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Greg Bear: Blood Music

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Greg Bear Blood Music

Blood Music: краткое содержание, описание и аннотация

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The award winning tale of the inevitable takeover of our society by a benign, intelligent scientific experiment gone awry. In the tradition of the greatest cyberpunk novels, explores the imminent destruction of mankind and the fear of mass destruction by technological advancements. Blood Music Author Greg Bear’s treatment of the traditional tale of scientific hubris is both suspenseful and a compelling portrait of a new intelligence emerging amongst us, irrevocably changing our world. Blood Music

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Paulsen-Fuchs finished his toast “I had a dream last night, rather vivid,” he said. “In that dream, I was asked how many handshakes I was from someone who lived in North America. Is that meaningful, do you suppose?”

“Ignore nothing,” Gogarty said. “That’s my motto.”

“What does the letter say now? You read.”

Gogarty opened the paper and carefully recorded the message. “Pretty much the same,” he said. “Wait-one word added. ‘Big changes soon .’”

They went for a walk in the intermittent sunshine, boots crunching and squeaking in the snow, compressing it to ice. The air was bitterly cold but the wind was slight. “Is there hope that it will all flex back, return to normal?” Paulsen-Fuchs asked.

Gogarty shrugged. “I’d say yes, if all we were dealing with were natural forces. But Bernard’s notes aren’t very encouraging, are they?

“I am ignorant,” Gogarty said suddenly, exhaling a cloud of vapor. “How refreshing to say that. Ignorant. I am as subject to unknown forces as that tree.” He pointed to a bent and gnarled old pine on a bluff above the beach. “It’s a waiting game from here.”

“Then you did not invite me here so that we could seek solutions.”

“No, of course not.” Gogarty experimentally tapped a frozen puddle with his foot. The ice broke, but there was no water beneath. “It just seemed Bernard wanted us here, or at least together.”

“I came here hoping for answers.”

“Sorry.”

“No, that is not strictly true. I came here because I have no place in Germany now. Or anywhere else. I am an executive without a company, without a job. I am free for the first time in years, free to take risks.”

“And your family?”

“Like Bernard, I have shed various families over the years. Do you have a family?”

“Yes,” Gogarty said. “They were in Vermont, last year, visiting my wife’s parents.”

“I am sorry,” Paulsen-Fuchs said.

When they returned to the cabin, consuming more cups of hot coffee and laying a fresh fire in the grate, Bernard’s note read:

Dear Gogarty and Paul

Last message. Patience. How many handshakes an you from someone now gone? One handshake. Nothing is lost. This is the last day.

Bernard

They both read it Gogarty folded it and put it in a drawer for safe-keeping. An hour later, feeling a tingle of premonition, Paulsen-Fuchs opened the drawer to read the letter again.

It was not there.

CHAPTER FORTY SIX

LONDON

Suzy leaned out of the window and took a deep breath of the cold air. She had never seen anything so beautiful, not even the glow of the East River when she had crossed the Brooklyn Bridge. The burning snow was simple, entrancing, an elegant coda announcing the end of a world gone mad. She was sure of that much. In the nine months she had spent in London, in her small apartment paid for by the American Embassy, she had watched the city come to a shuddering, spasmodic halt. She had hidden away in her apartment, peering out the window, seeing fewer and fewer cars or lorries (such a fun word), more and more people walking, even as the bright snow deepened, and then—

Fewer people walking, more, she supposed, staying inside. An American consular official came to see her once a week. Her name was Laurie (not quite like the trucks) and sometimes she brought Yves, her fiancé, whose name was French but who was an American by birth.

Laurie always came, bringing Suzy her groceries, her children’s books and magazines, bringing news—what there was of it Laurie said the “airwaves” were becoming more and more difficult That meant nobody was getting much use out of their radios. Suzy still had hers, though it hadn’t worked since she dropped it while climbing on to the helicopter. It was cracked and didn’t even hiss but it was one of the only things that was hers.

She pulled back from the window and shut her eyes. It hurt every time she remembered what had happened. The sense of loss, standing in the middle of empty Manhattan, feeling foolish. The helicopter landing a couple of weeks later, and taking her back to the huge aircraft carrier off the coast…

Then they had sailed her across the ocean to England and found her an apartment—a flat—in London, a nice small place where she felt okay most of the time. And Laurie came and brought things Suzy needed.

But she hadn’t come today, and she never came after dark. The snow was very thick and very bright. Pretty.

Strangely, Suzy didn’t feel at all lonely.

She closed the window to shut out the cold air. Then she stood before the long mirror that hung on the inside of her wardrobe door and looked at the bright snowflakes melting and dimming in her hair. That made her smile.

She turned and looked into the dark wardrobe interior. The steam pipes rattled, just like at home. “Hello,” she said to the few clothes in the wardrobe. She pulled out a long dress she had worn to the American Ball six months ago. It was a wonderful emerald green and she looked very good in it.

She hadn’t worn it since, and that was a shame.

She stood by the radiator and took off her robe, then unzipped and unlatched the back and stepped into the dress. Gown, she corrected herself.

Didn’t one get to meet the queen only in a gown? That made sense.

She pulled it up over her shoulders and fitted her breasts into the cups sewn in. Then she zipped it up as high as she could and stood before the wardrobe again, turning back and forth, all but her face, smiling at herself.

She had been very popular at the embassy in the first few months. Everybody liked her. But they had stopped asking her over because the embassy was quite a distance away, and traffic was messier and messier.

Actually, Suzy thought as she looked at the pretty girl in the mirror, she wouldn’t mind dying right now.

It was so beautiful outside. Even the cold was beautiful. The cold felt differently than it used to in New York, and not because it was English cold. Cold everywhere felt differently, she imagined.

If she died, she could go up into the burning snow, higher into the dark clouds, dark as sleep. She could go looking for Mother and Cary and Kenneth and Howard. They probably weren’t in the clouds, but she knew they weren’t dead—

Suzy frowned. If they weren’t dead, then how could she find them by dying? She was so stupid. She hated being stupid. She had always hated it.

And yet—Mother had always told her that she was a wonderful person, and did as well as she could (though there was always better to aspire for). Suzy had grown up liking herself, liking others, and she didn’t really want to become somebody else, or something else just to—

She didn’t want to change just to be better. Though there was always better to aspire for.

It was very confused. Everything was changing. Dying would be changing. If she didn’t mind that, then—

The snow was making a sound outside. She listened at the window and heard a pleasant drone like bees in a field of flowers. A warm sound for a cold sight.

“How strange,” she said. “Yes, how strange, how strange.” She began to sing the words but the song was silly and didn’t say what she was feeling, which was—

Accepting.

Perhaps it wasn’t the snow making the sound, but a wind. She wiped the condensation from the window and went back to the bed to turn out the light so she could see better. If the snow was blowing one way or another, then it was wind making the sound. It didn’t sound like wind.

Accepting, and lonely.

Where was Laurie? Where everybody was. Inside, staring out at the snow, just like her. But Laurie probably had Yves with her. It wasn’t good to be lonely on the—

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