Frank Schätzing - Limit

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Limit: краткое содержание, описание и аннотация

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This ambitious, multilayered thriller balances astonishing scientific, historical, and technical detail. Against this backdrop, award-winning author Frank Schätzing convincingly extrapolates a possible near future when humankind’s ingenuity may become the greatest risk to its continued existence.
In 2025, entrepreneur Julian Orley opens the first-ever hotel on the moon. But Orley Enterprises deals in more than space tourism—it also operates the world’s only space elevator, which in addition to allowing the very wealthy to play tennis on the lunar surface connects Earth with the moon and enables the transportation of helium-3, the fuel of the future, back to the planet. Julian has invited twenty-one of the world’s richest and most powerful individuals to sample his brand-new lunar accommodation, hoping to secure the finances for a second elevator…
On Earth, meanwhile, cybercop Owen Jericho is sent to Shanghai to find a young female hacker known as Yoyo, who’s been on the run since acquiring access to information that someone seems quite determined to keep quiet. As Jericho closes in on the girl and the conspiracy swirling around her, he finds mounting evidence that connects her to Julian Orley as well as to the entrepreneur’s many competitors and enemies. Soon, the detective realizes that the lunar junket to Orley’s hotel is in real and immediate danger.

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And someone else.

Vogelaar stared.

For the length of a heartbeat he was helpless against rising panic. Iron bands clamped his ribcage, and an electric field paralysed his legs. Rage, hate, grief and fear pooled like a thrombosis in his feet, which became numb, refused to take one more step. Instead of horror at all the things that could happen to Nyela, he felt the searing certainty of what had most probably already happened.

As long as Mickey’s with her, Nyela’s fine

Then why was Mickey in the museum?

Because Nyela was no longer alive.

It could only be that. Would Xin have allowed her to stay in the restaurant unguarded? Vogelaar walked on as though drunk. He had failed. He had surrendered to the childish hope that the madman might keep his promises. Instead, Xin had ordered the Irishman to come along to the museum to share the work of killing. That was all. Just as Nyela had never had a chance, right from the start, he too would die along with Yoyo and Jericho, in the little room at the top of the temple, if not before.

The thought acted like an acid, dissolving his fears in a trice. Ice-cold rage flooded in instead. One by one, his survival mechanisms clicked into place, and he felt the metamorphosis, felt himself become once more the bug he had been for most of his life. He marched onwards, chitin-clad, through the gate and into the Pergamon hall next door. Watchful, he waved his antennae, saw the entire hall through faceted eyes: over there, at the opposite end of the great hall, another gate that was the partner of the one he had come through, tiny, almost ashamed to be so small but nevertheless bravely doing its work, one narrow little bypass in the flow of bodies through the museum, pumping tirelessly. To his left, isolated parts of the frieze standing alone on pillars and pedestals; to his right the temple with the stairway, up above the colonnade, leading through to the Telephos hall where Jericho and the girl would be, waiting for a dossier that they would never see now, that they would never need. It would have all been so simple, so quickly over and done with. He would have been a hundred thousand euros richer, and he would have handed them the second dossier. The duplicate that apart from him only Nyela had known about—

Had known?

How could he be sure that she was dead?

Because she was.

Wishful thinking. No part of a bug’s existence.

Vogelaar’s jaw worked back and forth. Platoons of tourists thronged the stairway to the colonnade, many sitting on the steps as though planning to have lunch there. Vogelaar spotted a younger group all armed with sketch pads and pencils, their faces fixed in concentration, rapt in their struggle with immortal art. A few curious passers-by were peering over their shoulders. He swept his eyes across the students, one by one, and stopped at a pale girl with a sharp nose who had gathered no admirers around her. He walked up to her, unhurried. On the white sheet of paper, Zeus fought the giant Porphyrion, and the two of them together fought the girl’s artistic ineptitude, her inability to breathe life into the scene. She must have had a good twenty pencils in the case next to her, and the number was obviously inversely proportional to her talent. Clearly every euro of tip money from the evening job waiting tables went on her art supplies. She was throwing money away in the deluded belief that in art, having the right kit is half the struggle.

