Kevin Anderson - The Mammoth Book of Nebula Awards SF

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The very best short SF fiction of any given year as recommended and nominated by the members of the Science Fiction and Fantasy Writers of America: the best novella, novelette and short story. Here you will find the cream of the crop of science fiction and fantasy - startling ideas, the intricate construction of new worlds and mind-bending experimental writing. This anthology includes not only the Nebula Award-winning works in each short-form category, but also all the nominees in the novelette and short story categories. Here you will find colourful fantasy, outstanding speculative fiction, steampunk, edgy writing on the fringes of the mainstream and uncompromisingly hard SF in stories set in the distant past, an off-kilter present day, the far future or some times in between.

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Real news came from whispered rumor, rated according to the trust you accorded the whisperer. Were they family? Did they have long history with you? Did they have anything to gain by the sharing? My father and his old classmates trusted one another. He trusted some of his students, as well. I think this is why the security police came for him in the end. One of his trusted friends or students also whispered news to official friends. Perhaps Mr. Inthachak, or Som Vang. Perhaps another. It is impossible to peer into the blackness of that history and guess at who told true stories and in which direction.

In any case, it was my father’s karma to be taken, so perhaps it does not matter who did the whispering. But before then — before the news of my father flowed up to official ears — none of the real news flowed toward Lao TV or the Vientiane Times . Which meant that when the protests happened and my father came through the door with blood on his face from baton blows, we could read as much as we wanted about the three thousand schoolchildren who had sung the national anthem to our new divine monarch. While my father lay in bed, delirious with pain, the papers told us that China had signed a rubber contract that would triple revenue for Luang Namtha Province and that Nam Theun Dam was now earning BT 22.5 billion per year in electricity fees to Thailand. But there were no bloody batons, and there were no dead monks, and there was no Mercedes-Benz burning in the river as it floated toward Cambodia.

Real news came on the wings of rumor, stole into our house at midnight, sat with us and sipped coffee and fled before the call of roosters could break the stillness. It was in the dark, over a burning cigarette that you learned Vilaphon had disappeared or that Mr. Saeng’s wife had been beaten as a warning. Real news was too valuable to risk in public.

Here in America, my page glows with many news feeds, flickers at me in video windows, pours in at me over broadband. It is a waterfall of information. As my personal news page opens, my feeds arrange themselves, sorting according to the priorities and tag categories that I’ve set, a mix of Muang Lao news, Lao refugee blogs, and the chatting of a few close friends from Thailand and the American college where I attended on a human relief scholarship.

On my second page and my third, I keep the general news, the arrangements of Milestone , the Bangkok Post , the Phnom Penh Express — the news chosen by editors. But by the time I’ve finished with my own selections, I don’t often have time to click through the headlines that these earnest news editors select for the mythical general reader.

In any case, I know far better than they what I want to read, and with my keyword and tag scans, I can unearth stories and discussions that a news agency would never think to provide. Even if I cannot see into the black hole itself, I can slip along its edges, divine news from its fringe.

I search for tags like Vientiane, Laos, Lao, Khamsing, China-Lao friendship, Korat, Golden Triangle, Hmong independence, Lao PDR, my father’s name… Only those of us who are Lao exiles from the March Purge really read these blogs. It is much as when we lived in the capital. The blogs are the rumors that we used to whisper to one another. Now we publish our whispers over the net and join mailing lists instead of secret coffee groups, but it is the same. It is family, as much as any of us now have.

On the maelstrom, the tags for Laos don’t even register. Our tags bloomed brightly for a little while, while there were still guerrilla students uploading content from their handsets, and the images were lurid and shocking. But then the phone lines went down and the country fell into its black hole and now it is just us, this small network that functions outside the country.

A headline from Jumbo Blog catches my eye. I open the site, and my tablet fills with the colorful image of the three-wheeled taxi of my childhood. I often come here. It is a node of comfort.

Laofriend posts that some people, maybe a whole family, have swum the Mekong and made it into Thailand. He isn’t sure if they were accepted as refugees or if they were sent back.

It is not an official news piece. More, the idea of a news piece. SomPaBoy doesn’t believe it, but Khamchanh contends that the rumor is true, heard from someone who has a sister married to an Isaan border guard in the Thai army. So we cling to it. Wonder about it. Guess where these people came from, wonder if, against all odds, it could be one of ours: a brother, a sister, a cousin, a father….

After an hour, I close the tablet. It’s foolish to read any more. It only brings up memories. Worrying about the past is foolish. Lao PDR is gone. To wish otherwise is suffering.

The clerk at Novotel’s front desk is expecting me. A hotel staffer with a key guides me to a private elevator bank that whisks us up into the smog and heights. The elevator doors open to a small entryway with a thick mahogany door. The staffer steps back into the elevator and disappears, leaving me standing in this strange airlock. Presumably, I am being examined by Kulaap’s security.

The mahogany door opens and a smiling black man who is forty centimeters taller than I and who has muscles that ripple like snakes, smiles and motions me inside. He guides me through Kulaap’s sanctuary. She keeps the heat high, almost tropical, and fountains rush everywhere around. The flat is musical with water. I unbutton my collar in the humidity. I was expecting air-conditioning, and instead I am sweltering. It’s almost like home. And then she’s in front of me, and I can hardly speak. She is beautiful, and more. It is intimidating to stand before someone who exists in film and in music but has never existed before you in the flesh. She’s not as stunning as she is in the movies, but there’s more life, more presence; the movies lose that quality about her. I make a nop of greeting, pressing my hands together, touching my forehead.

She laughs at this, takes my hand, and shakes it American-style. “You’re lucky Marty likes you so much,” she says. “I don’t like interviews.”

I can barely find my voice. “Yes. I only have a few questions.”

“Oh no. Don’t be shy.” She laughs again, and doesn’t release my hand, pulls me toward her living room. “Marty told me about you. You need help with your ratings. He helped me once, too.”

She’s frightening. She is of my people, but she has adapted better to this place than I have. She seems comfortable here. She walks differently, smiles differently; she is an American, with perhaps some flavor of our country, but nothing of our roots. It’s obvious. And strangely disappointing. In her movies, she holds herself so well, and now she sits down on her couch and sprawls with her feet kicked out in front of her. Not caring at all. I’m embarrassed for her, and I’m glad I don’t have my camera set up yet. She kicks her feet up on the couch. I can’t help but be shocked. She catches my expression and smiles.

“You’re worse than my parents. Fresh off the boat.”

“I am sorry.”

She shrugs. “Don’t worry about it. I spent half my life here, growing up; different country, different rules.”

I’m embarrassed. I try not to laugh with the tension I feel. “I just have some interview questions,” I say.

“Go ahead.” She sits up and arranges herself for the video stand that I set up.

I begin. “When the March Purge happened, you were in Singapore.”

She nods. “That’s right. We were finishing The Tiger and the Ghost .”

“What was your first thought when it happened? Did you want to go back? Were you surprised?”

She frowns. “Turn off the camera.”

When it’s off she looks at me with pity. “This isn’t the way to get clicks. No one cares about an old revolution. Not even my fans.” She stands abruptly and calls through the green jungle of her flat. “Terrell?”

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