Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Maps in a Mirror: The Short Fiction of Orson Scott Card»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

Maps in a Mirror: The Short Fiction of Orson Scott Card — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Maps in a Mirror: The Short Fiction of Orson Scott Card», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

And as he rounded a curve, his lights sweeping the trees on the far side of the road, he thought he glimpsed a flash of white to the right, in the middle of the road.

The lights caught her just before the truck did, a beautiful girl, naked and voluptuous and eager. Madly eager, standing there, legs broadly apart, arms wide. She dipped, then jumped up as the truck caught her, even as Rod smashed his foot into the brake, swerved the truck to the side. Because he swerved she ended up, not centered, but caught on the left side, directly in front of Rod, one of her arms flapping crazily around the edge of the cab, the hand rapping on the glass of the side window. She, too, splashed.

Rod whimpered as the truck again came to a halt. The hand had dropped loosely down to the woman’s side, so it no longer blocked the door. Rod got out quickly, swung himself around the open door, and touched her.

Body warm. Hand real. He touched the buttock nearest him. It gave softly, sweetly, but under it Rod could feel that the pelvis was shattered. And then the body slopped free of the front of the truck, slid to the oil-and-gravel surface of the road and disappeared.

Rod took it calmly for a moment. She fell from the front of the truck, and then there was nothing there. Except a faint (and new, definitely new!) crack in the windshield, there was no sign of her.

Rodney screamed.

The sound echoed from the cliff on the other side of the chasm. The trees seemed to swell the sound, making it louder among the trunks. An owl hooted back.

And finally, Rod got back into the truck and drove again, slowly, but erratically, wondering what, please God tell me what the hell’s the matter with my mind.

Harmony rolled off the couch, panting and shuddering violently.

“Is it better than sex?” one of the men asked her. One who had doubtless tried, but failed, to get into her bed.

“It is sex,” she answered. “But it’s better than sex with you.”

Everyone laughed. What a wonderful party. Who could top this? The would-be hosts and hostesses despaired, even as they clamored for a chance at the timelid.

But the crambox opened then, buzzing with the police override. “We’re busted!” somebody shrieked gaily, and everyone laughed and clapped.

The policeman was young, and she seemed unused to the forceshield, walking awkwardly as she stepped into the middle of the happy room.

“Orion Overweed?” she asked, looking around.

“I,” answered Orion, from where he sat at the controls, looking wary, Gemini beside him.

“Officer Mercy Manwool, Los Angeles Timesquad.”

“Oh no,” somebody muttered.

“You have no jurisdiction here,” Orion said.

“We have a reciprocal enforcement agreement with the Canadian Chronospot Corporation. And we have reason to believe you are interfering with timetracks in the eighth decade of the twentieth century.” She smiled curtly. “We have witnessed two suicides, and by making a careful check of your recent use of your private timelid, we have found several others. Apparently you have a new way to pass the time, Mr. Overweed.”

Orion shrugged. “It’s merely a passing fancy. But I am not interfering with time-tracks.”

She walked over to the controls and reached unerringly for the coldswitch. Orion immediately snagged her wrist with his hand. Gemini was surprised to see how the muscles of his forearm bulged with strength. Had he been playing some kind of sport? It would be just like Orion, of course, behaving like one of the lower orders—

“A warrant,” Orion said.

She withdrew her arm. “I have an official complaint from the Timesquad’s observation team. That is sufficient. I must interrupt your activity.”

“According to law,” Orion said, “you must show cause. Nothing we have done tonight will in any way change history.”

“That truck is not robot-driven,” she said, her voice growing strident. “There’s a man in there. You are changing his life.”

Orion only laughed. “Your observers haven’t done their homework. I have. Look.”

He turned to the control and played a speeded-up sequence, focused always on the shadow image of a truck speeding down a mountain road. The truck made turn after turn, and since the hologram was centered perpetually on the truck, it made the surrounding scenery dance past in a jerky rush, swinging left and right, up and down as the truck banked for turns or struck bumps.

And then, near the bottom of the chasm, between mountains, the truck got on a long, slow curve that led across the river on a slender bridge.

But the bridge wasn’t there.

And the truck, unable to stop, skidded and swerved off the end of the truncated road, hung in the air over the chasm, then toppled, tumbled, banging against first this side, then that side of the ravine. It wedged between two outcroppings of rock more than ten meters above the water. The cab of the truck was crushed completely.

“He dies,” Orion said. “Which means that anything we do with him before his death and after his last possible contact with another human being is legal. According to the code.”

The policeman turned red with anger.

“I saw your little games with airplanes and sinking ships. But this is cruelty, Mr. Overweed.”

“Cruelty to a dead man is, by definition, not cruelty. I don’t change history. And Mr. Rodney Bingley is dead, has been for more than four centuries. I am doing no harm to any living man. And you owe me an apology.”

Officer Mercy Manwool shook her head. “I think you’re as bad as the Romans, who threw people into circuses to be torn by lions—”

“I know about the Romans,” Orion said coldly, “and I know whom they threw. In this case, however, I am throwing my friends. And retrieving them very safely through the full retrieval and reassembly feature of the Hamburger Safety Device built inextricably into every timelid. And you owe me an apology.”

She drew herself erect. “The Los Angeles Timesquad officially apologizes for making improper allegations about the activities of Orion Overweed.”

Orion grinned. “Not exactly heartfelt, but I accept it. And while you’re here, may I offer you a drink?”

“Nonalcoholic,” she said instantly, and then looked away from him at Gemini, who was watching her with sad but intent eyes. Orion went for glasses and to try to find something nonalcoholic in the house.

“You performed superbly,” Gemini said.

“And you, Gemini,” she said softly (voicelessly), “were the first subject to travel.”

Gemini shrugged. “Nobody said anything about my not taking part.”

She turned her back on him. Orion came back with the drink. He laughed. “Coca-Cola,” he said. “I had to import it all the way from Brazil. They still drink it there, you know. Original recipe.” She took it and drank.

Orion sat back at the controls.

“Next!” he shouted, and a man and woman jumped on the couch together, laughing as the others slid the box over their heads.

Rod had lost count. At first he had tried to count the curves. Then the white lines in the road, until a new asphalt surface covered them. Then stars. But the only number that stuck in his head was nine.

9

NINE

Oh God, he prayed silently, what is happening to me, what is happening to me, change this night, let me wake up, whatever is happening to me make it stop.

A gray-haired man was standing beside the road, urinating. Rod slowed to a crawl. Slowed until he was barely moving. Crept past the man so slowly that if he had even twitched Rod could have stopped the truck. But the gray-haired man only finished, dropped his robe, and waved gaily to Rod. At that moment Rod heaved a sigh of relief and sped up.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Представляем Вашему вниманию похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Обсуждение, отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x