Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“I hate it when you roll your eyes, Sherman. It makes me think you’re having a fit. I know Sly and Frieda are hopeless, but I had to ask, didn’t I?”

“Roj and Roz.”

“Fine.”

“How much do you know about the Trojan Object?”

“More than you do and less than I’ll need to.”

Sherman tapped his pencil on his desk. “All right, I’ll send you straight to the experts.”

And a week later, Agnes and Danny and Roj and Roz were ensconced in Agnes’s skipship, sweeping down the runway at Clovis, New Mexico. The acceleration was frightful, particularly after they were vertical, but it was not long before they were in a high orbit, and not much longer than that before they were free of the Earth’s gravity, making the three-month trip to Earth’s leading trojan point, where something waited for them.

HECTOR 2

Hector said to himselves, “I’m thirsty, I’m thirsty, I’m thirsty,” and the Hectors gave themself plenty to drink, and when Hector was satisfied, for the moment, he sang a soundless song that all the Hectors heard, and they, too, sang:

Hector swims in an empty sea
With Hectors all around.
Hector whistles merrily
But never makes a sound.

Hector swallows all the light
So he’s snug out in the cold.
Hector will be born tonight
Although he’s very old.

Hector sweeps up all the dust
And puts it in a pile:
Waybread for his wanderlust,
More Hectors in a while.

And the Hectors laughed and also sang and also danced because they had come together after a long journey and they were warm and they were snug and they lay together to listen to themself tell himselves stories.

“I will tell,” Hector said to himselves, “the story of the Masses, and the story of the Masters, and the story of the Makers.”

And the Hectors cuddled together to listen.

AGNES 3

Agnes and Danny made love the day before they reached the Trojan Object, because that made it easier for both of them to work. Roj and Roz did not, because that made it easier for them to stay alert. For a week it had been clear that the Trojan Object was far more than anyone on Earth had suspected, and far less.

“Diameter about fourteen hundred kilometers on the average,” Roz reported as soon as she had good enough data to be sure. “But gravity is about as much as a giant asteroid. Our shaddles are strong enough to get us off.”

Danny spoke the obvious conclusion first. “There’s nothing that could be as solid as that, as large as that, and as light as that. Artificial. Has to be.”

“Fourteen hundred kilometers in diameter?”

Danny shrugged. Everybody could have shrugged. That’s what they were here for. Nothing natural could have suddenly appeared in Earth’s leading trojan point, either—obviously it was artificial. But was it dangerous?

They circled the Trojan Object dozens of times, letting the computer scan with better eyes than theirs for any sign of an aperture. There was none.

“Better set down,” Roz said, and Agnes brought the skipship close to the surface. It occurred to her as she did so that she and Danny and the others changed personality completely when they worked. Fun-loving, filthy-minded, game-playing friends, until work was needed. Then the fun was over, and they became a pilot and an engineer and a doctor and a physicist, functioning smoothly, as if the computer’s integrated circuits had overcome the flesh barrier and inhabited all of them.

Agnes maneuvered her craft within three meters of the surface. “No closer,” she said. Danny agreed, and when they were all suited up, he opened the hatch and shaddled down to the surface. “Careful, Leaner,” Agnes reminded him. “Escape velocity and everything.”

“Can’t see a damn thing down here,” he answered in a perfect non sequitur. “This surface material sucks up all light. Even from my headlamp. Hard and smooth as steel, though. I have to keep shining my light on my hands to see where they are.” Silence for a few moments. “Can’t tell if I’m scratching the thing or not. Am I getting a sample?”

“Computer says no,” Roj answered. As the doctor, he had nothing better to do at the moment than monitor the computer.

“I’m not making any impact on the surface at all. I want to find out how hard this thing is.”

“Torch?” Agnes asked.

“Yeah.”

Roz protested. “Don’t do anything to make them mad.”

“Who?” Danny asked.

“Them. The people who made this.”

Danny chuckled. “If there’s anybody in there, they either know we’re out here or they’re sure enough we can’t get in that they don’t care. Either way, I’ve got to do something to attract their attention.”

The torch flared brightly, but nothing was reflected from the surface of the Trojan Object, and only the gas dissipated with the torch made it visible.

“No result. Didn’t even raise the surface temperature,” Danny finally said.

They tried laser. They tried explosives. They tried a diamond tip on a drill for repair work. Nothing had any effect on the surface at all.

“I want to come out,” Agnes said.

“Forget it,” Danny answered. “I suggest we go to the pole, north or south. Maybe something’s different there.”

“I’m coming out,” Agnes said.

Danny was angry. “What the hell do you think you can accomplish that I haven’t done?”

Agnes frankly admitted that there wasn’t anything she could possibly do. While she was admitting it she clambered out of the skipship and launched herself toward the surface.

It was a damnfool thing to do, as Danny informed her loudly over the radio, just as he turned to face Agnes and flashed his light directly in her eyes. She realized to her alarm that he was directly below her—she couldn’t turn around and shaddle down. She slipped to the right, instead, and then tried to turn around, but because of her panic at the thought of colliding with Danny (always dangerous in space) and the delay as she maneuvered to avoid him, she struck the planet surface going a good deal faster than should have been comfortable.

But as she touched the surface, it yielded. Not with the springiness of rubber, which would have forced her hand back out, but with the thick resistance of almost-hard cement, so that she found her hand completely immersed in the surface of the planet. She shone her headlamp on it—the smooth surface of the planet was unbroken, not even dented, except that her hand was in it up to the wrist.

“Danny,” she said, not sure whether to be excited or afraid.

He didn’t hear her at first because he was too busy shouting, “Agnes, are you OK?” into the radio to notice that she was already answering. But at last he calmed down, found her with his headlamp, and came over to her, shaddling gently to stay tight to the surface of the Trojan Object.

“My hand,” she said, and he followed her shoulder and her arm until he found her hand and said, “Agnes! Can you get it out?”

“I didn’t want to try until you saw this. What does it mean?”

“It means that if it was wet cement it’s hard by now and we’ll never get you off!”

“Don’t be an ass,” Agnes said. “Test around it. See if it’s different.”

Except for the torch, Danny made all the same tests. Right up to the edge of Agnes’s suit the Trojan Object’s surface was absolutely impenetrable, completely absorbent of energy, nonmagnetic—in other words, untestable. But there was no arguing the fact that Agnes’s hand was buried in it.

“Take a picture,” Agnes said.

“What will that show? It’ll look like your wrist with the hand cut off.” But Danny went ahead and laid some of his tools on the surface to give some hint in the photograph of where the surface actually was. Then he took a dozen or more photos. “Why am I taking these pictures?” he said.

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