Poul Anderson - Goat Song

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Goat Song: краткое содержание, описание и аннотация

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Won Hugo and Nebula awards for Best Novelette in 1973.

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The sun goes down behind the buildings. Dusk gathers. The city remains un-illuminated. I soon realize why. She is coming, the Dark Queen Whom they wanted me to debate with. From afar we hear Her chariot thunder. Folk wail in terror. They are not wont to do that either. They used to disguise their feelings from Her and themselves by receiving Her with grave sparse ceremony. Now they would flee if they dared. I have lifted the masks.

The chariot halts in the street. She dismounts, tall and shadowy cowled. The people make way before Her like water before a shark. She climbs the stairs to face me. I see for the least instant that Her lips are not quite firm amid Her eyes abrim with tears. She whispers, too low for anyone else to hear, “Oh, Harper, I’m sorry.”

“Come join me,” I invite. “Help me set the world free.”

“No. I cannot. I have been too long with It.” She straightens. Imperium descends upon Her. Her voice rises for everyone to hear. The little television robots flit chose, bat shapes in the twilight, that the whole planet may witness my defeat. “What is this freedom you rant about?” She demands.

“To feel,” I say. “To venture. To wonder. To become men again.”

“To become beasts, you mean. Would you demolish the machines that keep us alive?”

“Yes. We must. Once they were good and useful, but we let them grow upon us like a cancer, and now nothing but destruction and a new beginning can save us.

“Have you considered the chaos?”

“Yes. It too is necessary. We will not be men without the freedom to know suffering. In it is also enlightenment. Through it we travel beyond ourselves, beyond earth and stars, space and time, to Mystery.”

“So you maintain that there is some undefined ultimate vagueness behind the measurable universe?” She smiles into the bat eyes. We have each been taught, as children, to laugh on hearing sarcasms of this kind. “Please offer me a little proof.”

“No,” I say. “Prove to me instead, beyond any doubt, that there is not something we cannot understand with words and equations. Prove to me likewise that I have no right to seek for it.

“The burden of proof is on You Two, so often have You lied to us. In the name of rationality, You resurrected myth. The better to control us! In the name of liberation, You chained our inner lives and castrated our souls. In the name of service, You bound and blinkered us. In the name of achievement, You held us to a narrower round than any swine in its pen. In the name of beneficence, You created pain, and horror, and darkness beyond darkness.” I turn to the people. “I went there. I descended into the cellars. I know!”

“He found that SUM would not pander to his special wishes, at the expense of everyone else,” cries the Dark Queen. Do I hear shrillness in Her voice? “Therefore he claims SUM is cruel.”

“I saw my dead,” I tell them. “She will not rise again. Nor yours, nor you. Not ever. SUM will not, cannot raise us. In Its house is death indeed. We must seek life and rebirth elsewhere, among the mysteries.”

She laughs aloud and points to my soul bracelet, glimmering faintly in the gray-blue thickening twilight. Need She say anything?

“Will someone give me a knife and an ax?” I ask.

The crowd stirs and mumbles. I smell their fear. Streetlamps go on, as if they could scatter more than this corner of the night which is roiling upon us. I fold my arms and wait. The Dark Queen says something to me. I ignore Her.

The tools pass from hand to hand. He who brings them up the stairs conies like a flame. He kneels at my feet and lifts what I have desired. The tools are good ones, a broad-bladed hunting knife and a long double-bitted ax.

Before the world, I take the knife in my right hand and slash beneath the bracelet on my left wrist. The connections to my inner body are cut. Blood flows, impossibly brilliant under the lamps. It does not hurt; I am too exalted.

The Dark Queen shrieks. “You meant it! Harper, Harper!”

“There is no life in SUM,” I say. I pull my hand through the circle and cast the bracelet down so it rings.

A voice of brass: “ Arrest that maniac for correction. He is deadly dangerous.”

The monitors who have stood on the fringes of the crowd try to push through. They are resisted. Those who seek to help them encounter fists and fingernails.

I take the ax and smash downward. The bracelet crumples. The organic material within, starved of my secretions, exposed to the night air, withers.

I raise the tools, ax in right hand, knife in bleeding heft. “I seek eternity where it is to be found,” I call. “Who goes with me?”

A score or better break loose from the riot, which is already calling forth weapons and claiming lives. They surround me with their bodies. Their eyes are the eyes of prophets. We make haste to seek a hiding place, for one military robot has appeared and others will not be long in coming. The tall engine strides to stand guard over Our Lady, and this is my last glimpse of Her.

My followers do not reproach me for having cost them all they were. They are mine. In me is the godhead which can do no wrong.

And the war is open, between me and SUM. My friends are few, my enemies many and mighty. I go about the world as a fugitive. But always I sing. And always I find someone who will listen, will join us, embracing pain and death like a lover.

With the Knife and the Ax I take their souls. Afterward we hold for them the ritual of rebirth. Some go thence to become outlaw missionaries; most put on facsimile bracelets and return home, to whisper my word. It makes little difference to me. I have no haste, who own eternity.

For my word is of what lies beyond time. My enemies say I call forth ancient bestialities and lunacies; that I would bring civilization down in ruin; that it matters not a madman’s giggle to me whether war, famine, amid pestilence will again scour the earth. With these accusations I am satisfied. The language of them shows me that here, too, I have reawakened anger. And that emotion belongs to us as much as any other. More than the others, maybe, in this autumn of mankind. We need a gale, to strike down SUM and everything It stands for. Afterward will come the winter of barbarism.

Amid after that the springtime of a new and (perhaps) more human civilization. My friends seem to believe this will come in their very lifetimes: peace, brotherhood, enlightenment, sanctity. I know otherwise. I have been in the depths. The wholeness of mankind, which I am bringing back, has its horrors.

“When one day
the Eater of the Gods returns the Wolf breaks his chain
the Horsemen ride forth
the Age ends
the Beast is reborn
then SUM will be destroyed; and you, strong and fair, may go back to earth and rain.
I shall await you.”

My aloneness is nearly ended, Daybright. just one task remains. The god must die, that his followers may believe he is raised from the dead and lives forever. Then they will go on to conquer the world.

There are those who say I have spurned and offended them. They too, borne on the tide which I raised, have torn out their machine souls and seek in music and ecstasy to find a meaning for existence. But their creed is a savage one, which has taken them into wildcountry, where they ambush the monitors sent against them and practice cruel rites. They believe that the final reality is female. Nevertheless, messengers of theirs have approached me with the suggestion of a mystic marriage. This I refused; my wedding was long ago, and will be celebrated again when this cycle of the world has closed.

Therefore they hate me. But I have said I will come and talk to them.

I leave the road at the bottom of the valley and walk singing up the hill. Those few I let come this far with me have been told to abide my return. They shiver in the sunset; the vernal equinox is three days away. I feel no cold myself. I stride exultant among briars and twisted ancient apple trees. If my bare feet leave a little blood in the snow, that is good. The ridges around are dark with forest, which waits like the skeleton dead for heaves to be breathed across it again. The eastern sky is purple, where stands the evening star. Overhead, against blue, cruises an early flight of homebound geese. Their calls drift faintly down to me. Westward, above me and before me, smolders redness. Etched black against it are the women.

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