John Adams - Other Worlds Than These

That was in 1974. I was twenty-four, back then. So innocent, so foolishly hopeful. Now, just turned thirty, I’m a published writer with five short stories and a novel under my belt. I’ve already used parts of this story in the novel, although in my version Ernie Wright doesn’t end up bleeding out on the floor of Ernest Wright’s apartment, shot by his own pistol. Instead, he finds out where Ernest Wright’s parents are living and goes AWOL and hitches back to the American Bund’s version of his home town. He spends a day watching Ernest Wright’s mother, trying and failing to get up the courage to talk to her, finally realising that he has nothing to say to her because she isn’t in any way like his mother, that nothing in Ernest Wright’s life could explain what had gone wrong in his own. Although this version worked well enough within the frame of the novel, although it was true to Ernie Wright’s need to understand and reach a reconciliation with his own history, although it clarified real events and gave them a neat ending, it was a contrivance. I was never satisfied with it, and felt guilty too, at the way I’d trivialised Ernest Wright, used him as a bit player, a ghostly reflection whose only function was to give Ernie Wright the information he needed to make his pilgrimage. This is as close to the truth as I can make it, and there’s no neat ending, no bittersweet resolution.

Ernest Wright was released back to the local authorities after two months in Camp X-Ray. He didn’t make bail, and was stabbed to death in a prison riot before his case came to trial. Todd Cooper was killed in a fire-fight a couple of months later, and Dave Brahma was badly wounded. The same day, Bobby Sturges injected his foot with a Syrette of morphine and shot off his big toe, a million-dollar wound that was his ticket back to the Real. I wrote it up as an accident; the kid had never gotten over shooting up that car. Then Leroy Moss was killed when a rocket-propelled grenade hit his APC. I was sitting next to him and spent two months in hospital while doctors worked to save my leg and shrapnel, some of it bone fragments from Leroy Moss, surfaced in different parts of my body. Some of it is still in there.

Tommy McAfee reupped, served another year, and survived without a scratch. After my novel was published, he phoned me late one night. He was drunk, and wanted to talk about old times. He told me that he had a bunch of stories I could help him make into a book as good as mine. I listened to him ramble on for a while, letting him vent whatever it was my novel had stirred up, making the right kind of noises, and when he finally hung up I realised that he’d hit on something useful, and started making notes for this story.

We are what we do, and what’s done to us: if A Brief Guide to Other Histories was right about one thing it’s this. And because what happens to us in war is more intense than ordinary life, it marks us more deeply, changes us more profoundly. Every soldier who comes back from war is haunted by the ghosts of the comrades who didn’t make it, the people he killed or saw killed. By the things he did, and the things he should have done. And most of all by the innocent kid he once was, before the contingencies and experiences of war took that innocence away. I have summoned up my ghosts here, and tried to lay them to rest. But it seems to me now that all of us who passed through the mirror into different histories have become like ghosts, lost in the infinite possibilities of our stories, ceaselessly searching for an ideal we can never reach.

Seanan McGuire was born and raised in Northern California, resulting in a love of rattlesnakes and an absolute terror of weather. She shares a crumbling old farmhouse with a variety of cats, far too many books, and enough horror movies to be considered a problem. Seanan publishes about three books a year, and is widely rumored not to actually sleep. When bored, Seanan tends to wander into swamps and cornfields, which has not yet managed to get her killed (although not for lack of trying). She also writes as Mira Grant, and talks about horrible diseases at the dinner table.

“That’s the last of them,” Crystal said. “We should be safe, for now.”

The dire bat’s headless body lay on the floor of the cave like an accusation, blackish blood still seeping from its neck. Crystal looked at it and shuddered, disgusted, before giving it a sharp kick. It rolled over the edge of the chasm and fell into darkness, vanishing without a trace. They’d have to find the head eventually. But that could wait.

“Are you sure?” Chester asked. Her companion peered anxiously down into the dark, his nose twitching. Crystal knew that his ears—which would have been better suited to a jackrabbit than a boy, as she’d teased him so many times over the years—would have been doing the same, if they hadn’t been tucked up under his hat. He’d done that to protect them from the shrieking of the dire bats. She briefly considered snatching the hat from his head, but set the thought aside. Nervous as he still was, he wouldn’t take the prank as innocently as it was meant.

“I’m sure.” She slid her dagger back into its sheath before wiping the sweat-matted hair away from her forehead. “Listen. You can hear the wind again.”

Not just the wind: there was also the gentle tapping of inhuman legs making contact with stone. The pair turned to see a great black spider easily the size of a small car come walking down the cavern wall. It reached the floor and continued walking toward them on its bristle-haired legs, stopping just a few short feet away. With an air of deep solemnity, the spider bowed.

“The land of Otherways is in your debt once again, young Crystal,” said the spider, in a deep voice that was softer than its appearance suggested. “We thank you.”

“Don’t thank me, Naamen. It was my pleasure. It’s always my pleasure.” Crystal leaned forward to rest a hand on the spider’s back, digging her fingers into the coarse black hair that grew there. “This is my home just as much as it’s yours.”

“Even so. Your service here is all the more heroic because it is freely offered. You could return to your world of origin at any time, leaving us to our fate, and yet you choose time and again to stay and fight for our survival.” The spider straightened until the largest of its eyes were on a level with Crystal’s own. “You are not the first to come from your world to Otherways, but you are far and away the bravest.”

“Yeah. Brave me,” said Crystal softly, and pulled her hand away. Talk of others coming to Otherways before her always made her uncomfortable, although she could never put her finger on exactly why that was. Maybe it was the fact that her friends in Otherways, who were otherwise forthright in all ways, would never describe the others as anything more than “the ones who came before you.” They had no names; they had no faces; they had no stories to explain what could possibly have caused them to abandon a world as wonderful and magical as Otherways. They were just gone.

“Oh, bush and bother, Crystal, look!” Chester—who could always be counted on to panic over nothing, and to show surprising bravery in the face of actual danger—pointed toward the sky.

Not already. Not so soon. A sick knot of dread formed in her stomach as she followed the direction of his finger. There was nothing there but darkness. She relaxed a little, saying, “I don’t understand. What are we looking at?”

“The Passage Star is shining again.” Chester let his hand fall, looking at her sorrowfully. He was always the first to see the Passage Star’s light, even as Crystal herself was always the last. “You can go home now.”