Joe Haldeman - Camouflage

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Camouflage: краткое содержание, описание и аннотация

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A million years prior to the dawn of
, two immortal, shapeshifting aliens roam the Earth with little memory of their origin or their purpose. Later in the year 2019, an artifact is discovered off the coast of Samoa, buried deep beneath the ocean floor. The mysterious find brings two alien beings—the “changeling” and the “chameleon”—together again, to ponder the meaning of the object and its relationship to each other. Both immortals try to seek each other out and use the artifact to find their origins, one harbouring good intentions while the other is extremely hostile.
Won the Nebula Award for Best Novel in 2005.

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“Hit her, too. Blew off her arm.” There was a moment of dead silence. The people at the other tables were looking at them. She let a breath out in a puff. “Speaking of ‘ladies’?”

He pointed. “Behind the gift counter, down the hall to the left.”

She picked up her purse. “I’ll be right back.”

Unsurprisingly, he never saw her again.

—40—

Faleolo, Samoa, 15 July 2021

Once on the other side of the reef, the changeling stayed in the relatively deep water, plying west slowly toward the airport at Faleolo. There was a plane out the next day, to Honolulu.

It would take human form and come ashore after dark. Hide for awhile and then walk into the airport. Then go about the problem of getting a ticket, without passport or credit cards. It could create counterfeit cash, but even under normal circumstances, it would look suspicious to try to purchase an expensive ticket with cash. Maybe a Samoan could get away with it, but it didn’t know the language well enough to pass among Samoans.

Eighty or ninety years ago, it would have just isolated someone, killed him, and used his identity and ticket. That was repugnant now. Maybe the man who shot Rae’s arm off. The world might be a better place without him.

By the time it got to Faleolo, it had a better plan. Not without risk, but it could always escape into the water again. They’d eventually catch on to that. But it had escaped from a few jails in its time, too.

It went a half mile past Faleolo, to get away from the light. The moon, not yet first quarter, was no problem. The changeling sat in the shallows and changed.

About a pound of its substance became a plastic bag full of circulated fifty- and hundred-dollar bills. Another twelve pounds, a light knapsack with a change of dirty clothing and a wallet that had enough Samoan tala for a few cab rides and a night of drinking, with an American Universal ID and a California driver’s license, matching the persona it painfully built. Newt Martin, a common type of denizen in this corner of the world. Young, restless; escaping from something. Money enough for food and drugs and a flop, and maybe a little more. Maybe a lot.

It made a passport that would pass visual inspection. The computer at passport control wouldn’t be fooled.

At about eight thirty it crept ashore, squeezed the water out of its long blond hair, and walked down to the airport. It got into a cab and told the man to take him to the clock.

It was a simple plan of action. Find a young American desperate enough to temporarily “lose” his wallet and passport and ticket out, in exchange for a lot of money. The kid wouldn’t find out until later that there was a little more than that involved.

“The clock” is an early-twentieth-century tower in the center of town, the main landmark. The changeling paid off the cab and walked down Beach Road toward the harbor. It knew there were some seedy-looking bars about halfway to Aggie Grey’s, but it had never been inside one. “Rae Archer” wouldn’t have done that. Newt Martin definitely would.

Bad Billy’s looked promising. Smelled right even from the sidewalk, spilled beer and stale cigarette smoke. Loud rap music from twenty years ago. The changeling sidled in through a mass of people standing in the door, for the air, and went to the bar. There were only two other customers there, the rest of the clientele either shooting pool or sitting in clusters of folding chairs around small tables full of drinks, talking loudly in two languages. Its keen hearing picked up a third, a French couple away in a corner, whispering about the scene around them.

One of the English conversations was about the strange goings- on at Aggie’s today. One of the Samoans had a friend in the police, and he said that he said it was an industrial espionage deal that had gone bad.

Right, somebody said—shotguns and old Jackie Chan superspies. It was just a publicity gag for the movie.

Wanting to draw attention, the changeling ordered a double martini. It had to explain what that meant, and wound up with a half-liter glass of cheap gin and ice with a quarter lime floating on top. (Having been a barmaid itself, it knew the smell of cheap gin. This stuff came in big plastic recycled soft-drink bottles from a distillery outside of town.)

The flavor was interesting, reminiscent of the underwater taste of bilge and oil spill.

An aromatic Samoan prostitute came over next to him. “What ya drinkin’?” She was still young but getting puffy.

Put an egg in your shoe and beat it, the changeling thought. Chase yourself, get lost—working up through the decades—bug off, fuck off, haul ass, twist a braid, give air. Instead it said, “Martini. Want one?”

“What I have to do for it?”

“You’re not what I need.”

She haunched up on the stool, short skirt casually revealing no underwear.

“I know some guys…”

“Not that.” The changeling got the barmaid’s attention; pointed a finger at its drink and then at the space in front of the girl. “You know where the drug action is?”

“Oh, man.” She looked around. “Cops everywhere tonight. That thing at Aggie’s.”

The barmaid brought the drink and the changeling made a show of riffling through the thick wad of bills to find a twenty. “I’ve been out of town. You see it?”

“No, man, it was noon. I hadn’t got up yet.” She stared at the wallet until the mark put it away. “I could bring you anything you want. You shouldn’t be on the street, man, cops’re pickin’ up any palagi they don’t know.” White man.

“Hold it here a minute.” The changeling went back to the men’s room, a single noisome stall, and sat in the dim light, changing slightly. It went back to the bar with the same features, but dark skin and black hair.

“Now that’s somethin’.” She rubbed its cheek with her fingertip and looked at it. “How long it last?”

“A day or two. So what happened at Aggie Grey’s, do you think?”

“Say it looked like a stuntman thing. Some gunshots and then this guy crashes through a window, bounces off the whatcha-callit over the door—”

“Awning?”

“Yeah. Then runs like a bat outa hell across the street and the park and jumps in the harbor. Looks like he got his arm blown off, blood everywhere, but it don’t slow him down, like special effects.”

“The movie people say anything about it?”

“They say it’s not them, but you know, bullshit.”

“Yeah. Drink up and let’s go.”

“Where?”

“Dope. Dealers.” The changeling drank off half the martini in one gulp. The girl tried, and went into a coughing fit. The barmaid brought some water and gave the changeling a sharp look.

“Maybe that’s enough,” it said when the girl quieted down and was breathing more or less normally. “Don’t know what they make this stuff out of, anyhow.”

She sighed and nodded and slid off the stool unsteadily.

“There’s a party. I take you there, you meet some guys, you take care of me?”

“What does that mean?”

“Like a hundred bucks?”

“We’ll see.” It took her shoulder and aimed her toward the door. “If I score, sure.”

They walked along Beach Road a couple of blocks and then down an unmarked gravel alley. She stopped at a Toyota that had more rust than paint, and jerked the driver’s-side door open with a shriek. “Here we go.”

“You okay to drive?” The door on the changeling’s side didn’t open. She leaned across and pushed hard twice.

“Yeah, yeah. Get in.” It smelled of mildew and marijuana.

On the third try the engine, older than the driver, sputtered to life, and they jerked on down the lane. She drove with a drunk’s elaborate caution, weaving.

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