He leaned down to her and said in his friendliest voice, ‘Could you perhaps – excuse me! – lend me one of your pencils?’

She blinked up at him, startled.

‘Just for a moment,’ he added quickly. ‘I want to jot something down. Forgot my pen, as always.’

‘Hmm, ye-e-es,’ she said, slowly, obviously upset at the thought that pencils might be used for writing as well. In the next moment she seemed to have come to terms with the idea. ‘Yes, of course! Pick any one.’

‘That’s very kind of you.’

He chose a long, neatly sharpened pencil which looked sturdier than the rest, and straightened up. Xin was watching him at this moment, he had no doubt. Xin saw everything and would draw his own conclusions from whatever Vogelaar did, meaning that he only had seconds.

He turned round, lightning-fast.

Mickey was only a few steps behind him, and stared at him like a surprised mastiff, then half-heartedly tried to hide behind a group of Spanish-speaking pensioners. Vogelaar was at his side with just a few brisk paces. The Irishman fumbled at his hip with his right hand. Obviously Xin had never given him instructions in the event anything like this should happen, since he seemed absolutely flummoxed. His jowls wobbled with fury, his eyes darted hectically to and fro, sweat broke out on his pate.

Vogelaar put a hand to the back of his head, pulled him in close, and rammed the pencil into his right eye.

The Irishman gave a blood-curdling scream. He twitched, and blood spouted from the entry wound. Vogelaar pushed the flat of his hand more firmly against the end of the pencil, drove it deeper into the eye socket, felt the tip break through bone and enter the brain. Mickey slumped, his bowels and bladder emptying. Vogelaar felt for the killer’s gun and tore it from the holster.

‘Jericho!’ he yelled.

Stampede

Jericho had chosen to wait for the South African on the other side of the temple, hidden behind a phalanx of free-standing sculpture exhibits, uncomfortably aware that Vogelaar could get the drop on him. He was even more frightened by what he saw now. It was worse than any of the scenarios his overheated imagination had dreamed up over the past couple of hours, since it meant that the handover had failed. No doubt about it.

Everything was going horribly wrong. With his Glock in his right hand, he broke cover. Shock-waves of horror and revulsion were spreading out from the scene of the attack; he could hear screams, shrieks, groans, noises that defied description. The immediate eyewitnesses had reeled back to form a kind of small arena, with Vogelaar and the bald man in the middle, like a pair of modern-day gladiators. Others had frozen with terror as though struck by a Gorgon’s gaze, as motionless as the gods and giants all around. Pencils dropped from the art students’ nerveless fingers. The girl with the sharp nose leapt up, bouncing on the balls of her feet like a rubber ball, and held her hands in front of her mouth as though trying to stop herself squeaking. Little yelps of fear slipped through her half-open lips, as regular as an alarm. Everywhere heads turned, eyes went wide with shock, people walked faster, groups broke apart. The fight-or-flight response was beginning to set in.

All structures were breaking down. And in the midst of it all, Jericho saw the angel of death.

He was running towards Vogelaar, who was buckling under his victim’s weight. The dying man fell to the ground, dragging the South African with him. The angel was closing in from the northern wing, white-haired, ferociously moustached, his eyes hidden by tinted glasses, but the way he moved left no doubt as to his identity. Nor did the pistol that seemed to leap into his hand as he ran.

Vogelaar saw him coming as well.

Yelling, he managed to heave the bald man back up. The next moment the leather jacket covering his torso exploded, as the shots that had been meant for Vogelaar smacked into him. Jericho threw himself to the ground. Vogelaar struggled to shove the dead man aside and opened fire in turn on Xin, who took cover among the screaming, running crowd. A woman was hit in the shoulder and dropped to the ground.

‘No point!’ Jericho yelled. ‘Get out of here.’

The South African kicked at the corpse, trying to get free. Jericho dragged him to his feet. With a sound like meat slapping down onto a butcher’s block, Vogel-aar’s upper thigh burst open. He collapsed against Jericho and clutched him tight.

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