Bruce Sterling - The Caryatids

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Books of Big Ideas often polarize reviewers, and Bruce Sterling’s latest novel is no exception. Either the best SF book of this or any other year (Cory Doctorow) or “a mess of a book about the mess of the world” (John Clute), The Caryatids, at the very least, illustrates Sterling's ability to raise voices (in praise or protest) 30 years after he laid the groundwork for the cyberpunk movement, without which contemporary SF would be a much rockier—and much less diverse—landscape. Sterling’s complex, controversial vision of our future invites comparison to Neal Stephenson (
,
) and William Gibson (
). Love him or hate him, Bruce Sterling always has something important to say, and The Caryatids is worth a look.

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Montalban was so solemn and passionate in this assessment that all Inke could do was blink.

“Inke, I aspire to see a normal world. A normalized world. I have never yet lived in any normal world, but I hope to see one built and standing up, before I die.”

“A ‘normal’ world, John?”

“Yes. ‘Normal.’ Like you, Inke. To be normal is a very conservative business. Your husband is going to become a conservative businessman. That is necessary, and I’m going to help him.”

“You’re not a conservative businessman?”

“No, Inke, alas, I’m a hip California swinger from Hollywood who has multiple wives. But I do need a conservative businessman, rather badly. And since your George is part-and-parcel of a Relinquished ex­periment, he is perfect for that role. I foresee a leadership role for George. He will become a modern captain of industry and a pillar of a new world consensus.”

“My husband admires you very much,” she told him, “and he would like to trust you, but really, John… Biserka. Why Biserka?”

“Yes,” he said wistfully, “I know. ‘Biserka.’”

“Why?”

Montalban looked at the gathered children—they were plunging through the crowd, bobbing like corks. “My little daughter Mary… she lacks for playmates. Mary doesn’t have much of a peer group. Why don’t you and the kids come and visit us this Christmas? We’ll all go to Lily­Pad. Up in orbit. It’s very quiet up there. It’s private. We’ll have a good long chat about certain matters. You and I, especially. We’ll iron some things out.”

“Why do you want to fly into outer space? That is dangerous.”

“The Earth is dangerous. And the sun is also disquieting. If the sun grows seriously turbulent—then Mars wouldn’t be far enough away for us. I commissioned some speculations on that topic. We’ve made some interesting findings. Should the Earth’s sun become unstable, it turns out that, with the Earth’s present level of industrial capacity, we could escape to the Oort Cloud with a biosphere ark of maybe a hundred, a hundred and fifty people. Carrying our ubiquitous support machines, of course.”

Montalban seemed to expect an answer to this extraordinary declara­tion. “Of course,” Inke told him.

“The Earth would become a cinder. Mars would be irradiated. Hot gas would be blasting off the surfaces of Jupiter and Saturn. The only spark of living vitality left in the solar system would be a shiny bubble containing us. Us, a whole lot of our maintenance machinery, and mostly, microbes.”

“‘Us’ John.”

“Yes, I mean us, Inke.” He waved his hand at the funereal crowd.

“You, me, the kids. People. There wouldn’t be much of us left, but we would be what there was.”

“You really think that way.”

“Yes, I have to think that way. It’s necessary.”

“You’re not a conservative businessman, Mr. Montalban.”

“No, I’m what people call a ‘Synchronic realist.’ We choose to look directly at the stark facts of science and history.” Montalban sighed. “Of course, whenever one does that in an honest spirit, everything becomes visionary, abnormal, and extreme.”

There was a bustle at the graveside. Somehow, amazingly, George had assembled his sisters into a public group.

Since they violently loathed one another, Vera, Sonja, Radmila, and Biserka had all been determined to stand out during the funeral. Rather than wear proper dark mourning clothes—as everyone else was doing—they had each, independently, decided to mark themselves out as free spirits by dressing entirely in white. So the sisters were all in white, iden­tical, grim and chilly and marbled, pale as statues.

Making the most of this misstep, George had hastily borrowed a white jacket from an Acquis cadre. He’d ripped off the jacket’s political tags, pips, and braiding. So George was also in white.

Gathered there at the monster’s graveside, two by two with George standing at their head, the women were intensely romantic and pretty. Five siblings holding up the autumn sky.

“This is George’s finest hour!” said Montalban, his dark eyes wide. “Look what he’s achieved! I could never do that! Never! He’s got them publicly holding hands! Like when they were kids!”

Inke knew fear. “This is not going to work.”

“Of course it will work! He’s finally got them burying their primal trauma here! Even though they’re a broken set, they’re violently off-kilter… they’re letting go of their past! Everybody’s watching! The whole world adores them.”

Inke knew that the women could not bear up. Flawed from birth, scorched by murder, their hearts were broken: they had failed compre­hensively. They were strong and resolute and intelligent women, but they could not possibly support the roles that fate had forced upon them. They were broken statues for a broken world.

“They cannot bear it,” she told him.

“Well, I’m not claiming that this is a perfect solution for them­—peace never lasts forever in the Balkans—but come on, Inke, they’re not stupid! Look, he’s giving them the ceremonial shovels!”

It was a local tradition to distribute short-handled shovels at a grave­side, for the convenience of mourners casting dirt.

George was the first to pitch in with his fancy shovel—without another word or gesture, he began heaving damp clods straight into the open grave. He looked thrilled, overjoyed. George meant to finally conceal a lifelong embarrassment. He might have filled that grave all by himself.

George was so gleeful and eager about his work that the women, as if helpless, fell into line.

Soon they were all throwing dirt into the Earth, earnestly, tirelessly. When each saw that the others were sparing no effort, they really set to. Their arms and legs in ominous unison, the clones labored like iden­tical machines.

Inke stared at the uncanny spectacle. Every spectator was silent and astonished.

Vera was the best at the labor. As an engineer, Vera understood dirt and digging. Vera had a pinched, virginal quality—Vera was a fanatic, the kind of woman who had never understood what it meant to be a woman. Vera was efficient and entirely humorless, a robot.

Radmila made it all look so effortless. She handled her shovel like a stage prop. Radmila was the world’s most elegant grave digger. It was as if every woman in the world should aspire to spend her evenings filling graves.

Sonja had filled many graves already. Sonja was the one who best un­derstood what she was doing. It was a moral burden to see Sonja at her deadly work. It made one sweat.

“Biserka isn’t doing much,” Inke said.

“We call her ‘Erika’ now,” said Montalban. “She broke her ribs. She’s still in a lot of pain.”

“Your Biserka is up to no good. Biserka has never been any good. She would never hold up her own part of anything.”

“I like to think of my Erika as a troubled girl from a severely disad­vantaged background,” said Montalban. “But, what the heck, yeah, of course you’re right, Inke: Biserka is evil.”

“Why her, John? The other one is the mother of your child.”

“Well, I love them all so very dearly, but… they’re so fierce and ded­icated and selfless and good! They frankly tire me! Biserka considers her­self a cauldron of criminal genius, but since she’s so completely self-absorbed, and so devoid of any interest and empathy for others­—motivated entirely by her resentment and always on the make—well, Bis­erka’s certainly the easiest to manage. There’s something abject about Biserka. I don’t have to negotiate that relationship all the time. Biserka is the one that I fully understand. And she needs me the most. Left alone in a room, Biserka would sting herself to death like a scorpion. She will always need her rescuer. She’ll always need a white knight to save her, she’ll always be in trouble, and she will always depend on me. That’s why I love her the best.”

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