Vernor Vinge - True Names

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True Names: краткое содержание, описание и аннотация

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This collection, structured around a reprint of Vernor Vinge's enormously influential novella "True Names," includes several essays as well as other short fiction inspired by Vinge's revolutionary tale.
Comment by the transcriber: This is as complete and accurate an etext of the 1984 edition of True Names as I can make. I agree with Project Gutenberg, regarding the superiority of hard formatted plain ASCII over other formats. Except that this work
some italics, so I've used a bastard mix of plain text and HTML. If you want to read it as plain text, the HTML codes for italics are not too annoying; yet in HTML it will still preserve the original work's line formatting (minus right justification). Also included is the Afterword by Marvin Minsky, and .GIFs of all illustrations from the book. These are linked in at the correct places in the etext. One zip file contains the whole lot, for portability.
Enjoy! The Rectifier, Feb 1998

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Pollack opened his mouth, but nothing came out. It went against all his intuition, almost against what religion he had, but it might just barely be possible. The Mailman had controlled immense resources. All his quick time reactions could have been the work of ordinary programs and simulators like DON.MAC. The only evidence they had for his humanity were those teleprinter conversations where his responses were spread over hours.

"Okay, for the sake of argument, let's say it's possible. Someone, somewhere had to write the original Mailman. Who was that?"

"Who would you guess? The government, of course. About ten years ago. It was an NSA team trying to automate system protection. Some brilliant people, but they could never really get it off the ground. They wrote a developmental kernel that by itself was not especially effective or aware. It was designed to live within large systems and gradually grow in power and awareness, independent of what policies or mistakes the operators of the system might make.

"The program managers saw the Frankenstein analogy — or at least they saw a threat to their personal power — and quashed the project. In any case, it was very expensive. The program executed slowly and gobbled incredible data space."

"And you're saying that someone conveniently left a copy running all unknown?"

She seemed to miss the sarcasm. "It's not that unlikely. Research types are fairly careless-outside of their immediate focus. When I was in FoG, we lost thousands of megabytes 'between the cracks' of our data bases. And back then, that was a lot of memory. The development kernel is not very large. My guess is a copy was left in the system. Remember, the kernel was designed to live untended if it ever started executing. Over the years it slowly grew — both be — cause of its natural tendencies and because of the increased power of the nets it lived in."

Pollack sat back on the sofa. Her voice was tiny and frail, so unlike the warm, rich tones he remembered from the Other Plane. But she spoke with the same authority.

Debby's — Erythrina's — pale eyes stared off beyond the walls of the apt, dreaming. "You know, they are right to be afraid," she said finally. "Their world is ending. Even without us, there would still be the Limey, the Coven — and someday most of the human race."

Damn. Pollack was momentarily tongue-tied, trying desperately to think of something to mollify the threat implicit in Ery's words. Doesn't she understand that DoW would never let us talk unbugged? Doesn't she know how trigger-happy scared the top Feds must be by now? But before he could say anything, Ery glanced at him, saw the consternation in his face, and smiled. The tiny hand patted his. "Don't worry, Slip. The Feds are listening, but what they're hearing is tearful chitchat — you overcome to find me what I am, and me trying to console the both of us. They will never know what I really tell you here. They will never know about the gun the local boys took off you."

"What?"

"You see, I lied a little. I know why you really came. I know you thought that I might be the new monster. But I don't want to lie to you anymore. You risked your life to find out the truth, when you could have just told the Feds what you guessed." She went on, taking advantage of his stupefied silence. "Did you ever wonder what I did in those last minutes this spring, after we surrendered — when I lagged behind you in the Other Plane?

"It's true, we really did destroy the Mailman; that's what all that unintelligible data space we plowed up was. I'm sure there are copies of the kernel hidden here and there, like little cancers in the System, but we can control them one by one as they appear.

"I guessed what had happened when I saw all that space, and I had plenty of time to study what was left, even to trace back to the original research project. Poor little Mailman, like the monsters of fiction he was only doing what he had been designed to do. He was taking over the System, protecting it from everyone — even its owners. I suspect he would have announced himself in the end and used some sort of nuclear blackmail to bring the rest of the world into line. But even though his programs had been running for several years, he had only had fifteen or twenty hours of human type self-awareness when we did him in. His personality programs were that slow. He never attained the level of consciousness you and I had on the System.

"But he really was self-aware, and that was the triumph of it all. And in those few minutes, I figured out how I could adapt the basic kernel to accept any input personality. … That is what I really wanted to tell you."

"Then what the Limey saw was — "

She nodded. "Me …"

She was grinning now, an open though conspiratorial grin that was very familiar. "When Bertrand Russell was very old, and probably as dotty as I am now, he talked of spreading his interests and attention out to the greater world and away from his own body, so that when that body died he would scarcely notice it, his whole consciousness would be so diluted through the outside world.

"For him, it was wishful thinking, of course. But not for me. My kernel is out there in the System. Every time I'm there, I transfer a little more of myself. The kernel is growing into a true Erythrina, who is also truly me. When this body dies," she squeezed his hand with hers, "when this body dies, I will still be, and you can still talk to me."

"Like the Mailman?"

"Slow like the Mailman. At least till I design faster processors….

"… So in a way, I am everything you and the Limey were afraid of. You could probably still stop me, Slip." And he sensed that she was awaiting his judgment, the last judgment any mere human would ever be allowed to levy upon her.

Slip shook his head and smiled at her thinking of the slowmoving guardian - фото 22

Slip shook his head and smiled at her, thinking of the slow-moving guardian angel that she would become. Every race must arrive at this point in its history , he suddenly realized. A few years or decades in which its future slavery or greatness rests on the goodwill of one or two persons. It could have been the Mailman. Thank God it was Ery instead. And beyond those years or decades… for an instant, Pollack came near to understanding things that had once been obvious. Processors kept getting faster, memories larger. What now took a planet's resources would someday be possessed by everyone. Including himself.

Beyond those years or decades… were millennia. And Ery.

Vernor Vinge

San Diego

June 1979 — January 1980

AFTERWORD by Marvin Minsky

In real life, you often have to deal with things you don't completely understand. You drive a car, not knowing how its engine works. You ride as passenger in someone else's car, not knowing how that driver works. And strangest of all, you sometimes drive yourself to work, not knowing how you work, yourself.

To me, the import of True Names is that it is about how we cope with things we don't understand. But, how do we ever understand anything in the first place? Almost always, I think, by using analogies in one way or another — to pretend that each alien thing we see resembles something we already know. When an object's internal workings are too strange, complicated, or unknown to deal with directly, we extract whatever parts of its behavior we can comprehend and represent them by familiar symbol — or the names of familiar things which we think do similar things. That way, we make each novelty at least appear to be like something which we know from the worlds of our own pasts. It is a great idea, that use of symbols; it lets our minds transform the strange into the commonplace. It is the same with names.

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