Vernor Vinge - True Names

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True Names: краткое содержание, описание и аннотация

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This collection, structured around a reprint of Vernor Vinge's enormously influential novella "True Names," includes several essays as well as other short fiction inspired by Vinge's revolutionary tale.
Comment by the transcriber: This is as complete and accurate an etext of the 1984 edition of True Names as I can make. I agree with Project Gutenberg, regarding the superiority of hard formatted plain ASCII over other formats. Except that this work
some italics, so I've used a bastard mix of plain text and HTML. If you want to read it as plain text, the HTML codes for italics are not too annoying; yet in HTML it will still preserve the original work's line formatting (minus right justification). Also included is the Afterword by Marvin Minsky, and .GIFs of all illustrations from the book. These are linked in at the correct places in the etext. One zip file contains the whole lot, for portability.
Enjoy! The Rectifier, Feb 1998

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The short one flashed something silver at him Building Police And Pollack - фото 20

The short one flashed something silver at him. "Building Police." And Pollack remembered the news stories about Federal Urban Support paying youngsters for urbapt security: "A project that saves money and staff, while at the same time giving our urban youth an opportunity for responsible citizenship."

Pollack swallowed. Best to treat them like real cops. He showed them his id. "I'm from out of state. I'm just visiting."

The other two closed in, and the short one laughed. "That's sure. Fact, Mr. Pollack, Sammy's little gadget says you're in violation of Building Ordinance." The one on Pollack's left waved a faintly buzzing cylinder across Pollack's jacket, then pushed a hand into the jacket and withdrew Pollack's pistol, a lightweight ceramic slug — gun perfect for hunting hikes — and which should have been perfect for getting past a building's weapon detectors.

Sammy smiled down at the weapon, and the short one continued, "Thing you didn't know, Mr. Pollack, is Federal law requires a metal tag in the butt of these cram guns. Makes 'em easy to detect." Until the tag was removed. Pollack suspected that somehow this incident might never be reported. The three stepped back, leaving the way clear for Pollack. "That's all? I can go?"

The young cop grinned. "Sure. You're out-of-towner. How could you know?"

Pollack continued down the hall. The others did not follow. Pollack was fleetingly surprised: maybe the FUS project actually worked. Before the turn of the century, goons like those three would have at least robbed him. Instead they behaved something like real cops.

Or maybe

— and he almost stumbled at this new thought — they all work for Ery now . That might be the first symptom of conquest: the new god would simply become the government. And he — the last threat to the new order — was being granted one last audience with the victor.

Pollack straightened and walked on more quickly. There was no turning back now, and he was damned if he would show any more fear. Besides, he thought with a sudden surge of relief, it was out of his control now. If Ery was a monster, there was nothing he could do about it; he would not have to try to kill her. If she were not, then his own survival would be proof, and he need think of no complicated tests of her innocence.

He was almost hurrying now. He had always wanted to know what the human being beyond Erythrina was like; sooner or later he would have had to do this anyway. Weeks ago he had looked through all the official directories for the state of Rhode Island, but there wasn't much to find: Linda and Deborah Charteris lived at 28355 Place on 4448 Grosvenor Row. The public directory didn't even show their "interests and occupations."

28313, 315, 317 ….

His mind had gone in circles, generating all the things Debby Charteris might turn out to be. She would not be the exotic beauty she projected in the Other Plane. That was too much to hope for; but the other possibilities vied in his mind. He had lived with each, trying to believe that he could accept whatever turned out to be the case:

Most likely, she was a perfectly ordinary looking person who lived in an urbapt to save enough money to buy high-quality processing equipment and rent dense comm lines. Maybe she wasn't good-looking, and that was why the directory listing was relatively secretive.

Almost as likely, she was massively handicapped. He had seen that fairly often among the warlocks whose True Names he knew. They had extra medical welfare and used all their free money for equipment that worked around whatever their problem might be — paraplegia, quadriplegia, multiple sense loss. As such, they were perfectly competitive on the job market, yet old prejudices often kept them out of normal society. Many of these types retreated into the Other Plane, where one could completely control one's appearance.

And then, since the beginning of time, there had been the people who simply did not like reality, who wanted another world, and if given half a chance would live there forever. Pollack suspected that some of the best warlocks might be of this type. Such people were content to live in an urbapt, to spend all their money on processing and life-support equipment, to spend days at a time in the Other Plane, never moving, never exercising their real world bodies. They grew more and more adept, more and more knowledgeable — while their bodies slowly wasted. Pollack could imagine such a person becoming an evil thing and taking over the Mailman's role. It would be like a spider sitting in its web, its victims all humanity. He remembered Ery's contemptuous attitude on learning he never used drugs to maintain concentration and so stay longer in the Other Plane. He shuddered.

And there, finally, and yet too soon, the numbers 28355 stood on the wall before him, the faint hall light glistening off their bronze finish. For a long moment, he balanced between the fear and the wish. Finally he reached forward and tapped the door buzzer.

Fifteen seconds passed. There was no one nearby in the hall. From the corner of his eye, he could see the "cops" lounging by the stairs. About a hundred meters the other way, an argument was going on. The contenders rounded the faraway corner and their voices quieted, leaving him in near silence.

There was a click, and a small section of the door became transparent, a window (more likely a holo) on the interior of the apt. And the person beyond that view would be either Deborah or Linda Charteris.

"Yes?" The voice was faint, cracking with age. Pollack saw a woman barely tall enough to come up to the pickup on the other side. Her hair was white, visibly thin on top, especially from the angle he was viewing.

"I'm… I'm looking for Deborah Charteris."

"My granddaughter. She's out shopping. Down-stairs in the mall, I think." The head bobbed, a faintly distracted nod.

"Oh. Can you tell me — " Deborah, Debby . It suddenly struck him what an old-fashioned name that was, more the name of a grandmother than a granddaughter. He took a quick step to the door and looked down through the pane so that he could see most of the other's body. The woman wore an old-fashioned skirt and blouse combination of some brilliant red material.

Pollack pushed his hand against the immovable plastic of the door. "Ery, please. Let me in."

The pane blanked as he spoke, but after a moment the door slowly opened. "Okay." Her voice was tired, defeated. Not the voice of a god boasting victory.

The interior was decorated cheaply and with what might have been good taste except for the garish excesses of red on red. Pollack remembered reading somewhere that as you age, color sensitivity decreases. This room might seem only mildly bright to the person Erythrina had turned out to be.

The woman walked slowly across the tiny apt and gestured for him to sit. She was frail, her back curved in a permanent stoop, her every step considered yet tremulous. Under the apt's window, he noticed an elaborate GE processor system. Pollack sat and found himself looking slightly upward into her face.

Slip or maybe I should call you Roger hereyou always were a bit of a - фото 21

"Slip — or maybe I should call you Roger here-you always were a bit of a romantic fool." She paused for breath, or perhaps her mind wandered. "I was beginning to think you had more sense than to come out here, that you could leave well enough alone."

"You … you mean, you didn't know I was coming?" The knowledge was a great loosening in his chest.

"Not until you were in the building." She turned and sat carefully upon the sofa.

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