Edwidge Danticat - Create Dangerously

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"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part, that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."-Create Dangerously
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.
Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

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Chapter 10. Welcoming Ghosts

For much of Hector Hyppolite’s life story, I am grateful to Selden Rodman’s The Miracle of Haitian Art (Garden City, NY: Doubleday, 1974) as well as Selden Rodman’s Where Art Is Joy, Haitian Art: The First Forty Years (New York: Ruggles de Latour, 1988). Basquiat’s biography, particularly his “Papa, I will be very famous one day,” is from Phoebe Hoban’s Basquiat: A Quick Killing in Art (Harmondsworth, UK: Penguin, 1998). Demosthenes Davvetas’s interview with Jean-Michel Basquiat was published in New Art International , no. 3 (October-November 1998), and was reprinted in the art catalog Basquiat (Milan: Edizioni Charta and Civico Museo Revoltella Trieste, 1999). The Miller/Basquiat interview ( Jean-Michel Basquiat: An Interview , ART/new york, no. 30A, 1989) is from Inner Tube Video. The “Madison Avenue Primitive” reference is from Adam Gopnik, “Madison Avenue Primitive,” New Yorker , November 9, 1992.

Chapter 11. Acheiropoietos

The poem “Tourist” by Felix Morisseau-Leroy was translated from Haitian Creole by Jack Hirschman and is published widely on the Internet as well as in Haitiad and Oddities , edited by Jeffrey Knapp (Austin: University of Texas, 1991). The Junot Díaz quotation is from his essay “Becoming a Writer,” published in O: The Oprah Magazine , November 2009. Selden Rodman and Carole Cleaver tell a version of the story about Gran Brigit and the cemetery tree in their book Spirits of the Night: The Vaudun Gods of Haiti (Dallas: Spring Publications, 1992). The Susan Sontag quotations are from Susan Sontag, On Photography (New York: Farrar, Strauss, Giroux, 1973). The Roland Barthes quotations are from Roland Barthes, Camera Lucida: Reflections on Photography , translated by Richard Howard (New York: Farrar, Strauss, Giroux, 1973). Jane Regan and Daniel Morel’s book on the Septentrional has not yet been published. The quotations are from a manuscript in progress. Albert Camus’ short story “The Artist at Work” is reprinted in Albert Camus, The Plague, the Fall, Exile and the Kingdom, and Selected Essays (New York: Everyman’s Library, 2004).

Chapter 12. Our Guernica

The Jean Genet quotation, “Your song was very beautiful,” is from the English edition of Jean Genet’s Les Nègres-The Blacks (New York: Grove Press, 1960). The Dolores Dominique Neptune quotations are from an e-mail message dated January 30, 2010, sent by Claudine Michel, Professor, Department of Black Studies, University of California, Santa Barbara. The Evelyne Trouillot quotation is from Evelyne Trouillot, “Aftershocks,” Op-ed, New York Times , January 20, 2010. The Lyonel Trouillot quotation is from Lyonel Trouillot, “Carnet de Bord à Haiti: Fais divers de nos mauvais jours, 5/9,” published on January 24, 2010, at www.lepoint.fr; the translation is mine.

INDEX

Adam (Biblical figure), 5-6

Afterwords: Novelists on Their Novels , 33

AIDS, 89, 91

airline flights, 115-21

Alexis, Jacques Stephen, 11-14

Allende, Isabel, 112-13

Allende, Salvador, 112

Alliance Française, 7, 43-44

Almodóvar, Pedro, 47

Alphonse-Férère, Gérard, 49

Alvin Ailey Dance Company, 129

Amado, Jorge, 15

andaki (code), 65

Les Araignées du soir (Spiders of the Night), 68

Aristide, Jean-Bertrand, 43, 47, 48, 77, 83, 99-101, 104, 142, 164

art: dangerousness of, 8-11, 19-20, 148

Haitian, 8-14, 44, 127

and persuasion, 7-8.

