Walter Tevis - Mockingbird

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Mockingbird: краткое содержание, описание и аннотация

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The future is a grim place in which the declining human population wanders, drugged and lulled by electronic bliss. It’s a world without art, reading and children, a world where people would rather burn themselves alive than endure. Even Spofforth, the most perfect machine ever created, cannot bear it and seeks only that which he cannot have—to cease to be. But there is hope for the future in the passion and joy that a man and woman discover in love and in books, hope even for Spofforth. A haunting novel, reverberating with anguish but also celebrating love and the magic of a dream.
Mockingbird
Review
From the Inside Flap “A moral tale that has elements of Aldous Huxley’s
,
, and
.”

“Set in a far future in which robots run a world with a small and declining human population, this novel could be considered an unofficial sequel to
, for its central event and symbol is the rediscovery of reading.”

“Because of its affirmation of such persistent human values as curiosity, courage, and compassion, along with its undeniable narrative power,
will become one of those books that coming generations will periodically rediscover with wonder and delight.”

“I’ve read other novels extrapolating the dangers of computerization but Mockingbird stings me, the writer, the hardest. The notion, the possibility, that people might indeed lose the ability, and worse, the desire to read, is made acutely probable.”

bestselling author ANNE MCCAFFREY “Walter Tevis is science fiction’s great neglected master, one of the definitive bridges between sf and literature. For those who know his work only through the movies, the lucid prose and literary vision of
and
will come as a revelation.”
—AL SARRANTONIO, Author of
saga

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How different I am now from what I was then. And how strong my body is. And how unafraid I am.

I will leave Maugre soon. While it is still the Fall of the Year.

Mary Lou

The baby is due any day now. It’s the perfect time of year for having a baby—the very first part of spring. I’m sitting now by the living-room window that overlooks Third Avenue. Downtown and to the west I can see, over empty lots and low housetops, the Empire State Building. Bob often sits in this green chair and looks toward it; I like to watch the tree outside the window. It’s a big tree, one that long ago must have cracked the crumbling pavement around its enormous trunk; it rises way above our three-story building. I can see from here where little leaves have begun to come out on the lower branches; it makes me feel good to see them, to see that fresh and pale green.

Since Bob can’t read titles I had to go with him two weeks ago to find books on baby care and obstetrics; I found four—two of them with pictures. I’ve never had any instructions in my life about childbirth and of course have never known anyone to have a baby; I’ve never even seen a pregnant woman. But while reading one of the books and looking at its pictures I realized that I did have some associations that must have been picked up from older girls when I was a little misfit in the dormitory: cramping pains, blood, lying on your back and screaming and biting your forearm; a dark process called “cutting the cord.” Well. I know about such things now, and feel better. I want to get it over with.

One afternoon about three weeks ago Bob came home early. I had been thinking all day about how little I knew about babies, and then he came in carrying a huge, god-awful box filled with tools and cans and paintbrushes. Without even speaking to me he went into the kitchen and began working on the sink drain. I was astonished and after a few minutes I heard water running in the sink and then the gurgling of it going down. I got up and walked over to the kitchen door.

“Jesus!” I said. “Whatever possessed you?”

He wiped his hands on a dish towel and then turned around toward me. “I get tired of things that don’t work,” he said.

“I’m glad to hear it. Can you fix the wall where those books are falling out of it?”

“Yes,” he said. “After I paint the living room.”

I started to ask him where he had gotten paint, but I didn’t. Bob seems to know where everything is in New York. I suppose he’s the city’s oldest citizen—the oldest New Yorker.

He had some dusty old paint cans in his box. He came into the living room and pried the lid off one of them with a screwdriver and began mixing the paint. It looked all right and after he stirred it awhile I could see it was going to be white. Then he went outside for a few minutes and came back with a ladder. He set it up and took his shut off, climbed the ladder, and began to paint the wall over my bookcases by the light from the window.

I watched him for quite a while in silence. Then I said, “Do you know anything about childbirth?”

