Stephen King - Faithful

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Faithful: краткое содержание, описание и аннотация

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Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.
Amazon.com Review
Fans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.
What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)
You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending. —Tom Nissley From Publishers Weekly
Of all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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On Lansdowne the Sausage King and the souvenir guys by Gate E are setting up. A band of college kids wearing long dark wigs and beards walks by; their shirts say DAMON’S DISCIPLES. I stake my claim to a pillar by the entrance to the elevated parking lot, leaning against it to hide my glove behind my back, and watch the Monster. I’m almost under the Coke bottles, between them and Fisk’s foul pole, the perfect spot for dead-pull hitters. But nothing’s coming over. It’s too early; they’re still running the tour groups through.

A father and son join me. They’ve got standing rooms on the Monster and they’re hoping to catch a ball. I wish them luck and post up by Gate E, hoping to be the first one in so I can grab my favorite corner spot down the left-field line.

After a nervous five minutes waiting for them to roll open the corrugated-steel doors, I’m the second one through the turnstiles and the first into the grandstand. The Sox are already batting. As I make my way down to the empty corner, I see Johnny Pesky walking out toward left field with a fungo bat and hail him. Johnny joined the club as a shortstop in 1942. He’s eighty-five and still putting on the uniform. He waves back, a Fenway benediction.

Bending over the low wall and reaching with my glove, I can just touch the plastic left-field foul line (yeah, weird, not chalk but a permanent strip of plastic). I wait for a hot grounder into the corner, pounding my glove.

Nothing comes. The Sox finish and the Jays take the field. A liner hooks over us for Section 33—“Heads up!”—and bangs into the seats. A few balls off the wall end up in the corner, but these the outfielders toss up or hand to little kids.

Out in left, #27 for the Jays has been shagging flies. As he comes in for his turn in the cage, I see he has a ball in his mitt. “Hey, two-seven,” I holler, and he looks around and tosses it to me.

It’s Frank Catalanotto, their left fielder and number two hitter, whose triple started them off yesterday.

Still nothing down the line. A lot of balls are banging off the Monster or reaching the seats. One arcs down into the front row, where a big guy in a windbreaker catches it barehanded against his chest and gets a hand. It’s the dad from Lansdowne. The kid’s all excited.

Later, on his way back out to left, Catalanotto picks up a ball from the grass behind third and—amazingly—tosses it to me. When he comes off, I ask if he’ll sign one, and he does. It’s the only autograph he gives, and while he’s not a star, I feel lucky, singled out.

BP’s finished, and I wander over to Steve’s seats behind the Sox on-deck circle. They’re dream seats, so close that, say, Manny swinging his taped-up piece of rebar intrudes on your view of Ortiz at the plate. Julie, the assistant who’s babysitting Steve’s tickets, might be there, and I need to talk to her. I plant myself in his seat and admire the balls and Catalanotto’s illegible signature. As game time nears, I wonder if Julie’s coming. If not, fine. I’ll just sit here.

Before the game starts, there’s already good news on the scoreboard:

CWS 7
NYY 3

Pedro comes out throwing 89–90. Catalanotto singles sharply to center, but that’s it in the first. Halladay’s up at 93, 95. He’s 6′4″ with a patchy beard, and on the mound he looks Randy Johnson tall. Crespo leads off, and Halladay blows two by him, then freezes him with a backdoor curve. Bill Mueller and Ortiz barely get wood on the ball. Looks like it’s going to be a quick game.

Josh Phelps leads off the top of the second with a drive down the right-field line. It looks like it’s going to drop, but Kapler digs hard and dives, tumbles in the dust and comes up with it. It’s even bigger when the next batter, Hinske, rips a single. There’s some muttering in the seats, but Pedro bears down and gets Hudson, then gets a borderline call on Woodward, and the Faithful stand and cheer him off.

When Kapler stands on deck that inning, I call, “Great catch, Gabe,” and he turns in profile and nods. I’m so close I can read the writing on his T-shirt under his white home jersey. It’s a new tradition with the club; last year with Grady, the players wore all kinds of inside motivational slogans. Backwards across Gabe’s shoulders, it says ZAGGIN LAER. When he pops to third to end the inning, the ump inspects the scuffed ball and gives it to the Sox bat-boy (bat-man, really, because he’s a pro) Andrew. As Andrew’s coming back toward the circle, I call his name and hold up my glove, and he hits me. “Thanks, Andrew.”

Ortiz is wearing a slogan too. ARE YOU GONNA—That’s all I can get.

Both pitchers settle in. There are no rallies, no tight spots, just solo base runners stranded at first, and lots of strikeouts.

In the bottom of the sixth, Crespo leads off with a slow roller to short. He busts it down the line and dives headfirst for the bag—safe. It’s a spark. Bill Mueller rolls one to Delgado, who makes the right decision and goes to second to get Crespo. David Ortiz comes up (“El Jefe!”) and after seeing a few pitches blasts one deep to right that makes us all rise. It carries the wall and caroms off the roof of the Sox bullpen. In the stands we’re high-fiving. David touches the plate, lifts his eyes and points with both hands to God.

First pitch, Manny lines one for a single. Maybe Halladay’s tired. He’s thrown 80 pitches—120 Canadian. He blows away Kapler to end the inning.

Pedro’s having a quick top of the seventh when, with two down, he gets behind Hudson 2-1. Hudson’s the number seven hitter, a second baseman and not a big guy, so Pedro goes after him. He can’t get his 90 mph fastball past him, and Hudson parks it in the Jays’ bullpen.

It’s only 2–1 for one batter, as Bellhorn leads off the bottom with a slicing Pesky Pole homer.

Pedro Ks the first batter in the top of the eighth. It’s his last inning, and as he sometimes does, he’s going to sign the win by striking out the side. Except after Catalanotto takes a backdoor curve for strike three, here comes Francona from the dugout. Pedro looks around, surprised. He glances out to the bullpen where Foulke is warming, as if he had no idea. Francona chucks Pedro on the shoulder as if to say good job and takes the ball from him. Boooooo! Pedro high-fives everyone in conference at the mound, then, as he’s walking off, before crossing the first-base line, touches his heart, kisses his pitching hand and points to God. Huge standing O. At the top of the dugout steps he stops and points to God again, holding the pose a little too long, but hey, that’s Pedro. (This is the kind of showboating that gets him booed in other parks, but here, after taking on Halladay, it’s okay.)

Petey’s thrown 106 pitches, but I wonder if it’s more of a power move on Francona’s part, taking an early opportunity to show the media and the talk-radio fans that this is his club and he can make Pedro do something he doesn’t want to do (as opposed to Grady, who couldn’t take the ball from him when it was clear he needed to come out). Foulke gets Vernon Wells on a roller, so it’s a good move, or at least not a bad one.

Manager Carlos Tosca decides to close the Mike Scioscia way, bringing in a lefty to get Ortiz, then pulling him for a righty to face Manny. Manny uncharacteristically swings at the first pitch, and greets Aquilino Lopez with a bomb to center that just keeps going. It’s hit into the wind but ends up a few rows deep in Section 36, somewhere around 450 feet. 4–1 Sox. After that, Tosca says the hell with it and leaves Lopez in to finish.

As we start the ninth, the crowd’s singing “Sweet Caroline” a cappella long after Neil Diamond’s finished. It’s a party, and when the folks in the front row take off to beat the traffic, I move up and stand at the wall with my hands on the bunting (real cloth, not plastic, as you might expect) as Foulke closes.

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