See also writers

Artibonite Valley, 51-52

assassinations, 41, 46, 48, 53-58, 63, 65, 71

attachés, 77-80

bagay la (the thing) [Haitian earthquake], 168

Barthes, Roland, 15, 139, 141, 147-48

Basquiat, Jean-Michel, 127-35

To Repel Ghosts , 133-34

Toussaint L’Ouverture Versus Savonarola , 132-33

Untitled 1982 , 132

Baudelaire, Charles, 60

Beauséjour, Haiti, 21-40

Belafonte, Harry, 83

Bel Air, Haiti, 7-8, 13, 170-72

Bélance, Alèrte, 46, 73-85

Bell, Beverly, Walking on Fire , 85

Beloved (film), 84

Benoit, Patricia, 76-77, 81-84

Bible, 12

Bonaparte, Napoleon, 99, 132

Bouckman (Boukman), 102

Breath, Eyes, Memory (Danticat), 31-35

Breton, André, 129

Brigit, Gran, 149

Bush, George W., 108

camps, 18, 43, 164-65, 169

Camus, Albert, 9-11, 18

Caligula , 6-8, 12, 16

“Create Dangerously,” 13

“Jonas ou l’artiste au travail” (Jonah, or the Artist at Work), 148

Capote, Truman, 129

Carpentier, Alejo, The Kingdom of This World , 101-5

Carter, Jimmy, 141

catastrophes, 107-13, 146-47

Center for Constitutional Rights, 84

Central African Republic, 100

Le Centre d’Art, Port-au-Prince, 128, 129

Cervantes, Miguel de, 15

Césaire, Aimé, 9, 15

Cézanne, Paul, 71

Charles, Jacqueline, 146-47

Charles, Jhon, 163, 165-66, 168-70

The Charlie Rose Show (television show), 46

Christophe, Henri, 102-4, 164

Ciné Club, 43-44

cinema, 43-46

Clinton, Bill, 83

Le Club de Bonne Humeur, 7-8

coffee, 29, 35-37, 39-40

Colette, 11

USNS Comfort , 173

common humanity, 109-13

Cook, Mercer, 45

Corneille, Pierre, Le Cid , 6

Cortés, Hernán, 132

courage, of artists, 10, 148-49

Courage and Pain (documentary), 73-85

creation myths, 5-7

Cuba, 101-3

Dalembert, Louis Phillipe, 13

Daniels, Josephus, 64

Dannat, Adrian, 125

Danticat, Kelly, 75

Davvetas, Demosthenes, 132

Day, Edner, 13

death: and deportation, 88-93

in Egypt, 19-20

as family matter, 22-27, 31, 38-40, 88-96

in Haiti, 16-17, 137

last image before, 137

photography and, 139-40, 142-47

Vodou and, 134-35

writers and, 17-20

declarations of independence: American, 98

Haitian, 104

Delens (cousin’s roommate), 89-91, 94

Délira Délivrance (fictional character), 45-46

Demme, Jonathan, 42-43, 46, 50, 55, 84

The Agronomist , 52-53

Depestre, René, 9

Deren, Maya, vii, 131-32

Dessalines, Jean-Jacques, 103-4, 164

The Dew Breaker (Danticat), 11, 62

Díaz, Junot, 149

Diderot, Denis, 15

disasters, 107-13, 146-47

Dominican Republic, 70

Dominique, Jan J., 59, 61-66, 70-71, 159

Mémoire d’une amnésique (Memoirs of an Amnesiac), 61-65

Mémoire errante (Wandering Memory), 52, 66, 70

Dominique, Jean, 41-58, 65, 70-71, 83, 159

Mais je suis belle (But I Am Beautiful), 44

Dominique, Philippe, 42

Donna (airline passenger), 117-18

Dostoyevsky, Fyodor, 71

Drouin, Louis, 1-8, 12-14, 20, 44, 63, 137-41, 148-50

Du Bois, W.E.B., 64

Dumas, Alexandre, fils, Camille , 60

Dumas, Alexandre, père, The Three Musketeers , 60

Dumas, Marie-Cesette, 60

Duvalier, François “Papa Doc,” 1-2, 5-9, 12, 16, 42, 63, 67-69, 137, 140, 143

Duvalier, Jean-Claude, 10, 69

dyaspora , 49-51. See also exile

Egypt, 19-20

Ellison, Ralph Waldo, 10

“Flying Home”, 124, 126

Emerson, Ralph Waldo, 10, 16, 124-26

Erzulie Freda, 129, 133, 134

Étonnants Voyageurs, 160

Euripides, 11

Eve (Biblical figure), 5-6, 10

executions, 1-8, 12, 63, 137-39, 149-50

exile, 6, 69. See also dyaspora

Fanon, Frantz, 9

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