He went on painting, not looking at me. “No. Nothing except that it’s painful. And that any Make Seven can abort a pregnancy.”

“Any Make Seven?”

He stopped painting and turned toward me, looking down. There was a white spot on his cheek. His head seemed to be touching the high ceiling. “Make Sevens were designed at a time when there were too many pregnancies. Someone had the idea to program them for abortions—for abortions right up through the ninth month. All you do is ask one.”

That phrase, “through the ninth month,” shook me for a second. He had said it casually, but I didn’t like hearing it. And then I laughed, thinking of a Make Seven abortionist. Make Sevens are usually in charge of businesses or dormitories or stores. I could see myself walking up to one of them behind its desk and saying, “I want an abortion,” and having it whip out a little scalpel from a desk drawer… except that wasn’t funny.

I stopped laughing. “Could you find me a book about having babies?” I held my hands cupped over my belly, protectively. “So I’ll have some idea what to expect?”

Surprisingly, he didn’t answer me. He stared at me for a while. Then for a moment he whistled, softly. He seemed to be deep in thought. At such times I am amazed at Bob’s humanness . When he is alone with me like that his face can show more feeling than even Paul’s or Simon’s and his voice is sometimes so deep and so sad that it almost makes me cry. So queer that this robot should be the repository of so much love and melancholy—powerful feelings that mankind has rid itself of.

Finally he spoke and shocked me with his words. “I don’t want you to have the baby, Mary,” he said.

Instinctively I pulled my hands tighter against my belly. “What are you talking about, Bob?”

“I want you to abort the baby. There’s a Make Seven in my building that can do it.”

I must have stared at him in disbelief and fury. I remember standing up and taking a few steps toward him. All that was in my head were words I had learned from Simon years before and I said them: “Fuck you, Bob. Fuck you .”

He looked at me steadily. “Mary,” he said, “if that child lives it will eventually be the only person alive on earth. And I will have to go on living as long as it does.”

“To hell with that,” I said. “Besides, it’s too late. I can get other women off their pills and get them fertile. I can have other babies myself.” The thought of all that wearied me suddenly, and I sat down again. “And as for you, why shouldn’t you go on living? You can be a father to my children. Isn’t that what you wanted when you took me away from Paul?”

“No,” he said. “That wasn’t it.” He looked away from me, holding his paintbrush, out the window toward the tree and the empty avenue. “I just wanted to live with you the way the man whose dreams I have might have lived, hundreds of years ago. I thought it might allow me to recover the past that lies around the edges of my mind and memory, might give me ease.”

“And has it?”

He looked back at me, thoughtfully. “No, it hasn’t. Nothing has changed in me. Except for loving you.”

His unhappiness gripped me; it was like a living thing in the room—an inaudible crying, a yearning. “What about the baby?” I said. “If you had a baby to be a father to…”

He shook his head wearily. “No. This whole arrangement has been folly. Like having Bentley read those films for me so that I could touch the past a little more through him. Allowing him to impregnate you before I took him from you. It has all been stupid —the kind of thing that emotions do when you yield to them.” Then he came down from the ladder, walked over toward me, and set his large hand gently on my shoulders. “All I want, Mary, is to die.”

I looked up at his sad, brown face with the broad forehead wrinkled and the eyes soft. “If my baby is born…”

“I am programmed to live for as long as there are human beings to serve. I can’t die until there are no more of you left. You…” And suddenly, surprisingly, his voice seemed to explode. “You Homo sapiens , with your television and your drugs.”

His anger frightened me for a moment and I stayed silent. Then I said, “I’m Homo sapiens , Bob. And I’m not like that. And you are nearly human. Or more than human.”

He turned away from me, taking his hand away from my shoulder. “I am human,” he said. “Except for birth and death.” He walked back to his ladder. “And I am sick of life. I never wanted it.”

I stared at him. “That’s the name of the game. I didn’t ask to be born either.”

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