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Stanislaw Lem: Return from the Stars

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Stanislaw Lem Return from the Stars

Return from the Stars: краткое содержание, описание и аннотация

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Space wasn’t half so scary, half so strange, or even half so alien, as what Hal Bregg returned to. He had been away from Planet Earth for ten years space-time. But that was 127 years back home and a lot of things had changed. Sex. Money. Transit. Violence. There’s no more violence. Everyone gets it “betrizated” out of them in childhood. And that’s just the beginning… Naturally, Hal refuses to be acclimated by the “Adapt” people. He prefers to figure it out all by himself, be a stranger in a strange land, draw his own conclusions. And he does. “In the unlikely event that a science-fiction writer is deemed worthy of a Nobel Prize in the near future, the most likely candidate would be a Pole named Stanislaw Lem,” states THE NEW YORK TIMES. And FANTASY & SCIENCE FICTION writes, “One of the world’s finest writers… Lem has accomplished the difficult illusion of showing us a future world which may be distasteful to us, but which may be seen as quite legitimate and even desirable by its own people, and by us, if we were to change certain ways of seeing and understanding.”

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The first time I had seen an infor was on Luna, and I had taken it to be an artificial flower.

I put my face close to the aquamarine cup, which immediately, before I could open my mouth, froze in readiness.

“How do I get out of here?” I asked, none too brightly.

“Where are you going?” a warm alto answered immediately.

“To the city.”

“Which district?”

“It doesn’t matter.”

“Which level?”

“It doesn’t matter; I just want to get out of the station!”

“Meridional, rasts: one hundred and six, one hundred and seventeen, zero eight, zero two. Triduct, level AF, AG, AC, circuit M levels twelve, sixteen, the nadir level leads to every direction south. Central level — gleeders, red local, white express, A, B, and V. Ulder level, direct, all escals from the third up…” a singsong female voice recited.

I had the urge to tear from the wall the microphone that was inclined with such solicitude to my face. I walked away. Idiot! Idiot! droned in me at every step. EX EX EX EX — repeated a sign that was rising, bordered by a lemon haze. Exit? A way out?

The huge sign said EXOTAL. A sudden rush of warm air made the legs of my trousers flap. I found myself beneath the open sky. But the blackness of the night was kept at a great distance, pushed back by the multitude of lights. An immense restaurant. Tables whose tops blazed with different colors; above them, faces, illuminated from below, therefore somewhat eerie, full of deep shadows. Low armchairs, a black liquid with green foam in glasses, lanterns that spilled tiny sparks, no, fireflies, swarms of burning moths. The chaos of lights extinguished the stars. When I lifted my head I saw only a black void. Yet, strangely enough, at that moment its blind presence gave me courage. I stood and looked. Someone brushed by me; I caught the fragrance of perfume, sharp yet at the same time mild; a young couple passed; the girl turned to the man; her arms and breasts were submerged in a fluffy cloud; she entered his embrace; they danced. They still dance, I thought to myself. That’s good. The pair took a few steps, a pale, mercurylike ring lifted them up along with the other couples, their dark red shadows moved beneath its huge plate, which rotated slowly, like a record. It was not supported by anything, did not even have an axis, but, hanging in the air, it turned to the music. I walked among the tables. The soft plastic underfoot ended, gave way to porous rock. I passed through a curtain of light and found myself inside a rocky grotto. It was like ten, fifty Gothic naves formed out of stalactites; veined deposits of pearly minerals surrounded the mouths of the caves; in these people sat, legs dangling; small flames flickered between their knees, and at the bottom lay the unbroken black surface of an underground lake, which reflected the vaults of the rocks. There, too, on flimsy little rafts, people were reclining, all facing the same way. I went down to the water’s edge and saw, on the other side, on the sand, a female dancer. She appeared to be naked, but the whiteness of her body was not natural. With short, unsteady steps she ran to the water; when her body was reflected in it, she stretched out her arms suddenly and bowed — the end — but no one applauded; the dancer remained motionless for a few seconds, then slowly went along the shore, following its uneven line. She was perhaps thirty paces from me when something happened to her. One moment I saw her smiling, exhausted face, then, suddenly, as if something had got in the way, her outline trembled and disappeared.

