Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Just inside Wendover, a police car was pulled to the side of the road, its lights flashing. Some poor sap caught speeding. Stanley expected the woman to be smart, to pull over behind the policeman, while Stanley moved on over the border, out of Nevada jurisdiction.

The Hornet, however, went right by the policeman, sped up, in fact, and Stanley was puzzled for a moment. Was the woman crazy? She must be scared out of her wits by now, and here was a chance for relief and rescue, and she ignored it. Of course, Stanley reasoned, as he followed the Hornet out of Wendover and down to the long straight stretch of the highway over the Salt Flats, of course she didn’t stop. Poor lady was so conscious of having broken the law speeding that she was afraid of cops.

Crazy. People do crazy things under pressure, Stanley decided.

The highway stretched out straight in the blackness. No moon. Some starlight, but there were no landmarks on either side of the road, and so the cars barreled on as if in a tunnel, with only a hypnotic line to the left and headlights behind and taillights ahead.

How much gas would the tank of a Hornet hold? The Salt Flats went a long way before the first gas station, and what with daylight saving time it must be ten-thirty, eleven o’clock, maybe only ten, but some of those gas stations would be closing up now. Stanley’s Z could get home to Salt Lake with gas to spare after a fill-up in Elko, but the Hornet might run out of gas.

Stanley remembered his daydreams of the afternoon and now translated them into night, into her panic in the darkness, the gun flashing in his headlights. This lady was armed and dangerous. She was carrying drugs into Utah, and thought he was from the mob. She probably thought he was planning to get her on the lonely Salt Flats, miles from anywhere. She was probably checking the clip of her gun.

Eight-five, said the speedometer.

“Going pretty fast, lady,” he said.

Ninety, said the speedometer.

Of course, Stanley realized. She is running out of gas. She wants to get going as fast as she can, outrun me, but at least have enough momentum to coast when she runs out.

Nonsense, thought Stanley. It’s dark, and the poor lady is scared out of her wits. I’ve got to stop this. This is dangerous. It’s dark and it’s dangerous and this stupid game has gone on for four hundred miles. I never meant it to go on this long.

Stanley passed the road signs that told him, habituated as he was to this drive, that the first big curve was coming up. A lot of people unfamiliar with the Salt Flats thought it went straight as an arrow all the way. But there was a curve where there was no reason to have a curve, before the mountains, before anything. And in typical Utah Highway Department fashion, the Curve sign was posted right in the middle of the turn. Instinctively, Stanley slowed down.

The woman in the Hornet did not.

In his headlights Stanley saw the Hornet slide off the road. He screeched on his brakes; as he went past, he saw the Hornet bounce on its nose, flip over and bounce on its tail, then topple back and land flat on the roof. For a moment the car lay there. Stanley got his car stopped, looked back over his shoulder. The Hornet erupted in flames.

Stanley stayed there for only a minute or so, gasping, shuddering. In horror. In horror, he insisted to himself, saying, “What have I done! My God, what have I done,” but knowing even as he pretended to be appalled that he was having an orgasm, that the shuddering of his body was the most powerful ejaculation he had ever had, that he had been trying to get up the Hornet’s ass all the way from Reno and finally, finally, he had come.

He drove on. He drove for twenty minutes and came to a gas station with a pay phone. He got out of the car stiffly, his pants sticky and wet, and fumbled in his sticky pocket for a sticky dime, which he put in the phone. He dialed the emergency number.

“I—I passed a car on the Salt Flats. In flames. About fifteen miles before this Chevron station. Flames.”

He hung up. He drove on. A few minutes later he saw a patrol car, lights whirling, speeding past going the other way. From Salt Lake City out into the desert. And still later he saw an ambulance and a fire truck go by. Stanley gripped the wheel tightly. They would know. They would see his skid marks. Someone would tell about the Z that was following the Hornet from Reno until the woman in the Hornet died in Utah.

But even as he worried, he knew that no one would know. He hadn’t touched her. There wasn’t a mark on his car.

The highway turned into a six-lane street with motels and shabby diners on either side. He went under the freeway, over the railroad tracks, and followed North Temple street up to Second Avenue, the school on the left, the Slow signs, everything normal, everything as he had left it, everything as it always had been when he came home from a long trip. To L Street, to the Chateau LeMans apartments; he parked in the underground garage, got out. All the doors opened to his key. His room was undisturbed.

What the hell do I expect? he asked himself. Sirens heading my way? Five detectives in my living room waiting to grill me?

The woman, the woman had died. He tried to feel terrible. But all that he could remember, all that was important in his mind, was the shuddering of his body, the feeling that the orgasm would never end. There was nothing. Nothing like that in the world.

He went to sleep quickly, slept easily. Murderer? he asked himself as he drifted off.

But the word was taken by his mind and driven into a part of his memory where Stanley could not retrieve it. Can’t live with that. Can’t live with that. And so he didn’t.

Stanley found himself avoiding looking at the paper the next morning, and so he forced himself to look. It wasn’t front-page news. It was buried back in the local news section. Her name was Alix Humphreys. She was twenty-two and single, working as a secretary to some law firm. Her picture showed her as a young, attractive girl.

“The driver apparently fell asleep at the wheel, according to police investigators. The vehicle was going faster than eighty miles per hour when the mishap occurred.”

Mishap.

Hell of a word for the flames.

Yet, Stanley went to work just as he always did, flirted with the secretaries just as he always did, and even drove his car, just as he always did, carefully and politely on the road.

It wasn’t long, however, before he began playing freeway games again. On his way up to Logan, he played Follow, and a woman in a Honda Civic smashed head-on into a pickup truck as she foolishly tried to pass a semitruck at the crest of a hill in Sardine Canyon. The police reports didn’t mention (and no one knew) that she was trying to get away from a Datsun 260Z that had relentlessly followed her for eighty miles. Her name was Donna Weeks, and she had two children and a husband who had been expecting her back in Logan that evening. They couldn’t get all her body out of the car.

On a hop over to Denver, a seventeen-year-old skier went out of control on a snowy road, her VW smashing into a mountain, bouncing off, and tumbling down a cliff. One of the skis on the back of her bug, incredibly enough, was unbroken. The other was splintered into kindling. Her head went through the windshield. Her body didn’t.

The roads between Cameron trading post and Page, Arizona, were the worst in the world. It surprised no one when an eighteen-year-old blond model from Phoenix was killed when she smashed into the back of a van parked beside the road. She had been going more than a hundred miles an hour, which her friends said did not surprise them, she had always sped, especially when driving at night. A child in the van was killed in his sleep, and the family was hospitalized. There was no mention of a Datsun with Utah plates.

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