishing depth of field.

He stood over the tawny sandstone of Rock Creek’s newly burnished ravine, hearing his breathing. It was barely cool. The sky was shifting from a flat gray to a curved pale blue.

“Oooooooooop!”

He shivered deep in his flesh, like a horse.

The sound came from overhead; a rising “ oooooooooo” that then suddenly fell. Something like the cooing of a dove, or the call of a coyote. A voice, or a kind of siren—musical, unearthly, bizarre. Glissandos up and down. Voices, yes. Gibbons and/or siamangs. Frank had heard such calls long ago, at the San Diego Zoo.

It sounded like there were several of them now. “ Ooooop! Ooooooooooop! Oooooooooooop!”

Lows to highs, penetrating and pure. The hair on Frank’s neck was sticking out.

He tried it himself. “Ooooooop!” he sang, softly. It seemed to fit in. He could do a fair imitation of one part of their range. His voice wasn’t as fluid, or as clear in tone, and yet still, it was somewhat the same. Close enough to join in unobtrusively.

So he sang with them, and stepped ever so slowly between the trees, looking up trying to catch a glimpse of them. They were feeding off each other’s energy, sounding more and more rambunctious. Wild animals! And they were celebrating the new day, there was no doubt about it. Maybe even celebrating their freedom. There was no way to tell, but to Frank it sounded like it.

Certainly it was true for him—the sound filled him, the morning filled him, spring and all, and he bellowed “Oooooooopee oop oop!” voice cracking at its highest. He longed to sing higher; he hooted as loudly as he could. The gibbons didn’t care. It wasn’t at all clear they had even noticed him. He tried to imitate all the calls he was hearing, failed at most of them. Up, down, crescendo, de-crescendo, pianissimo, fortissimo. An intoxicating music. Had any composer ever heard this, ever used this? What were people doing, thinking they knew what music was?

The chorus grew louder and more agitated as the sky lightened. When sunlight pierced the forest they all went crazy together.

Then he saw three of them in the trees, sitting on high branches. He saw their long arms and longer tails, their broad shoulders and skinny butts. One swung away on arms that were as long as its body, to land on a branch by another, accept a cuff, and hoot some more. Again their raucous noise buffeted Frank. When they finally quieted down, after an earsplitting climax, the green day was upon them.

Senator Phil Chase said, “You know, it’s not a question of you being right and me being wrong.”

“Of course not,” Charlie Quibler replied.

Phil grinned. “We all agreed that global warming was real.”

“Yes, of course we did.”

“No!” Joe Quibler murmured as he drowsed on Charlie’s back.

Phil laughed to hear it. “You’ve got a lie detector there.”