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Stanislaw Lem: Return from the Stars

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Stanislaw Lem Return from the Stars

Return from the Stars: краткое содержание, описание и аннотация

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Space wasn’t half so scary, half so strange, or even half so alien, as what Hal Bregg returned to. He had been away from Planet Earth for ten years space-time. But that was 127 years back home and a lot of things had changed. Sex. Money. Transit. Violence. There’s no more violence. Everyone gets it “betrizated” out of them in childhood. And that’s just the beginning… Naturally, Hal refuses to be acclimated by the “Adapt” people. He prefers to figure it out all by himself, be a stranger in a strange land, draw his own conclusions. And he does. “In the unlikely event that a science-fiction writer is deemed worthy of a Nobel Prize in the near future, the most likely candidate would be a Pole named Stanislaw Lem,” states THE NEW YORK TIMES. And FANTASY & SCIENCE FICTION writes, “One of the world’s finest writers… Lem has accomplished the difficult illusion of showing us a future world which may be distasteful to us, but which may be seen as quite legitimate and even desirable by its own people, and by us, if we were to change certain ways of seeing and understanding.”

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An escalator began in the space between the buildings, suddenly entered a tunnel, silver with a gold pulse in the walls, as though underneath the mercury mask of the walls the noble metal truly flowed; I felt a hot gust, everything went out — I stood in a glass pavilion. It was in the shape of a shell, with a ribbed ceiling that glimmered a barely perceptible green; the light was from delicate veins, like the luminescence of a single giant trembling leaf. Doors opened in all directions; beyond them darkness and small letters, moving along the floor: TERMINAL PARK TERMINAL PARK.

I went outside. It was indeed a park. The trees rustled incessantly, invisible in the gloom. I felt no wind; it must have been blowing higher up, and the voice of the trees, steady, stately, encompassed me in an invisible arch. For the first time I felt alone, but not as in a crowd, for the feeling was agreeable. There must have been a number of people in the park: I heard whispers, occasionally the blur of a face shone, once I even brushed by someone. The crowns of the trees came together, so that the stars were visible only through their branches. I recalled that to reach the park I had ridden up, yet back there, in the plaza with the dancing colors and where the streets were filled with displays, I had had a cloudy sky over me; how, then, did it happen that now, a level higher, the sky I was seeing was starry? I could not account for this.

The trees parted, and before I saw the water, I smelled it, the odor of mud, of rotting, or sodden leaves; I froze.

Brushwood formed a black circle around the lake. I could hear the rustling of rushes and reeds, and in the distance, on the other side, rose, in a single immensity, a mountain of luminous, glassy rock, a translucent massif above the plains of the night; spectral radiance issued from the vertical cliffs, pale, bluish, bastion upon bastion, crystal battlements, chasms — and this shining colossus, impossible and unbelievable, was reflected in a long, paler copy on the black waters of the lake. I stood, dumbstruck and enraptured; the wind brought faint, fading echoes of music, and, straining my eyes, I could see the tiers and horizontal terraces of the giant. It came to me in a flash that for the second time I was seeing the station, the mighty Terminal in which I had wandered the day before, and that perhaps I was even looking from the bottom of the dark expanse that had puzzled me so in the place where I met Nais.

Was this still architecture, or mountain-building? They must have understood that in going beyond certain limits they had to abandon symmetry and regularity of form, and leam from what was largest — intelligent students of the planet!

I went around the lake. The colossus seemed to lead me with its motionless, luminous ascent. Yes, it took courage to design such a shape, to give it the cruelty of the precipice, the stubbornness and harshness of crags, peaks, but without falling into mechanical imitation, without losing anything, without falsifying. I returned to the wall of trees. The blue of the Terminal, pale against the black sky, still showed through the branches, then finally disappeared, hidden by the thicket. With my hands I pushed aside the twigs; brambles pulled at my sweater, scraped the legs of my trousers; the dew, shaken from above, fell like rain in my face; I took a few leaves in my mouth and chewed them; they were young, bitter; for the first time since my return, I felt that I no longer desired, was looking for, was in need of a single thing; it was enough to walk blindly forward through this darkness, in the rustling brash. Had I imagined it thus, ten years before?

