Daniel Suarez - Daemon

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Daemon: краткое содержание, описание и аннотация

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Daemon The storyline portrays one possible world consequent to the development of the technological innovations that we currently live with and the reality that the author, Suarez, imagines will evolve, and it is chilling and tense (on www.thedaemon.com the reader can find evidence that the seemingly incredible advances Suarez proposes could in fact become real).
is filled with multiple scenes involving power displays by the Daemon's allies resulting in complete loss of control by its enemies, violence with new and innovative weaponry, explosions, car crashes, blood, guts, and limbs-cut-off galore.
As far as computer complexity,
will satisfy any computer geek's thirst. I was thankful for Pete Sebeck, the detective in the book whose average-person understanding of computers necessitates an occasional explanation about what is going on. I came away from the novel with a new understanding, respect, and fear of computer capability.
In the end, Suarez invites the reader to enter the "second age of reason," to think about where recent and imminent advances in computer technology are taking us and whether we want to go there. For me, it is this "thinking" aspect of the novel which makes it a particularly fun, satisfying, and significant read.

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Mosely fluttered his eyes open and revulsion filled his throat with bile. It was a vision from hell, larger than life and twice as loud. The bearish man was hacking his victim to death—one limb at a time. It was not faked. Of that Mosely had no doubt. A deep depression came over him as he watched. It was beyond revulsion. The fact that such a thing could be suffered to exist. That a film could be made of it. It said more than he ever wanted to know about the depravity loose in the world. A slow boiling anger came over him. Was that man butchered just for this goddamned film? Fuck you, Sobol! Fuck you! Go ahead, read my mind, asshole! Mosely kept shutting his eyes momentarily as the machete came down. Two chops to sever the right arm at the socket. One for the left arm, as the torso fell forward over the legs…

He couldn’t face it anymore. Mosely was breathing rapidly. The sounds were horrible. He couldn’t escape them. Then just as suddenly they stopped.

Mosely opened his eyes to blackness.

What followed was a seemingly endless procession of violent scenarios—some more disturbing than others. In one, a man beat a woman bloody, when suddenly another man rushed in to attack the first—while the injured woman fled. Then there were scenes of men fighting each other—with fists, then knives, then guns. Then children fighting. Then adults attacking children. Women attacking women. There were street fights, ritualized duels, senseless accidents, electrocutions. Then sadomasochistic brutality. Erotically charged violence. Followed close on by violence against animals. It all looked entirely too real. The languages of the people in the films were mostly foreign, but the images had the raw, uncut look of a digital video shot as it happened.

Mosely’s emotions ranged all over the map and frequently conflicted. He found himself tensing with righteous anger, then becoming aroused, then repulsed, and everything in between. Subtle differences in the interaction of those on-screen brought about shocking differences in his feelings even regarding similar events.

He couldn’t guess how many hours had gone by. He felt as though he’d spent a tour of duty on the front lines. His mind was bursting with horrific images, and he was nearing the limit of his endurance for violence. As the hours crept by, the themes kept changing, but slowly, imperceptibly. Previous themes sometimes returned. Families changed to images of faraway places and cultures, then images of poverty, then of wealth, then of weddings, then of funerals. Cars crashing together in intersections—apparently from fixed traffic cameras. A nonstop procession of highway carnage and death. People committing suicide in protest, burning themselves alive. Then people dying in accidents while doing adventurous things like rock climbing or BASE jumping. More shots of adventurous people succeeding—accomplishing great feats. Then people trekking through wild lands, climbing high mountain-tops. Then of historical events—from moon landings to Khrushchev blustering. Malcolm X faded into Martin Luther King, Jr.

Mosely was emotionally and physically exhausted. And still it went on.

It was like being dragged over an emotional washboard. Mosely wound up feeling virtually every emotion of which humans are capable—not once but hundreds of times. He was long past his breaking point—not that he even noticed he’d passed it.

The images continued. An unknowable number of hours, and still the images continued. Mosely’s mouth was parched, and he strained to stay alert. The images kept coming.

But one concept had begun to form in Mosely’s mind. Like a rock slowly revealed as a wind blew away surrounding sand, Mosely was starting to see himself. With all his built-up emotional defenses long since worn away, simple truths had begun to emerge. Even he knew their meaning: he was angry at his wasted life. He felt deep feelings of loss that he had no family as a child, and that he had not provided one for his son—wherever he was now. Also Mosely had a desperate desire to belong. To matter. To stand for something besides himself. He was the perennial outsider looking in on the fellowship of others.

The last films were pivotal. Where the earlier ones seemed to break him down to his emotional building blocks, the latter ones seemed to be building him up—filling him with joy as he saw people struggling together. Relying on each other. Sacrificing. Gratitude. Joy. Free men looking toward distant horizons. Horizons that beckoned the adventurous, hinting at danger.

The people in these films were of all races and ages, but Mosely noticed that they shared some traits in common: they were capable, they were highly motivated, and they acknowledged no limits. Danger was not a deterrent. It was life lived to its maximum. They were truly alive.

He had almost forgotten the real world existed. He did not know how long he lay there, but when the screens faded to black, it was as though he were cast into an abyss. He panted, struggling to find some reference point. His soul adrift in nothingness.

From somewhere in the darkness he heard Sobol’s voice. “Follow me, and I will help you find what you have lost. I will give your descendants a future. The past no longer exists for you.”

A light began to rise in the infinite distance.

“You are an exceptional person. I choose to have faith in you.” The soft light filled his vision.

Mosely slowly remembered that he existed as a person. He remembered his name. Charles Mosely. He felt different—as though all his sins were washed away.

Suddenly the crushing weight of exhaustion fell upon him.

Someone lifted the goggles from his head, revealing the same soft light above him. The big guy was there, nodding slowly. A metallic chunk sound echoed in the room, and Mosely’s limbs were suddenly free. Other hands came to ease him up.

Mosely looked and saw the other orderly in his white coat helping him up into a sitting position. Mosely felt dizzy. Weak.

The big guy leaned in. “We’re going to withdraw the needle. It will just take a second.”

The other orderly placed a cotton ball over the spot, squeezed, then withdrew the needle. He quickly taped a bandage over it.

Mosely’s dull eyes noticed his own clothing. He was wearing surgical scrubs with booties. He stared down at his feet, then looked up to face the big guy, who nodded slightly.

“The danger’s past.”

Mosely’s dry voice croaked, “How long?”

“Forty-six hours.”

A water bottle appeared next to his mouth. Mosely turned to see the other orderly extending it. Mosely took it and sipped greedily.

“Not too much.” After a few more moments they took it away.

The big guy regarded Mosely. “The fact that you’re still alive is all I need to know about you.” He extended his hand. “I’m Rollins.” His eyes darted. “He’s Morris.”

Mosely regarded the hand. “Like I’m Taylor?”

Rollins laughed. “Exactly like that.”

Mosely shook his hand. Rollins made eye contact. They were confident eyes, not at all unfriendly.

Morris nodded and shook his hand also. “Welcome aboard.”

“Aboard what ?”

Rollins gestured. “The Daemon chose you. You’re one of its champions now.”

“Do I have a choice?”

“You already made your choice.” He looked into Mosely’s eyes. “This is where you want to be. That’s why you’re still alive.”

Mosely absorbed the words. The images were so fresh in his mind. Breaking him down to his basic building blocks. Understanding him. Mosely understanding himself. The elation.

He realized Rollins was right.

Rollins continued. “There are no leaders here. We are all peers. And we answer directly to the Daemon—and no one else. I am your equal. And you are mine.”

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