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Robert Silverberg: Passengers

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Passengers: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Passengers»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Won the Nebula Award for Best Short Story in 1969. Nominated for the Hugo Award for Best Short Story in 1970.

Robert Silverberg: другие книги автора


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She seems to need me, too, without realising who I am. But fear holds her back.

I am frightened of frightening her, and I do not try to press my advantage too quickly. Perhaps she would take me to her apartment with her now, perhaps not, but I do not ask. We finish our drinks. We arrange to meet by the library steps again tomorrow. My hand momentarily brushes hers. Then she is gone.

I fill three ashtrays that night. Over and over I debate the wisdom of what I am doing. But why not leave her alone? I have no right to follow her. In the place our world has become, we are wisest to remain apart.

And yet — there is that stab of half-memory when I think of her. The blurred lights of lost chances behind the stairs, of girlish laughter in second-floor corridors, of stolen kisses, of tea and cake. I remember the girl with the orchid in her hair, and the one in the spangled dress, and the one with the child’s face and the woman’s eyes, all so long ago, all lost, all gone, and I tell myself that this one I will not lose, I will not permit her to be taken away from me.

Morning comes, a quiet Saturday. I return to the library, hardly expecting to find her there, but she is there, on the steps, and the sight of her is like a reprieve. She looks wary, troubled; obviously she has done much thinking, little sleeping. Together we walk along Fifth Avenue. She is quite close to me, but she does not take my arm. Her steps are brisk, short, nervous.

I want to suggest that we go to her apartment instead of to the cocktail lounge. In these days we must move swiftly while we are free. But I know it would be a mistake to think of this as a matter of tactics. Coarse haste would be fatal, bringing me perhaps an ordinary victory, a numbing defeat within it. In any event her mood hardly seems promising. I look at her, thinking of string music and new snowfalls, and she looks toward the grey sky.

She says, “I can feel them watching me all the time. Like vultures swooping overhead, waiting, waiting. Ready to pounce.”

“But there’s a way of beating them. We can grab little scraps of life when they’re not looking.”

“They’re always looking.”

“No,” I tell her. “There can’t be enough of them for that. Sometimes they’re looking the other way. And while they are, two people can come together and try to share warmth.”

“But what’s the use?”

“You’re too pessimistic, Helen. They ignore us for months at a time. We have a chance. We have a chance.”

But I cannot break through her shell of fear. She is paralysed by the nearness of the Passengers, unwilling to begin anything for fear it will be snatched away by our tormentors. We reach the building where she lives, and I hope she will relent and invite me in. For an instant she wavers, but only for an instant: she takes my hand in both of hers, and smiles, and the smile fades, and she is gone, leaving me only with the words, “Let’s meet at the library again tomorrow. Noon.”

I make the long chilling walk home alone.

Some of her pessimism seeps into me that night. It seems futile for us to try to salvage anything. More than that: wicked for me to seek her out, shameful to offer a hesitant love when I am not free. In this world, I tell myself, we should keep well clear of others, so that we do not harm anyone when we are seized and ridden.

I do not go to meet her in the morning.

It is best this way, I insist. I have no business trifling with her. I imagine her at the library, wondering why I am late, growing tense, impatient, then annoyed. She will be angry with me for breaking our date, but her anger will ebb, and she will forget me quickly enough.

Monday comes. I return to work.

Naturally, no one discusses my absence. It is as though I have never been away. The market is strong that morning. The work is challenging; it is mid-morning before I think of Helen at all. But once I think of her, I can think of nothing else. My cowardice in standing her up. The childishness of Saturday night’s dark thoughts. Why accept fate so passively? Why give in? I want to fight, now, to carve out a pocket of security despite the odds. I feel a deep conviction that it can be done. The Passengers may never bother the two of us again, after all. And that flickering smile of hers outside her building Saturday, that momentary glow — it should have told me that behind her wall of fear she felt the same hopes. She was waiting for me to lead the way. And I stayed home instead.

At lunchtime I go to the library, convinced it is futile.

But she is there. She paces along the steps; the wind slices at her slender figure. I go to her.

She is silent a moment. “Hello,” she says finally.

“I am sorry about yesterday.”

“I waited a long time for you.”

I shrug. “I made up my mind that it was no use to come. But then I changed my mind again.”

She tries to look angry. But I know she is pleased to see me again — else why did she come here today? She cannot hide her inner pleasure. Nor can I. I point across the street to the cocktail lounge.

“A daiquiri?” I say. “As a peace offering?”

“All right.”

Today the lounge is crowded, but we find a booth somehow. There is a brightness in her eyes that I have not seen before. I sense that a barrier is crumbling within her.

“You’re less afraid of me, Helen,” I say.

“I’ve never been afraid of you. I’m afraid of what could happen if we take the risks.”

“Don’t be. Don’t be.”

“I’m trying not to be afraid. But sometimes it seems so hopeless. Since they came here -”

“We can still try to live our own lives.”

“Maybe.”

“We have to. Let’s make a pact, Helen. No more gloom. No more worrying about the terrible things that might just happen. All right?”

A pause. Then a cool hand against mine.

“All right.”

We finish our drinks, and I present my Credit Central to pay for them, and we go outside. I want her to tell me to forget about this afternoon’s work and come home with her. It is inevitable, now, that she will ask me, and better sooner than later.

We walk a block. She does not offer the invitation. I sense the struggle inside her, and I wait, letting that struggle reach its own resolution without interference from me. We walk a second block. Her arm is through mine, but she talks only of her work, of the weather, and it is a remote, arm’s-length conversation. At the next corner she swings around, away from her apartment, back toward the cocktail lounge. I try to be patient with her.

I have no need to rush things now, I tell myself. Her body is not a secret to me. We have begun our relationship topsy-turvy, with the physical part first; now it will take time to work backward to the more difficult part that some people call love.

But of course she is not aware that we have known each other that way. The wind blows swirling snowflakes in our faces, and somehow the cold sting awakens honesty in me. I know what I must say. I must relinquish my unfair advantage.

I tell her, “While I was ridden last week, Helen, I had a girl in my room.”

“Why talk of such things now?”

“I have to, Helen. You were the girl.”

She halts. She turns to me. People hurry past us in the street. Her face is very pale, with dark red spots growing in her cheeks.

“That’s not funny, Charles.”

“It wasn’t meant to be. You were with me from Tuesday night to early Friday morning.”

“How can you possibly know that?”

“I do. I do. The memory is clear. Somehow it remains, Helen. I see your whole body.”

“Stop it, Charles.”

“We were very good together,” I say. “We must have pleased our Passengers because we were so good. To see you again — it was like waking from a dream, and finding that the dream was real, the girl right there -”

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