Ellen Datlow - Off Limits

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This second volume of the Alien Sex anthology series brings together authors Neil Gaiman, Robert Silverberg, Samuel R. Delany, Joyce Carol Oates, Elizabeth Hand, and many others to explore the mysteries of sex, alien and human alike.
From an alien spy who falls in love with one of the earthlings he’s monitoring, to a woman whose souvenir dream-catcher calls to her bedroom more than she bargained for, to a genetically engineered sex object aboard a space station, these thought-provoking tales of alien sex open up new worlds for fantastical exploration.

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To the marriage of two kinds

On either of our worlds our love would be obscene. But on free Ariel the hymns of marriage play in any key.

Your three breasts, the changing number of your limbs, the slippery centerfold that is the nexus of our love—my human sacraments never could apply. Your many sexes would confuse the law; our love incense the natives.

But on Ariel our marriage can have no impediments. For the space of one moon’s wax and wane, we are man and something. Let us move apace.

Let them tut, and mutter “Apples, oranges”—

I measure time by how a body changes.

Jane Yolen came back with this:

Intermarriage

As I slid down the aisle, he woke
To stretch inside my wedding pouch Like an odalisque upon a couch
Posed for the artist’s final stroke. Lardered there since birth,
My husband, child, and final meal Engorges on my blood, my weal.
He is my dowry, goods, and worth.
Who could have guessed the embryo Found in the egg beyond the stars
Would give us back a world once ours
Near lost when birthrates fell so low. The midwife by the altar now does wait
To help me bear the meal that is my mate.

Then Jane whacked Joe with another gauntlet—

If you are up for it, another poetic challenge to go along with the first. This time a human involved (somehow) in another species’ sexual activity—observer or commentator or involved in the act but not the actual other partner. Use at least two color words, one word from nature, and a set amount of time. Again the poem needs to be in a traditional rhymed pattern, but NOT a sonnet. Oh yes—there should be a pun somewhere in the poem, though it can be quite disguised and may be a second language pun.

—so he wrote this one:

Sex on the Planet of the Trees

At first I didn’t realize
that they were having sex at all!
It rather took me by surprise,
in that treetop shopping mall…
no one less well trained could see that they were having sex at all
(hard to tell the “she” from “he”).
She turned pink and held his hand—
no one less well trained could see
that both appendages were glands!
He turned blue and sighed because she turned pink and touched his hand;
in a moment’s pregnant pause
she’d made a father out of him.
He turned blue and sighed because she’d knocked him up. They looked so prim,
at first I didn’t realize
she’d made a father out of him…
it rather took me by surprise.

Jane responded to that terzanelle with a villanelle—

First Contact/Second Coming

I came upon the mating pair in pain,
As, ravenous, they fucked themselves apart.
I called an SOS, but all in vain.

Their golden blood was salty, like their rain,
A potpourri of sex, now sweet, now tart.
They seemed to be a mating pair in pain.

Yet neither one was by that mating slain.
They fought, they fucked through skin and bone and heart.
I called an SOS, but all in vain.

Still watching, I twice filled, and then was drained.
In alien engagements that I chart
I come, with all such mating pairs, in pain.

What sings through red blood, courses to the brain.
When watching partners cannot take a part.
I called an SOS, but all in vain.

Such voyeuristic voyages make plain.
The moment when first contact can first start.
I came upon that mating pair in pain
And called my SOS, but through a vein.

Finally, Joe moved to even up the score—

Okay; I guess it’s time for me to issue a challenge. A rhymed poem with nine stanzas, describing an alien sex act that is not being performed for procreation or (primarily) pleasure. The first and last stanzas are introduction and summation; each of the middle (presumably short) stanzas concerns one of these seven senses: sight, hearing, taste, touch, smell, interoceptive (thirst, hunger, pain, nausea, suffocation), and proprioceptivity (equilibrium or kinesthesia), in any order. Alien POV.

This was Jane’s—

SEX AMONG THE ABOS

Sex among the Abo creatures
On this planet has strange features.
There are seven in each act;
Sex in bed is tightly packed.

Creature one is there to glom,
Aboriginal Peeping Tom.

Creature two can hear them come,
Like the sanding of a drum.

Creature three licks up the mess.
Can’t have cum upon a dress.

Creature four does all the stroking,
Rubbing, tapping, touching, poking.

Creature five sits at the head,
Sniffing pheromones in bed.

Creature six can’t catch its breath,
Fainting at each little death.

Creature seven feels them all,
With its back against the wall.

We, of course, deplore the notion
Sex is heat and light and motion.

Sex is done inside the head
With a solemn five in bed!

—and Joe replied with this:

Come, talk

It’s time you see:
I have to get this thing across to you: those weird “human” creatures sometimes do make sense. But look: the twitching they call sex
has no familiar causes or effects!
Attend to me:

I slide out into position.
You flex and choose a posture
that prepares you for coition;

selecting (from six) the one aperture,
that carries the sweet reek of power,
that almost-rotting allure,
and open it wanton wide. Your flower
of wet flesh puckers and throbs. A drop spatters me. I tongue it and taste the sour

invitation and hunger to fill up
your hunger. Now give me that small sign for us to merge and meet. The very top
of your eyestalk grows rigid. I align tentacle to flower, concentrate, struck
with your hungry beauty. Then intertwine
six and six, and hear you start the long suck from deep inside me to deep inside you.
If humans only knew the one true fuck

we could talk to them. But what humans do is feel each other’s bodies and excrete
dumb juices. Not like the way I flow to you.

Hard to say
if they can know each other well at all without this flow. They stand and call
out noises based on patterns in their minds.
Hardly ever taste or smell. And just plain blind
to DNA.

The Dream-Catcher

JOYCE CAROL OATES

Joyce Carol Oates is one of the most prolific and respected writers in the United States today. Oates has written fiction in almost every genre and medium. Her keen interest in gothic and psychological horror has spurred her to write dark suspense novels under the name Rosamond Smith. She has written enough stories in the genre to have published five collections of dark fiction—the most recent being The Museum of Dr. Moses: Tales of Mystery and Suspense and The Corn Maiden —and to edit American Gothic Tales . Oates’s has won two Bram Stoker awards, for her short novel Zombie and her short story collection The Corn Maiden , and she has been honored with a Lifetime Achievement Award by the Horror Writers Association.

Oates’s most recent novels are The Gravedigger’s Daughter, My Sister, My Love: The Intimate Story of Skyler Rampike, and Little Bird of Heaven .

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