“A raft for you, sir?” came a courteous voice behind me. I turned around; no one, only a streamlined table strutting on comically bowed legs; it moved forward, glasses of sparkling liquid, arranged in rows on side trays, shook, one arm politely offering me this drink, the other reaching for a plate with a fingerhole, something like a small, concave palette — it was a robot. I could see, behind a small glass pane in the center, the glow of its transistorized heart.

I avoided those insect arms stretched out to serve me, loaded with delicacies, which I refused, and I quickly left the artificial cave, gritting my teeth, as if I had somehow been insulted. I crossed the full width of the terrace, among S-shaped tables, under avenues of lanterns, showered with a fine powder of disintegrating, dying fireflies, black, gold. At the very edge, a border of stone, old, covered with a yellowish lichen, and there I felt, at last, a real wind, clean, cool. Nearby stood a vacant table. I sat awkwardly, my back to the people, looking out into the night. Below lay the darkness, vast, formless, and unexpected; only far, very far away, at its perimeter, glowed thin, flickering lights, curiously uncertain, as though not electric, and even farther off, swords of light rose up cold and thin into the sky, whether homes or pillars, I did not know; I would have taken them for the beams of floodlights had they not been traced by a delicate network — a glass cylinder might have looked thus, its base in the earth, its tip in the clouds, filled with alternating concave and convex lenses. They must have been incredibly high; around them, a few lights glimmering, pulsing, so that they were encircled now by an orange haze, now by a nearly white one. That was all, that was how the city looked; I tried to find streets, to guess where they would be, but the dark and seemingly lifeless space below spread out in all directions, not illuminated by a single spark.

“Col… ?” I heard; the word had probably been said more than once, but I did not immediately realize that it was addressed to me. I started to turn around, but the chair, quicker than I, did this for me. Standing in front of me was a girl, perhaps twenty years old, in something blue that clung to her like a liquid congealed; her arms and breasts were hidden in a navy-blue fluff that became more and more transparent as it descended. Her slim, lovely belly was like a sculpture in breathing metal. At her ears she had something shining, so large that it covered them completely. A small mouth in an uncertain smile, the lips painted, the nostrils also red inside — I had noticed that this was how most of the women were made up. She held the back of the chair opposite me with both hands and said:

“How goes it, col?”

She sat down.

She was a little drunk, I thought.

“It’s boring here,” she continued after a moment. “Don’t you think so? Shall we take off somewhere, col?”

“I’m not a col…” I began. She leaned on the table with her elbows and moved her hand across her half-filled glass, until the end of the golden chain around her fingers dipped into the liquid. She leaned still closer. I could smell her breath. If she was drunk, it was not on alcohol.

“How’s that?” she said. “You are. You have to be. Everybody is. What do you say? Shall we?”

If only I knew what all that meant.

“All right,” I said.

She stood up. And I got up from my horribly low chair.

“How do you do that?” she asked.

“Do what?”

She stared at my legs.

“I thought you were on your toes…”

I smiled but said nothing. She came up to me, took me by the arm, and was again surprised.

“What have you got there?”

“Where, here? Nothing.”

“You’re singing,” she said and lightly tugged at me. We walked among the tables and I wondered what “singing” meant — perhaps “you’re kidding me"?

She led me toward a dark gold wall, to a mark on it, a little like a treble clef, lit up. At our approach the wall opened. I felt a gust of hot air.

A narrow silver escalator flowed down. We stood side by side. She did not even reach my shoulder. She had a catlike head, black hair with a blue sheen, a profile that was perhaps too sharp, but she was pretty. If it were not for those scarlet nostrils… She held on to me tightly with her thin hand, the green nails dug into my heavy sweater. I had to smile at the thought of where that sweater had been and how little it had in common with the fingers of a woman. Beneath a circular dome that breathed light — from pink to carmine, from carmine to pink — we went out into the street. That is, I thought it was a street, but the darkness above us was every now and then lit up, as if by a momentary dawn. Farther on, long, low silhouettes sailed past, much like cars, but I knew that there were no more cars. It must have been something else. Even had I been alone, I would have chosen this broad artery, because in the distance blazed the letters to the center, although that surely did not mean the center of the city. At any rate, I let myself be led. No matter how this adventure was going to end, I had found myself a guide, and I thought — this time without anger — of that poor fellow who now, three hours after my arrival, was undoubtedly hunting for me through all the infors of this station-city.

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