Evan Wright - Generation Kill

At least one Marine in Colbert’s Humvee seems ecstatic about being in a life-or-death gunfight. Nineteen-year-old Corporal Harold James Trombley, who sits next to me in the left rear passenger seat, has been waiting all day for permission to fire his machine gun. But no chance. The villagers Colbert’s team had encountered had all been friendly until we hit this town. Now Trombley is curled over his weapon, firing away. Every time he gets a possible kill, he yells, “I got one, Sergeant!” Sometimes he adds details: “Hajji in the alley. Zipped him low. I seen his knee explode!”

Midway through the town, there’s a lull in enemy gunfire. For an instant, the only sound is wind whistling through the Humvee. Colbert shouts to everyone in the vehicle: “You good? You good?” Everyone’s all right. He bursts into laughter. “Holy shit!” he says, shaking his head. “We were fucking lit up!”

Forty-five minutes later the Marines swing pickaxes into the hard desert pan outside of the town, setting up defensive positions. Several gather around their bullet-riddled Humvees, laughing about the day’s exploits. Their faces are covered with dust, sand, tar, gun lubricant, tobacco spittle and sewer water from the town. No one’s showered or changed out of the bulky chemical-protection suits they’ve been wearing for ten days. Since all mirrors and reflective surfaces have been stripped from their Humvees to make the vehicles harder to detect, most of the men haven’t seen themselves since crossing the border. Their filthy faces seem to make their teeth shine even whiter as they laugh and hug one another.

The platoon’s eldest member, thirty-five-year-old Gunnery Sergeant Mike “Gunny” Wynn, walks among the Marines, grabbing their heads and shaking them like you would when playing with a puppy. “All right!” he repeats in his mild Texas accent. “You made it, man!”

“Who’s the fucking retard who sent us into that town?” Person asks, spitting a thick stream of tobacco juice, which catches in the wind and mists across the faces of several of his buddies standing nearby. “That sure tops my list of stupid shit we’ve done.”

Trombley is beside himself. “I was just thinking one thing when we drove into that ambush,” he enthuses. “Grand Theft Auto: Vice City. I felt like I was living it when I seen the flames coming out of windows, the blown-up car in the street, guys crawling around shooting at us. It was fucking cool.”

CULTURALLY, these Marines would be virtually unrecognizable to their forebears in the “Greatest Generation.” They are kids raised on hip-hop, Marilyn Manson and Jerry Springer. For them, “motherfucker” is a term of endearment. For some, slain rapper Tupac is an American patriot whose writings are better known than the speeches of Abraham Lincoln. There are tough guys among them who pray to Buddha and quote Eastern philosophies and New Age precepts gleaned from watching Oprah and old kung fu movies. There are former gangbangers, a sprinkling of born-again Christians and quite a few guys who before entering the Corps were daily dope smokers; many of them dream of the day when they get out and are once again united with their beloved bud.

These young men represent what is more or less America’s first generation of disposable children. More than half of the guys in the platoon come from broken homes and were raised by absentee, single, working parents. Many are on more intimate terms with video games, reality TV shows and Internet porn than they are with their own parents. Before the “War on Terrorism” began, not a whole lot was expected of this generation other than the hope that those in it would squeak through high school without pulling too many more mass shootings in the manner of Columbine.

But since the 9/11 attacks, the weight of America’s “War on Terrorism” has fallen on their shoulders. For many in the platoon, their war started within hours of the Twin Towers falling, when they were loaded onto ships to begin preparing for missions in Afghanistan. They see the invasion of Iraq as simply another campaign in a war without end, which is pretty much what their commanders and their president have already told them. (Some in the military see the “War on Terrorism” merely as an acceleration of the trend that started in the 1990s with Somalia, Haiti, Kosovo: America cementing its role as global enforcer, the world’s Dirty Harry.) In Iraq the joke among Marines is “After finishing here, we’re going to attack North Korea, and we’ll get there by invading Iran, Russia and China.”

They are the first generation of young Americans since Vietnam to be sent into an open-ended conflict. Yet if the dominant mythology that war turns on a generation’s loss of innocence—young men reared on Davy Crockett waking up to their government’s deceits while fighting in Southeast Asian jungles; the nation falling from the grace of Camelot to the shame of Watergate—these young men entered Iraq predisposed toward the idea that the Big Lie is as central to American governance as taxation. This is, after all, the generation that first learned of the significance of the presidency not through an inspiring speech at the Berlin Wall but through a national obsession with semen stains and a White House blow job. Even though their Commander in Chief tells them they are fighting today in Iraq to protect American freedom, few would be shaken to discover that they might actually be leading a grab for oil. In a way, they almost expect to be lied to.

If there’s a question that hangs over their heads, it’s the same one that has confronted every other generation sent into war: Can these young Americans fight?

As the sky turns from red to brown in the descending dust storm outside the town the Marines have just smashed apart, their platoon commander, a twenty-five-year-old lieutenant named Nathaniel Fick, leans against his Humvee, watching his men laugh. Lieutenant Fick, a Dartmouth graduate who joined the Marines in a fit of idealism, shakes his head, grinning. “I’ll say one thing about these guys,” he says. “When we take fire, not one of them hesitates to shoot back. In World War Two, when Marines hit the beaches, a surprisingly high percentage of them didn’t fire their weapons, even when faced with direct enemy contact. They hesitated. Not these guys. Did you see what they did to that town? They fucking destroyed it. These guys have no problem with killing.”

Several Marines from Colbert’s vehicle gather around Corporal Anthony Jacks, a twenty-three-year-old heavy-weapons gunner. Jacks is six foot two, powerfully built, and has a smile made unforgettable by his missing two front teeth (shot out in a BB-gun fight with his brother when he was sixteen). The Marines’ nickname for him is “Manimal,” not so much in tribute to his size but because of his deep, booming voice, which, when he yells, is oddly reminiscent of a bellowing farm animal. The platoon credits him with pretty much saving everyone’s life during the ambush. Of the four heavy-weapons gunners in the platoon, Manimal alone succeeded in destroying the enemy’s prime machine-gun position across from the mosque. For several minutes his buddies have been pounding him on the back, recounting his exploits. Howling and laughing, they almost seem like Johnny Knoxville’s posse of suburban white homies celebrating one of his more outrageously pointless Jackass stunts. “Manimal was a fucking wall of fire!” one of them shouts. “All I seen was him dropping buildings and blowing up telephone poles!”

“Shut up, guys! It ain’t funny!” Manimal roars, pounding the side of the Humvee with a massive paw.

He silences his buddies. They look down, some of them suppressing guilty smiles.

“The only reason we’re all laughing now is none of us got killed,” Manimal lectures them. “That was messed up back there.”