Charles D'Ambrosio - Loitering - New and Collected Essays

“This is living,” he said, “huh, Charlie boy?”

Of course, of course — the past followed him out west, and now we had our own history, easily as troubled as the one he’d left behind in Chicago and far more violent. Every time I visited my father I was certain it would be the last. Months would go by, even a year, and I wouldn’t know whether he was dead or alive, and then I would see a sign — a leaf falling just so, a plastic sack blowing through an empty intersection — and corny as those omens were, the spookiness was real to me, always there, lurking below the surface of my days, and would haunt and harass me until the only cure was to call him again. Or I’d pay him a visit after dwelling on some silly, old, odd, obscure chain of memory. Other times I’d show up intending business, bringing a family grievance to the table. He’d sent my sister a letter smeared with his blood. He’d tried to sell his mentally-ill son a cemetery plot. He’d shown up at several of my readings wearing a Chicago Cubs hat dangling with fishing lures, a crown of thorns fashioned from spinners and spoons and treble-hooked crankbaits, and then he’d just stood there, thirty feet away, staring and saying nothing while I signed books, in a grotesque martyrdom that I somehow understood.

One day I was drinking coffee on a bench in Victor Steinbrueck Park, at the north end of the Public Market, next to a Japanese man, who was reading what I believed to be a biography of Hitler. The title was Hitler , anyway. His son sat between us, a little boy of roughly four; he was bored and antsy, pestering his father with questions that went unanswered. “What year did you first exist in, Daddy? When did you first come alive?” In his frustration the boy kept trying to close the book, slapping at it and mussing the pages, and the father kept pushing him away. I finished my coffee and walked to the south end of the Market and called my father from a payphone outside Delaurenti’s, an Italian grocery, asking if he’d eaten. He hadn’t. I brought spaghetti and meatballs, buffalo mozzarella and roasted peppers, green olives stuffed with pimentos, and a jar of hot pepperoncini, indulgences out of his past, hoping the feast might provoke that old famous phrase, but the food didn’t matter. Nothing in this world seemed to matter anymore. Instead he kept referring to the mystics, as if in fact those mystics were in the room. “As the mystics tell us,” he would say. “all is well, all is well.” In rejecting the material world, he seemed to have found an alibi, an elsewhere, glorying in a triumph that was hard for me to hear. He would eventually make himself destitute, giving all his money, every scrimped nickel, to the Catholic Church, becoming a ward of the dioceses. This contemptus mundi included his kids; he wanted it known that he did not need us for his happiness, did not need us at all. He no longer spoke to any of his seven children. He rarely left his apartment. He was a physical mess, obese, wheezing, unable to lift himself from his chair without tremendous exertion. Now and then I could see the old fire in my father’s eyes, and with the urgency of some thought roiling inside him he would struggle forward, but he seemed trapped in his body, wholly bound by his physical decline. The great and engaging brilliance, and the passion that made it so infectious and forceful, was struggling, it seemed, toward an apophatic mysticism, negating facts and fictions and emptying itself of pride and all its projects. He was done with all those corrupt and violent appetites, but alone, divested of business and free of family, the unknowing was agonized. After we’d eaten, as I washed and dried the dishes and a hard rain whipped against the windows, my father said, “You know, I’ve never been to the rainforest. Isn’t that a hell of a thing?” It seemed terrible to have come so close to the ocean and never set foot in the Pacific, as if his journey west were never completed, but when I offered to drive him out to the coast he waved me off.

“As the Desert Fathers tell us,” he said. “all is well, all is well.”

At the end of the night he led me down the hall to a closet and gave me what remained of a box of red pens and asked if I wanted his old safe. It was beige, about the size of a milk crate, and weighed at least 100 pounds. I took it, I said yes, just because he’d spent the night renouncing the world, trying to let go, and I felt that I might offend his pride by refusing this parting gift. I carried the safe down the corridor and sat on it, breathing hard, while I waited for the elevator. It was one of those nights in Seattle when the wind downtown was strong enough to blow flowerpots off the decks of high rises and the traffic signals danced a crazed tarantella over the empty intersections. The streets down there were always drifting with deranged characters but that night even people with nowhere to go had found somewhere to go. The weight of the safe was ponderous and uncooperative, too heavy to hoist on my shoulder for long, impossibly awkward to carry in front of me. The die-cast edges cut my fingers, and it took me forever to lurch and waddle the five blocks home. Every fifty feet or so I dropped the safe on the sidewalk, gasping for breath. Then I’d sit on it and roll a cigarette, smoking in the rain. I wondered if passing cops would think I was a thief, in an inept heist, making an even more pathetic getaway. I wish I could say that I did the sensible thing, ditching the safe in a dumpster or abandoning it on someone’s stoop, but I didn’t, I carried it as far as I possibly could. By the time I got back to my apartment I was too wet and miserable and exhausted to haul the safe up the stairs, and I had no use for it anyway. I didn’t have the combination and I didn’t own anything valuable. I left the safe in the alley behind my building, in a patch of dirt beneath a tall cedar, and it stayed there for a long time. No one took it because it was heavy and it was empty. And then one morning I looked out my window and it was gone.

Poem by father (1972)

One Sunday morning when I was a boy, my father came out of his office and handed me a poem. It was about a honeybee counseling a flea to flee a doggy and see the sea. The barbiturates my father took to regulate his emotions made him insomniac, and I understood that he’d been awake most of the night, laboring over these lines, listing all the words he could think of ending in a long e . This meant using many adverbs and the elevated thee as a form of address. My father was a professor of finance who wrote fairly dry textbooks, where the prose marched in soldierly fashion across the page, broken by intricate formulas calculating risk and return, and this poem was a somewhat frilly production for him. The poem was an allegory about his desire to leave our family. Like a lot of people my father felt a poem was a bunch of words with a tricky meaning deeply buried away, like treasure, below a surface of rhyming sounds. I was twelve years old, and I understood the sense of the poem instantly, but the strange mixture of childish diction and obvious content silenced me. I was ashamed. That Sunday morning I was sitting on the living room floor, on a tundra of white carpet my father considered elegant. The drapes were closed, because he worried that the sun would fade the fabric on the furniture, but a bright bar of light cut through a gap in the curtains, and that’s where I sat, since it was warm there, in a house where we were otherwise forbidden to adjust the thermostat above sixty-two degrees.

Letter from younger brother (1997)

Not long ago, I was in Seattle, sitting in a café downtown. It was raining. I’d been there for some time before I realized that someone was staring at me through the window. I turned around and saw worn tennis shoes and dirty gray sweats. The man outside the window was my brother Mike. My father had three sons. I’m the eldest; Danny, the youngest, killed himself sixteen years ago.