The shrubbery parted. A winding path. Gravel crunched beneath my feet, shining faintly; I preferred darkness but walked on straight ahead to a stone circle, where a human figure stood. I do not know where the light that bathed it came from; the place was deserted, around it were benches, seats, an overturned table, and sand, loose and deep; I felt my feet sink into it and found it was warm, despite the coolness of the night.

Beneath a dome supported by cracked, dumbling columns stood a woman, as though she had been waiting for me. I saw her face now, the flow of sparks in the diamond disks that hid her ears, the white — in the shadow, silvery — dress. This was not possible. A dream? I was still a few dozen paces from her when she began to sing. Among the unseen trees her voice was weak, childlike almost, I could not make out the words, perhaps there were no words. Her mouth was half open, as if she were drinking, no sign of effort on her face, nothing but a stare, as though she had seen something, something impossible to see, and it was of this that she sang. I was afraid that she might see me, I walked more and more slowly. I was already in the ring of brightness that surrounded the stone circle. Her voice grew stronger, she summoned the darkness, pleaded, unmoving; her arms hung as if she had forgotten she had them, as if she now had nothing but a voice and lost herself in it, as if she had cast off everything, relinquished it, and was saying farewell, knowing that with the last, dying sound more than the song would end. I had not known that such a thing was possible. She fell silent, and still I heard her voice; suddenly light footsteps pounded behind me; a girl ran toward the singer, pursued by someone; with a short, throaty laugh she flew up the steps and ran clean through the singer — then hurried on; the one who was chasing her burst out in front of me, a dark outline; they disappeared, I heard once more the teasing laugh of the girl and stood like a block of wood, rooted in the sand, not knowing whether I should laugh or cry; the nonexistent singer hummed something softly. I did not want to listen. I went off into the darkness with a numb face, like a child who has been shown the falseness of a fairy tale. It had been a kind of profanation. I walked, and her voice pursued me. I made a turn, the path continued, I saw faintly gleaming hedges, wet bunches of leaves hung over a metal gate. I opened it. There was more light behind it. The hedges ended in a wide clearing, from the grass jutted boulders, one of which moved, increased in size; I looked into two pale flames of eyes. I stopped. It was a lion. He lifted himself up heavily, the front first. I saw all of him now, five paces from me; he had a thin, matted mane; he stretched, once, twice; with a slow undulation of his shoulders he approached me, not making the slightest sound. But I had recovered. “There, there, be nice,” I said. He couldn’t be real — a phantom, like the singer, like the ones down by the black cars — he yawned, one step away, in the dark cavern there was a flash of fangs, he shut his jaws with the snap of a gate bolted, I caught the stench of his breath, what…

He snorted. I felt drops of his saliva, and before I had time to be terrified he butted me in the hip with his huge head, he rubbed against me, purring; I felt an idiotic tickling in my chest…

He presented his lower throat, the loose, heavy skin. Semiconscious, I began to scratch him, stroke him, and he purred louder; behind him flashed another pair of eyes, another lion, no, a lioness, who shouldered him aside. There was a rumbling in his throat, a purr, not a roar. The lioness persisted. He struck her with a paw. She snorted furiously.

This will end badly, I thought. I was defenseless, and the lions were as alive, as authentic, as one could imagine. I stood in the heavy fetor of their bodies. The lioness kept snorting; suddenly the lion tore his rough shag from my hands, turned his enormous head toward her, and thundered; she fell flat on the ground.

I must be going now, I told them voicelessly, with my lips only. I began to back off in the direction of the gate, slowly; it was not a pleasant moment, but he seemed not to notice me. He lay down heavily, again resembling an elongated boulder; the lioness stood over him and nudged him with her snout.

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