Charles D'Ambrosio - Loitering - New and Collected Essays

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Charles D’Ambrosio’s essay collection
spawned something of a cult following. In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy’s safe return. For anyone familiar with D’Ambrosio’s writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating.
gathers those eleven original essays with new and previously uncollected work so that a broader audience might discover one of our great living essayists. No matter his subject — Native American whaling, a Pentecostal “hell house,” Mary Kay Letourneau, the work of J. D. Salinger, or, most often, his own family — D’Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own.

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Shine On, Perishing Republic!

I’m not sure I want to be the dead end of it all but then again how would I really feel with my seed trailing after me, wanting things? The mythopoeia of my family now seems to say if we persist in any patronymic way that’s history and destiny and if we die off then in some loop-the-loop of logic that turns out to be history and destiny as well, ha ha.

It’s always been a fond Western dream, after all the blood and pavement and franchising, to undo the whole sorry business and begin again.

The first best seller in America was an epic poem by Michael Wigglesworth called The Day of Doom .

There’s a beginning.

What’s left to say?

I wish I had some children that were around going, “Daddy, Daddy,” so I could provide a wise impartial answer or at least pour a glass of milk for them. Who needs Pascal—“When I consider the short duration of my life, swallowed up in the eternity before and after, the little space which I fill, and even can see, engulfed in the infinite immensity of spaces of which I am ignorant, and which know me not, I am frightened, and am astonished at being here rather than there; for there is no reason why here rather than there, why now rather than then”—since even without a philosophical assist my uselessness appalls me.

The fog’s gone away like a ghost. I turn off my lantern. I pick my salmon off the dipstick and eat it with my fingers and watch to the south as a great confetti-ish flight of seagulls spins through the air; and behind me a sandhill crane with an ungainly pterodactyl whomp of its wings lifts above the estuary of a river whose name I don’t know; once aloft on its six-foot wings the crane soars in a circle with unlabored grace, landing back in the alluvial mud exactly where it began.

Where am I, in what land, in whose time?

Right this moment in the matter of Here vs. There I guess I’d rather be in some warm kitchen with little pieces of dirty chicken on the linoleum and last night’s macaroni noodles underfoot and a pile of unwashed bobbies in the sink. And just exactly where are all the fine, tender, decent, steady, productive, forthright family men in the world right now, men toward whom, in infrequent but fairly rhythmic, practically menstrual fits of waking horror, I feel jealous? Not on this beach, that’s for sure. I guess my true Here will always be an Elsewhere. And so I’ve arrived in this strange place and it’s OK for now, it’s rich, it’s really queer, it’s made of the morning a kind of phantasmagoria, the stuff of dreams and fevers, and what was I really thinking anyway, that my phantom children, needing wisdom and milk, were supposed to be out here with me, pissing in the ocean too? картинка 4

Catching Out

My father’s agoraphobia made leaving the house a spooky and ritualistic process, ruled by mysterious tempers, but with enough drugs it sometimes happened, and we were off, the whole family, on vacation! The drugs that loosened his nerves and made the big bad outside world navigable also made him a sloppy driver, weaving lackadaisically around the highway, and wherever we were going — California, Vancouver — would seem very far away. Invariably, our crappy car would catch fire on steep grades (my sister’s job was to douse the transmission hump with water when she saw the carpet fibers smoldering), plus with seven kids, all piled on top of each other, somebody was always carsick and ralphing in the backseat. We kept an old dented saucepan in the car, called the Spit-Up Pan, which we passed around so my dad wouldn’t have to pull over every time a child needed to vomit.

Subsequently, I’ve never been much of a vacationer, and even now, when somebody starts talking about Hawaii or Cancun or St. Barts, I pray they won’t mention the color of the water and tell me about snorkeling. As a young man, I tried Europe, but the woman I was meeting, on our second day in Paris, said she needed time alone, and went off to Barcelona with somebody else. For three days I walked to the Hôtel de Ville for reasons that are too stupid to admit and read an omnibus edition of Dashiell Hammett. I’d never been lied to like that, and I took my pain to mean I lacked continental sophistication, and Paris sort of died inside me.

But!

I loved hopping freight trains. It was cheap, dirty, loud, picturesque, illegal, athletic, dangerous, and, best of all, it didn’t seem like a vacation. In fact, as far as I could tell, judging from personal experience, as well as things I’d heard, there was nothing in riding trains that even remotely resembled pleasure. It was hard work. You walked for miles on a crippling ballast of gravel, looking for an open boxcar, and slept on a cushion of cardboard, your feet forward, in the direction of travel, so that you wouldn’t break your neck in a derailment. You drank water from old Clorox bottles. You pissed out the door. You ate canned sardines. The schedule was indifferent to your needs and the destinations were all pointless. The only souvenir I have from that time is a rusted railroad spike. There might have been some romance to it — there might have been some road signs and red neon, some dead ends and diners, some hash browns — but really I was just skylarking. All the skills necessary for hopping trains were the sort you master by the time you get out of grade school. It was all jungle-gym stuff, it was monkey bars and rings and ladders, and if you could climb and run, if you had reasonable balance, if you liked jumping and bouncing and falling, then you could ride freight trains.

The minute you entered a yard the bigness of the trains translated right into your bones. I know it sounds corny, but you got proxy thrills of power, wandering around in those corridors made from some of the world’s big machines. It was jarring to be in their midst, they were so gargantuan. Boxcars wide as whales, locomotives roaming up and down the yard with the single white eye of a Cyclops, grain hoppers overflowing with corn and wheat, gondolas piled with scrap metal and flatbeds loaded with raw logs or finished lumber, triple-deckers packed with import cars, empty deadheads and old rusting crummies shunted onto sidings. The dreamy size of the trains made your sense of trespass keen — it felt fatal — and the noise of the yard was enough to knock you over. And yet for all the vagrant time I spent, I never had any real hassles. The guys who work the trains are among that peculiar class of impassioned men in America, men who love their work and, loving it, want to share, as though they were holding their job in trust and some fabled and crucial part of America were stored inside their days in office. They’re like firemen in that respect, without the tiresome noble sentiments. I’d wave collegially to the brakemen high up in the cupola of a caboose and talk easily to the men making up trains, men who in turn would pull a manifest from their pockets and point out a decent ride, an empty box or gon on the next train out.

Boxcars were the best rides, offering a room with a view and some protection from the rain or sun or snow, a leeward wall out of the wind, a dark corner to hide in when the snakes who walked the line came by, checking hydraulics. I’d jam a stick or discarded brake shoe in the door so it wouldn’t rattle shut and make a sepulchre of the box while I slept. Most nights, though, I stayed up late, sleepless, because of all the bouncing, and besides, I liked the clangor of crossing guards, candy-striped and flashing with warning lights, an idled car or two waiting in the dim red glow.

After a few days you were filthy, carrying a funeral around on your face. The dirt wasn’t unpleasant and mostly I remember feeling it was honorable — I translated it directly into miles, into small towns and states. I would pack along a pair of gloves, which kept my hands somewhat clean as I climbed over couplings and boosted myself into boxcars, but in the main I liked being dirty and feeling, on some level, strange and unwelcome. It sharpened my longing and called upon reserves of faith I didn’t know I possessed. The dirt was like an account, a measure of wealth, and so, as the days and miles went by, I felt as though I were becoming someone. картинка 5

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