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Robert Silverberg: Passengers

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Passengers: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Passengers»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Won the Nebula Award for Best Short Story in 1969. Nominated for the Hugo Award for Best Short Story in 1970.

Robert Silverberg: другие книги автора


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Did we ever have more than that: the illusion of freedom?

But this is disturbing, the thought that I may be ridden without realising it. I burst out in heavy perspiration, not merely from the exertion of walking. Stop. Stop here. Why must you walk? You are at Forty-Second Street. There is the library. Nothing forces you onward. Stop a while, I tell myself. Rest on the library steps.

I sit on the cold stone and tell myself that I have made this decision for myself.

Have I? It is the old problem, free will versus determinism, translated into the foulest of forms. Determinism is no longer a philosopher’s abstraction; it is cold alien tendrils sliding between the cranial sutures. The Passengers arrived three years ago. I have been ridden five times since then. Our world is quite different now. But we have adjusted even to this. We have adjusted. We have our mores. Life goes on. Our governments rule, our legislatures meet, our stock exchanges transact business as usual, and we have methods for compensating for the random havoc. It is the only way. What else can we do? Shrivel in defeat? We have an enemy we cannot fight; at best we can resist through endurance. So we endure.

The stone steps are cold against my body. In December few people sit here.

I tell myself that I made this long walk of my own free will, that I halted of my own free will, that no Passenger rides my brain now. Perhaps. Perhaps. I cannot let myself believe that I am not free.

Can it be, I wonder, that the Passenger left some lingering command in me? Walk to this place, halt at this place? That is possible too.

I look about me at the others on the library steps.

An old man, eyes vacant, sitting on newspaper. A boy of thirteen or so with flaring nostrils. A plump woman. Are all of them ridden? Passengers seem to cluster about me today. The more I study the ridden ones the more convinced I become that I am, for the moment, free. The last time, I had three months of freedom between rides. Some people, they say, are scarcely ever free. Their bodies are in great demand, and they know only scattered bursts of freedom, a day here, a week there, an hour. We have never been able to determine how many Passengers infest our world. Millions, maybe. Or maybe five. Who can tell?

A wisp of snow curls down out of the grey sky. Central had said the chance of precipitation was slight. Are they riding Central this morning too?

I see the girl.

She sits diagonally across from me, five steps up and a hundred feet away, her black skirt pulled up on her knees to reveal handsome legs. She is young. Her hair is deep, rich auburn. Her eyes are pale; at this distance, I cannot make out the precise colour. She is dressed simply. She is younger than thirty. She wears a dark green coat and her lipstick has a purplish tinge. Her lips are full, her nose slender, high-bridged, her eyebrows carefully plucked.

I know her.

I have spent the past three nights with her in my room. She is the one. Ridden, she came to me, and ridden, I slept with her. I am certain of this. The veil of memory opens; I see her slim body naked on my bed.

How can it be that I remember this?

It is too strong to be an illusion. Clearly this is something that I have been permitted to remember for reasons I cannot comprehend. And I remember more. I remember her soft gasping sounds of pleasure. I know that my own body did not betray me those three nights, nor did I fail her need.

And there is more. A memory of sinuous music; a scent of youth in her hair; the rustle of winter trees. Somehow she brings back to me a time of innocence, a time when I am young and girls are mysterious, a time of parties and dances and warmth and secrets.

I am drawn to her now.

There is an etiquette about such things, too. It is in poor taste to approach someone you have met while being ridden. Such an encounter gives you no privilege; a stranger remains a stranger, no matter what you and she may have done and said during your involuntary time together.

Yet I am drawn to her.

Why this violation of taboo? Why this raw breach of etiquette? I have never done this before. I have been scrupulous.

But I get to my feet and walk along the step on which I have been sitting until I am below her, and I look up, and automatically she folds her ankles together and angles her knees as if in awareness that her position is not a modest one. I know from that gesture that she is not ridden now. My eyes meet hers. Her eyes are hazy green. She is beautiful, and I rack my memory for more details of our passion.

I climb step by step until I stand before her.

“Hello,” I say.

She gives me a neutral look. She does not seem to recognise me. Her eyes are veiled, as one’s eyes often are, just after the Passenger has gone. She purses her lips and appraises me in a distant way.

“Hello,” she replies coolly. “I don’t think I know you.”

“No. You don’t. But I have the feeling you don’t want to be alone just now. And I know I don’t.” I try to persuade her with my eyes that my motives are decent. “There’s snow in the air,” I say. “We can find a warmer place. I’d like to talk to you.”

“About what?”

“Let’s go elsewhere, and I’ll tell you. I’m Charles Roth.”

“Helen Martin.”

She gets to her feet. She still has not cast aside her cool neutrality; she is suspicious, ill at ease. But at least she is willing to go with me. A good sign.

“Is it too early in the day for a drink?” I ask.

“I’m not sure. I hardly know what time it is.”

“Before noon.”

“Let’s have a drink anyway,” she says, and we both smile.

We go to a cocktail lounge across the street. Sitting face to face in the darkness, we sip drinks, daiquiri for her, bloody mary for me. She relaxes a little. I ask myself what I want from her. The pleasure of her company, yes. Her company in bed? But I have already had that pleasure, three nights of it, though she does not know that. I want something more. Something more. What?

Her eyes are bloodshot. She has had little sleep these past three nights.

I say, “Was it very unpleasant for you?”

“What?”

“The Passenger.”

A whiplash of reaction crosses her face. “How did you know I’ve had a Passenger?”

“I know.”

“We aren’t supposed to talk about it.”

“I’m broadminded,” I tell her. “My Passenger left me some time during the night. I was ridden since Tuesday afternoon.”

“Mine left me about two hours ago, I think.” Her cheeks colour. She is doing something daring, talking like this. “I was ridden since Monday night. This was my fifth time.”

“Mine also.”

We toy with our drinks. Rapport is growing, almost without the need of words. Our recent experiences with Passengers give us something in common, although Helen does not realise how intimately we shared those experiences.

We talk. She is a designer of display windows. She has a small apartment several blocks from here. She lives alone. She asks me what I do. “Securities analyst,” I tell her. She smiles. Her teeth are flawless. We have a second round of drinks. I am positive, now, that this is the girl who was in my room while I was ridden.

A seed of hope grows in me. It was a happy chance that brought us together again so soon after we parted as dreamers. A happy chance, too, that some vestige of the dream lingered in my mind.

We have shared something, who knows what, and it must have been good to leave such a vivid imprint on me, and now I want to come to her conscious, aware, my own master, and renew that relationship, making it a real one this time. It is not proper, for I am trespassing on a privilege that is not mine except by virtue of our Passengers’ brief presence in us. Yet I need her. I want her.

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