Robert Silverberg - Dying Inside

Here I sit. Office hours. On my knees rests a thick manila folder, held closed by a ballsy big rubber band. Within, neatly typed, each with its own coppery paperclip, are five term papers, the products of my busy week. The Novels of Kafka. Shaw as Tragedian. The Concept of Synthetic A Priori Statements. Odysseus as a Symbol of Society. Aeschylus and the Aristotelian Tragedy. The old academic bullshit, confirmed in its hopeless fecality by the cheerful willingness of these bright young men to let an old grad turn the stuff out for them. This is the day appointed for delivering the goods and, perhaps, picking up some new assignments. Five minutes to eleven. My clients will be arriving soon. Meanwhile I scan the passing parade. Students hurrying by, clutching mounds of books. Hair rippling in the wind, breasts bobbling. They all look frighteningly young to me, even the bearded ones. Especially the bearded ones. Do you realize that each year there are more and more young people in the world? Their tribe ever increases as the old farts drop off the nether end of the curve and I shuttle graveward. Even the professors look young to me these days. There are people with doctorates who are fifteen years younger than I am. Isn’t that a killer? Imagine a kid born in 1950 who has a doctorate already. In 1950 I was shaving three times a week, and masturbating every Wednesday and Saturday; I was a hearty pubescent bulyak five feet nine inches tall, with ambitions and griefs and knowledge, with an identity. In 1950 today’s newly fledged Ph.D.’s were toothless infants just squirting from the womb, their faces puckered, their skins sticky with amniotic juices. How can those infants have doctorates so soon? Those infants have lapped me as I plod along the track.

I find my own company wearisome when I descend into self-pity. To divert myself I try to touch the minds of passers-by and learn what I can learn. Playing my old game, my only game. Selig the voyeur, the soul-vampire, ripping off the intimacies of innocent strangers to cheer his chilly heart. But no: my head is full of cotton today. Only muffled murmurs come to me, indistinct, content-free. No discrete words, no flashes of identity, no visions of soul’s essence. This is one of the bad days. All inputs converge into unintelligibility; each bit of information is identical to all others. It is the triumph of entropy. I am reminded of Forster’s Mrs. Moore, listening tensely for revelation in the echoing Marabar caves, and hearing only the same monotonous noise, the same meaningless all-dissolving sound: Boum. The sum and essence of mankind’s earnest strivings: Boum. The minds flashing past me on College Walk now give me only: Boum. Perhaps it is all I deserve. Love, fear, faith, churlishness, hunger, self-satisfaction, every species of interior monolog, all come to me with identical content. Boum. I must work to correct this. It is not too late to wage war against entropy. Gradually, sweating, struggling, scrabbling for solid purchase, I widen the aperture, coaxing my perceptions to function. Yes. Yes. Come back to life. Get it up, you miserable spy! Give me my fix! Within me the power stirs. The inner murk clears a bit; stray scraps of isolated but coherent thought find their way into me. Neurotic but not altogether psycho yet. Going to see the department head and tell him to shove it up. Tickets for the opera, but I have to. Fucking is fun, fucking is very important, but there’s more. Like standing on a very high diving board about to take a plunge. This scratchy chaotic chatter tells me nothing except that the power is not yet dead, and I take comfort enough in that. I visualize the power as a sort of worm wrapped around my cerebrum, a poor tired worm, wrinkled and shrunken, its once-glossy skin now ulcerous with shabby, flaking patches. That is a relatively recent image, but even in happier days I always thought of the gift as something apart from myself, something intrusive. An inhabitant. It and me, me and it. I used to discuss such things with Nyquist. (Has he entered these exhalations yet? Perhaps not. A person I once knew, a certain Tom Nyquist, a former friend of mine. Who carried a somewhat similar intruder within his skull.) Nyquist didn’t like my outlook. “That’s schizoid, man, setting up a duality like that. Your power is you. You are your power. Why try to alienate yourself from your own brain?” Probably Nyquist was right, but it’s much too late. It and me is how it will be, till death do us part.

Here is my client, the bulky halfback, Paul F. Bruno. His face is swollen and purple, and he is unsmiling, as though Saturday’s heroics have cost him some teeth. I flip the rubber band down, extract The Novels of Kafka, and offer the paper to him. “Six pages,” I say. He has given me a ten-dollar advance. “You owe me another eleven bucks. Do you want to read it first?”

“How good is it?”

“You won’t be sorry.”

“I’ll take your word for it.” He manages a painful, close-mouthed grin. Pulling forth his thick wallet, he crosses my palm with greenbacks. I slip quickly into his mind, just for the hell of it now that my power is working again, a fast psychic rip-off, and pick up the surface levels: loose teeth at the football game, a sweet compensatory blow-job at the frat house Saturday night, vague plans for getting laid after next Saturday’s game, etc., etc. Concerning the present transaction I detect guilt, embarrassment, even some annoyance with me for having helped him. Oh, well: the gratitude of the goy . I pocket his money. He favors me with a curt nod and tucks The Novels of Kafka under his immense forearm. Hastily, in shame, he goes hustling down the steps and off in the direction of Hamilton Hall. I watch his broad retreating back. A sudden gust of malevolent wind, rising off the Hudson, comes knifing eastward and cuts me bone-deep.

Bruno has paused at the sundial, where a slender black student close to seven feet tall has intercepted him. A basketball player, obviously. The black wears a blue varsity jacket, green sneakers, and tight tubular yellow slacks. His legs alone seem five feet long. He and Bruno talk for a moment. Bruno points toward me. The black nods. I am about to gain a new client, I realize. Bruno vanishes and the black trots springlegged across the walk, up the steps. He is very dark, almost purple-skinned, yet his features have a Caucasian sharpness, fierce cheekbones, proud aquiline nose, thin frosty lips. He is formidably handsome, some kind of walking statuary, some sort of idol. Perhaps his genes are not Negroid at all: an Ethiopian, maybe, some tribesman of the Nile bulrushes? Yet he wears his midnight mass of kinky hair in a vast aggressive Afro halo a foot in diameter or more, fastidiously trimmed. I would not have been surprised by scarified cheeks, a bone through the nostrils. As he nears me, my mind, barely slit-wide, picks up peripheral generalized emanations of his personality. Everything is predictable, even stereotyped: I expect him to be touchy, cocky, defensive, hostile, and what comes to me is a bouillabaisse of ferocious racial pride, overwhelming physical self-satisfaction, explosive mistrust of others—especially whites. All right. Familiar patterns.

His elongated shadow falls suddenly upon me as the sun momentarily pierces the clouds. He sways bouncily on the balls of his feet. “Your name Selig?” he asks. I nod. “Yahya Lumumba,” he says.

“Pardon me?”

“Yahya Lumumba.” His eyes, glossy white against glossy purple, blaze with fury. From the impatience of his tone I realize that he is telling me his name, or at least the name he prefers to use. His tone indicates also that he assumes it’s a name everyone on this campus will recognize. Well, what would I know of college basketball stars? He could throw the ball through the hoop fifty times a game and I’d still not have heard of him. He says, “I hear you do term papers, man.”