Charles Stross - Halting State

“So what am I doing here?” You look around, then cross the road quickly. There’s a shop selling beautifully unearthed fossils opposite the site of the old gallows, then a straight uphill march past the most dangerous run of second-hand book-shops in town.

“That’s obvious: You were being groomed to join the SPOOKS dev team. Or SPOOKS 2.0. Then the shit hit the fan, and Michaels decided to use you as bait in his little trap instead.”

How reassuring, you tell yourself. “So we’re lost in a maze of shiny little mirrors, all alike, spies to the left of us, spooks to the right. And you quit your day job?”

“Tripling my pay, and…Michaels is scared, Jack. So am I, to be perfectly truthful—what happened to Wayne is no joke. The sooner we call time on the bastards, the safer I’ll feel.”

“Oh yes?” You slow down to a dawdle and look sidelong at her focussed expression. When you first met her, you thought: librarian on crystal meth . Now you think: ferret . Then she breaks the effect by smiling hesitantly at you, and it messes with your head because there’s no way a mustelid could make you feel warm and fuzzily protective like that.

“There’s what Barry wants us to know, and there’s what the situation really is as Barry and his core intelligence group understand it, and there’s the truth . I’d draw you a Venn diagram, but it’s more like peeling a hyperdimensional onion—not all the layers that look like they’re concentric spheres actually enclose one another. We can peel it ourselves and risk uncovering something that’ll make us cry…or we can play by his rules. And he’s rigged the game to keep us in it—you with Elsie, and by the way, have you called your sister to check that it’s not just a crock of lies he’s feeding you?—and me with—” She stops. “You haven’t called your sister. Why not? Is it just your…record?”

You really don’t want to have to explain the truth about Elsie, and your sister, and the rest of your non-standard family arrangements, so you endeavour to tiptoe around the elephant in the living room without actually making eye contact with the pachyderm. “You know about Schrödinger’s cat? The superposition of quantum states? Michaels has put my niece in a box, and I’d rather not know for the time being who’s more ruthless—the other side, or the bastards we’re working for.” Because Team Red might have done something, like Barry says, or Barry’s cell might be running a really nasty Augmented Reality game against you to secure your co-operation. And neither possibility is pleasant to contemplate. “I pointed Inspector Kavanaugh at it. Hopefully, she’ll tell me to stop wasting police time.” Or maybe she’ll find out who’s pushing your buttons—whether it’s Team Red or Michaels.

Elaine lets go of your hand. A moment later you feel her hand on your shoulder, pulling you close. “That wasn’t a bad choice.”

“Believe me, I know all about bad choices.” You’re conflicted. You crave her touch, but feeling her hand on your shoulder, in front of all the cameras…in the end, you don’t shake it off. “Real life isn’t a game, there’s no undo, no reload. I’ve played too many games: Real life scares me.”

“Is it much farther?”

“We’re nearly halfway.” Which is a little white lie, but with her phone turned off, she’s capable of being deceived—she’d actually be lost, without your local knowledge. And hopefully so will be anyone who’s tracking her location, or your location. You can discount face recognition, despite all those cameras surreptitiously filing away your misdemeanours for later (like back when you were fifteen and stupid) because it’s CPU-intensive as hell, but your mobie is a tracking device par excellence, and you’ve got to assume that Team Red know who you both are, by now. “Let’s stay off-line until we get to the hotel.” By which point, Team Red won’t have a fucking clue where you are, which is exactly how you want things to be.

“I hate being lost,” she mutters.

“Really?” You’re taken aback. “It used to be normal.”

“Lots of things used to be normal. No indoor plumbing and dying in child-birth used to be normal. Where are we?”

“We’re on, um, the road that leads from the Grassmarket to Lothian Road, dammit. I can’t remember.” It’s an itch you can’t scratch, like not being able to check a watch or pull up the news headlines. “Just think, it used to be like this for everybody, just twenty years ago!”

“I suppose.”

“Imagine you were a time-traveller from the 1980s, say 1984, and you stepped out of your TARDIS right here, outside, uh, West Port Books.” (Which tells you where you are.) “Looking around, what would you see that tells you you’re not in Thatcherland anymore?”

“You’re playing a game, right?”

“If you want it to be a game, it’s a game.” Actually it’s not a game, it’s a stratagem, but let’s hope she doesn’t spot it.

“Okay.” She points at the office building opposite. “But that…okay, the lights are modern, and there are the flat screens inside the window. Does that help?”

“A little.” Traffic lights change: Cars drive past. “Look at the cars. They’re a little bit different, more melted-looking, and some of them don’t have drivers. But most of the buildings—they’re the same as they’ve ever been. The people, they’re the same. Okay, so fashions change a little. But how’d you tell you weren’t in 1988? As opposed to ’98? Or ’08? Or today?”

“I don’t—” She blinks rapidly, then something clicks: “The mobile phones! Everyone’s got them, and they’re a lot smaller, right?”

“I picked 1984 for a reason. They didn’t have mobies then—they were just coming in. No Internet, except a few university research departments. No cable TV, no laptops, no websites, no games—”

“Didn’t they have Space Invaders?”

You feel like kicking yourself. “I guess. But apart from that…everything out here on the street looks the same, near enough, but it doesn’t work the same. They had pocket calculators back then, and I remember my dad showing me what they used before that—books of tables, and a thing like a ruler with a log scale on it, a slide-rule. Do you have a pocket calculator? Do you use one to do your job, your old job?”

“No, of course I—” She waves at the book-shop opposite. “I’m a forensic accountant! What use is a pocket calculator?”

“Well, that’s my point in a nutshell. We used to have slide-rules and log tables, then calculators made them obsolete. Even though old folks can still do division and multiplication in their heads, we don’t use that. We used to have maps, on paper. But these are all small things.” The traffic lights sense your presence and trigger the pedestrian crossing: You pause while she catches up with you. “The city looks the same, but underneath its stony hide, nothing is quite the way it used to be. Somewhere along the line we ripped its nervous systems and muscles out and replaced them with a different architecture. In a few years it’ll all run on quantum key-exchange magic, and everything will have changed again. But our time-traveller—they won’t know that. It looks like the twentieth century.” (Bits of it look like the eighteenth century, for that matter: This is Edinburgh, and you’re deep in the World Heritage Conservation Zone.) “Nothing works the way it used to, exactly. And knowing how it works now is the edge we’ve got over Michaels.”

You lead her up through the pubic triangle (which is not a patch on Amsterdam’s famous red light district, but sleazy enough for a cheap shiver if you’re so inclined) and onto Lothian Road (tame by daylight, wild West End by night). “We can catch a bus from here,” you suggest, and she looks slightly pained, but nods. And so you do, taking the hit for paying cash: And ten minutes later you step off the bus nearly opposite the West End Malmaison hotel. “Do you know where you are now?” you ask her, trying not to pay too much attention to the police vans parked outside.