Эйда Кэлхун - Библия моды

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__________. The White T. New York: HarperCollins, HarperStyle, 1996.

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Hartley, Marie, and Joan Ingilby. The Old Hand-Knitters of the Dales. With an Introduction to the Early History of Knitting. Clapham (via Lancaster), Yorkshire: Dalesman, 1951.

Hawes, Elizabeth. Anything but Love: A Complete Digest of the Rules for Feminine Behavior from Birth to Death, Given Out in Print, on Film, and Over the Air, Read, Seen, Listened to Monthly by Some 340,000,000 American Women. New York: Rinehart, 1948.

__________. Fashion Is Spinach. New York: Random House, 1938.

__________. It’s Still Spinach. Boston: Little Brown, 1954.

__________. Men Can Take It. Illustrated by James Thurber. New York: Random House, 1939.

__________. Why Is a Dress? New York: Viking, 1942.

__________. Why Women Cry: Or, Wenches with Wrenches. New York: Reynal & Hitchcock, 1943.

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Heimann, Jim, and Alison A. Nieder. 20th Century Fashion: 100 Years of Apparel Ads. Cologne: Taschen, 2009.

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Key Moments in Fashion: From Haute Couture to Streetwear, Key Collections, Major Figures and Crucial Moments That Changed the Course of Fashion History from 1890 to the 1990s. London: Hamlyn, 1998.

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Kiewe, Heinz Edgar. The Sacred History of Knitting. Oxford: Art Needlework Industries, 1967.

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Kunzle, David. Fashion and Fetishism: A Social History of the Corset, Tight-Lacing, and Other Forms of Body-Sculpture in the West. Totowa, NJ: Rowman and Littlefield, 1982.

Lalli, Nina. “Checkered Past: Arafat’s Trademark Scarf Is Now Military Chic.” Village Voice (February 15, 2005), www.villagevoice.com/2005–02–15/nyc-life/checkered-past/.

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__________. Costume and Fashion: A Concise History. New York: Thames & Hudson, 2002.

__________. Costume Through the Ages: 1000 Illustrations. Illustrated by Erhard Klepper. New York: Simon & Schuster, 1963.

__________. Taste and Fashion: From the French Revolution Until Today. London: George G. Harrap, 1937.

Lee, Sarah Tomerlin, ed. American Fashion: The Life and Lines of Adrian, Mainbocher, McCardell, Norell, Trigère. New York: Quadrangle, 1975.

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Martin, Richard. American Ingenuity: Sportswear, 1930s–1970s. New York: Metropolitan Museum of Art, 1998.

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__________. McDowell’s Directory of Twentieth Century Fashion. Englewood Cliffs, NJ: Prentice Hall, 1985.

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Memoirs and Interesting Adventures of an Embroidered Waistcoat. London: printed for and sold by J. Brooke, at the Golden Head, under St. Dunstan’s Church, Fleet-Street, 1751.

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O’Hara, Georgina. The Encyclopedia of Fashion. Introduction by Carrie Donovan. New York: Harry N. Abrams, 1986.

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__________. Fashion Sourcebooks: The 1920s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1930s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1940s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1950s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1960s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1970s. London: Thames & Hudson, 1998.

__________. Fashion Sourcebooks: The 1980s. London: Thames & Hudson, 1998.

Pendergast, Sara, and Tom Pendergast. Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear Through the Ages. Edited by Sarah Hermsen. 5 vols. Detroit: UXL, 2003–2004.

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