Vernor Vinge - True Names

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True Names: краткое содержание, описание и аннотация

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This collection, structured around a reprint of Vernor Vinge's enormously influential novella "True Names," includes several essays as well as other short fiction inspired by Vinge's revolutionary tale.
Comment by the transcriber: This is as complete and accurate an etext of the 1984 edition of True Names as I can make. I agree with Project Gutenberg, regarding the superiority of hard formatted plain ASCII over other formats. Except that this work
some italics, so I've used a bastard mix of plain text and HTML. If you want to read it as plain text, the HTML codes for italics are not too annoying; yet in HTML it will still preserve the original work's line formatting (minus right justification). Also included is the Afterword by Marvin Minsky, and .GIFs of all illustrations from the book. These are linked in at the correct places in the etext. One zip file contains the whole lot, for portability.
Enjoy! The Rectifier, Feb 1998

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"I had to see who you really are," and that was certainly the truth. "After this spring, there is no one the likes of us in the whole world."

Her face cracked in a little smile. "And now you see how different we are. I had hoped you never would and that someday they would let us back together on the Other Plane…. But in the end, it doesn't really matter." She paused, brushed at her temple, and frowned as though forgetting something, or remembering something else.

"I never did look much like the Erythrina you know. I was never tall, of course, and my hair was never red. But I didn't spend my whole life selling life insurance in Peoria, like poor Wiley."

"You… you must go all the way back to the beginning of computing."

She smiled again, and nodded just so, a mannerism Pollack had often seen on the Other Plane."Almost, almost. Out of high school, I was a keypunch operator. You know what a keypunch is?"

He nodded hesitantly, visions of some sort of machine press in his mind.

"It was a dead — end job, and in those days they'd keep you in it forever if you didn't get out under your own power. I got out of it and into college quick as I could, but at least I can say I was in the business during the stone age. After college, I never looked back; there was always so much happening. In the Nasty Nineties, I was on the design of the ABM and FoG control programs. The whole team, the whole of DoD for that matter, was trying to program the thing with procedural languages; it would take 'em a thousand years and a couple of wars to do it that way, and they were beginning to realize as much. I was responsible for getting them away from CRTs, for getting into really interactive EEG programming — what they call portal programming nowadays. Sometimes … sometimes when my ego needs a little help, I like to think that if I had never been born, hundreds of millions more would have died back then, and our cities would be glassy ponds today.

"… And along the way there was a marriage …" her voice trailed off again, and she sat smiling at memories Pollack could not see.

He looked around the apt. Except for the processor and a fairly complete kitchenette, there was no special luxury. What money she had must go into her equipment, and perhaps in getting a room with a real exterior view. Beyond the rising towers of the Grosvenor complex, he could see the nest of comm towers that had been their last-second salvation that spring. When he looked back at her, he saw that she was watching him with an intent and faintly amused expression that was very familiar.

"I'll bet you wonder how anyone so daydreamy could be the Erythrina you knew in the Other Plane." "Why, no," he lied. "You seem perfectly lucid to me."

"Lucid, yes. I am still that, thank God. But I know — and no one has to tell me — that I can't support a train of thought like I could before. These last two or three years, I've found that my mind can wander, can drop into reminiscence, at the most inconvenient times. I've had one stroke, and about all 'the miracles of modern medicine' can do for me is predict that it will not be the last one.

"But in the Other Plane, I can compensate. It's easy for the EEG to detect failure of attention. I've written a package that keeps a thirty-second backup; when distraction is detected, it forces attention and reloads my short-term memory. Most of the time, this gives me better concentration than I've ever had in my life. And when there is a really serious wandering of attention, the package can interpolate for a number of seconds. You may have noticed that, though perhaps you mistook it for poor communications coordination."

She reached a thin, blue-veined hand toward him. He took it in his own. It felt so light and dry, but it returned his squeeze. "It really is me — Ery — inside, Slip."

He nodded, feeling a lump in his throat.

"When I was a kid, there was this song, something about us all being aging children. And it's so very, very true. Inside I still feel like a youngster. But on this plane, no one else can see…"

"But I know, Ery. We knew each other on the Other Plane, and I know what you truly are. Both of us are so much more there than we could ever be here." This was all true: even with the restrictions they put on him now, he had a hard time understanding all he did on the Other Plane. What he had become since the spring was a fuzzy dream to him when he was down in the physical world. Sometimes he felt like a fish trying to imagine what a man in an airplane might be feeling. He never spoke of it like this to Virginia and her friends: they would be sure he had finally gone crazy. It was far beyond what he had known as a warlock. And what they had been those brief minutes last spring had been equally far beyond that.

"Yes, I think you do know me, Slip. And we'll be … friends as long as this body lasts. And when I'm gone — " "I'll remember; I'll always remember you, Ery." She smiled and squeezed his hand again. "Thanks. But that's not what I was getting at…. " Her gaze drifted off again. "I figured out who the Mailman was and I wanted to tell you."

Pollack could imagine Virginia and the other DoW eavesdroppers hunkering down to their spy equipment. "I hoped you knew something." He went on to tell her about the Slimey Limey's detection of Mailman — like operations still on the System. He spoke carefully, knowing that he had two audiences.

Ery — even now he couldn't think of her as Debby — nodded. "I've been watching the Coven. They've grown, these last months. I think they take themselves more seriously now. In the old days, they never would have noticed what the Limey warned you about. But it's not the Mailman he saw, Slip."

"How can you be sure, Ery? We never killed more than his service programs and his simulators-like DON.MAC. We never found his True Name. We don't even know if he's human or some science-fictional alien."

"You're wrong, Slip. I know what the Limey saw, and I know who the Mailman is — or was," she spoke quietly, but with certainty. "It turns out the Mailman was the greatest cliche of the Computer Age, maybe of the entire Age of Science."

"Huh?"

"You've seen plenty of personality simulators in the Other Plane. DON.MAC — at least as he was rewritten by the Mailman — was good enough to fool normal warlocks. Even Alan, the Coven's elemental, shows plenty of human emotion and cunning." Pollack thought of the new Alan, so ferocious and intimidating. The Turing T-shirt was beneath his dignity now. "Even so, Slip, I don't think you've ever believed you could be permanently fooled by a simulation, have you?"

"Wait. Are you trying to tell me that the Mailman was just another simulator? That the time lag was just to obscure the fact that he was a simulator? That's ridiculous. You know his powers were more than human, almost as great as ours became." "But do you think you could ever be fooled?" "Frankly, no. If you talk to one of those things long enough, they display a repetitiveness, an inflexibility that's a giveaway. I don't know; maybe someday there'll be programs that can pass the Turing test. But whatever it is that makes a person a person is terribly complicated. Simulation is the wrong way to get at it, because being a person is more than symptoms. A program that was a person would use enormous data bases, and if the processors running it were the sort we have now, you certainly couldn't expect real-time interaction with the outside world." And Pollack suddenly had a glimmer of what she was thinking.

"That's the critical point, Slip: if you want real-time interaction . But the Mailman — the sentient, conversational part — never did operate real time. We thought the lag was a communications delay that showed the operator was off-planet, but really he was here all the time. It just took him hours of processing time to sustain seconds of self-awareness."

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