Michael Bishop: No Enemy But Time

Annoyed, suspicious, perplexed, I stood on the porch watching my pantherine visitor retrace his path to the metal gate. Here he pivoted and waved, his plastic scarab glowing almost incandescently.

“I can scarcely wait to meet your daughter,” he called. He pushed through the gate and strode nimbly toward the butt end of the retaining-wall walkway back to the hotel. I wished that a lion would fall upon him, a crocodile leap from the water to seize him.

Monicah and her regal galley slaves were no longer on the lake. Why had Dirk Akuj brought her into our little talk so frequently? This question frightened me because I thought I knew the answer.

In the cabaret—more accurately, the grand entertainment hall of the Sambusai Sands, a multitiered dining floor with an orchestra pit and an immense stage hung with zebra-striped foil curtains—a thousand or more people had gathered for the official grand opening of our billion-dollar Convention and Recreational Centre. Portions of the complex had been operating for nearly three months, but tonight marked the culmination of our labors, a new beginning on the road to economic independence. At tables scattered like islands in the electric dark sat many African dignitaries, residually wealthy Arabs, American service personnel, and casino-hopping European playpeople. On each side of the hall, at balcony level, leopards stalked back and forth in lifelike dioramas of the Pleistocene.

Nearest the orchestra pit (from which the strains of “Born Free” had been emanating for twenty minutes) were the tables reserved for Zarakali cabinet ministers, the commanding officers of the bases at Bravanumbi and Russell-Tharaka, and the representatives of every country in the East African Confederation. Monicah and I shared our table with Vice Admiral Cuomo and the Tanzanian representative, a handsome Arusha woman who clearly disapproved of the festivities.

A table away sat Dirk Akuj, vaguely sinister in a phosphorescent lime-green tuxedo jacket. His name, I had discovered after returning to my suite, did indeed appear on the official guest list, but I had never supposed that any African invited to our grand opening would also be a shill for White Sphinx. I tried to avoid the man’s glance, but he kept ogling Monicah and giving me enigmatic smiles, and I was hard pressed to ignore him.

Admiral Cuomo was something of a help because he had engaged the Arusha woman and me in animated small talk about his favorite subject, ice hockey, about which he supposed us intensely curious because of our lack of exposure to the sport. Monicah sat silent, encouraged in her moroseness by the chilly attitude of Rochelle Mutasingwa, the Tanzanian. She was unaware of Dirk Akuj’s interest in her, and I was grateful for her failure to notice the man. As Admiral Cuomo faithfully recounted the high points of last year’s Stanley Cup finals, the evening seemed to stretch out before us like a deathwatch.

The dying strains of “Born Free” at last fell captive to silence, and the Marakoi Pops struck up a fanfare.

The expectant nattering of the crowd faded away, the stage was brilliantly spotlighted, and the American singer-composer Manny Barrelo emerged from the wings beside the self-propelled wheelchair of President Mutesa Tharaka.

As one person, everyone in the hall rose to accord our aged President a standing ovation. Without whistling, foot stamping, or unseemly cries of praise or thanksgiving, it was nevertheless thunderous. Even Monicah was moved, for this was the first time in nearly three years that Mzee Tharaka had made a public appearance. On most state and ceremonial occasions Vice President Gicoru acted in his stead, and no one had anticipated a change of these arrangements even for the long-awaited grand opening of the Sands. Our applause lasted nearly five full minutes.

Nodding and smiling, Barrelo quieted us by raising his hands and addressing us to the effect that we were all “eyewitnesses to history.” The President, meanwhile, sat slumped in his chair like a well-heeled scarecrow, the gilded skull on his crown staring out into the dark with a threat that everyone implicitly understood but nervously disregarded. The roar of the leopard stalking the left-hand balcony was audible even through the bullet-proof plastic of its diorama, and Barrelo saluted the creature without interrupting his remarks.

“…lots of fine live entertainment for you this evening, folks, and continuous gaming in the casinos just off the lobby.” Whereupon he squinted down into the footlights at the tables just beyond the orchestra. “Is Joshua Kampa here this evening? Of course he is, what a ridiculous question. Josh, c’mon, Josh, stand up, please. President Tharaka wants you to take a bow for making Zarakal’s beautiful Lake Kiboko resort genuinely competitive with Vegas and Monte Carlo. Stand up, stand up. Ladies and gentlemen, this is the man whose mind conceived the Sambusai Sands Convention and Recreational Centre!”

Numbly I got to my feet, stood blinking in a white-hot spot, and sat back down to the dovetailing applause of hundreds of fellow Homo sapiens . The Centre, I wanted to tell them, was not entirely my fault.

“President Tharaka wants everyone here tonight to know that the revenues generated by this complex will fund schools, agricultural programs, cultural exchanges, and technological progress for everyone in East Africa. Already ZAPPA—the Zarakali Administration for Peace and Prosperity through Astronautics—has been revived, and you can bet your ostrich feathers that an African will walk on the moon before this decade is out. That’s what President Tharaka and Minister Kampa had in mind when they made construction of this complex a top national priority only six or seven years ago. Why, Mr. Kampa gave up a place on the lucrative American lecture circuit just to return to Zarakal and run for a seat in the National Assembly. He’s a credit to his country— both his countries—and I think he deserves another round of applause.”

We got it, Manny Barrelo and I, a bigger round than we had received before (even though Barrelo had grossly muddled the facts about my desertion of the “lucrative American lecture circuit”), and Admiral Cuomo patted me on the back. At the adjacent table Dirk Akuj smiled at me cryptically.

“But enough talk. It’s time for these festivities to begin, and our opening act, our overture, is a tribute to Mr. Kampa, his beautiful daughter Monicah, and the emergence of Zarakal as a potential space-age power…. Ladies and gentlemen, for your pleasure, Lisa Chagula and the Gombe Stream Chimps!”

Manny Barrelo gestured toward the right-hand wing, then spun the President’s chair around so that they could exit stage left. The Marakoi Pops broke into an up-tempo version of Thus Spake Zarathustra , and applause again filled the hall.

The zebra-striped curtains parted to reveal a back-lighted scrim upon which a convincing, two-dimensional replica of a volcano was erupting over a muted pastel landscape. A many-pronged bolt of lightning flashed against this scrim, and about the trunk of a papier-mâché baobab, streamers of red and orange crepe paper danced like flames. Wearing African garb from the Lake Tanganyika region, Lisa Chagula entered and positioned herself on the outer apron of the stage. Then she whistled.

Five chimpanzees swaggered in from stage right, one of them having been shaved to simulate a quasi-human nakedness. I saw through the chimp’s imposture immediately, and so did everyone else who knew the details of my legendary trip into the distant past, i.e., everyone in attendance. The ape was supposed to be me. A further clue to its assumed identity was the pink plastic doll cradled in its arms, a surrogate for Monicah in her original incarnation as the Grub. The chimps quailed from the “flames” surrounding them.