Adam Sisman - The Friendship - Wordsworth and Coleridge

For the next fortnight or so, Coleridge spent every evening at another ale house in Newgate Street, the Salutation and Cat, where he preached Pantisocracy to two former Christ’s Hospital schoolboys, both nineteen, Samuel Le Grice (younger brother of Coleridge’s contemporary Valentine) and Samuel Favell. The three Sams made a comfortable party, talking and drinking porter and punch around a good fire. They were joined by another former Christ’s Hospital pupil, who remembered Coleridge kindly, a young man who had spent the last five years in America. He advised that they could buy land a great deal cheaper over there, Coleridge informed Southey, and that ‘twelve men may easily clear three hundred Acres in 4 or 5 months’; that the Susquehanna valley was to be recommended for its ‘excessive Beauty, and it’s security from hostile Indians’; that ‘literary Characters make money there’; that ‘he never saw a Byson in his Life – but has heard of them’; that ‘the Musquitos are not so bad as our Gnats – and after you have been there a little while, they don’t trouble you much’. 3 Altogether this was very encouraging.

Coleridge returned to Cambridge later than he had intended, to find that the undergraduates he had encountered on the road during his tour of Wales had ‘spread my Opinions in mangled forms’. He soon set them right. There was some interest in Pantisocracy within the university, and some amusement too; Coleridge was a colourful character. But his eloquence trounced all opposition; within a month of his return, he boasted, Pantisocracy was the ‘universal Topic’ there. Meanwhile – notwithstanding his understanding with Sara Fricker – he flirted with Ann, sister of the celebrated actress Elizabeth Brunton and daughter of John Brunton, actor-manager of a company based in Norwich. He dedicated to her a poem on the French Revolution which he inscribed in a presentation copy of The Fall of Robespierre . He planned to visit the Bruntons in Norwich in the New Year. ‘The young lady is said to be the most literary of the beautiful, and the most beautiful of the literatae,’ he wrote provocatively to Southey – while almost in the same breath defending himself against the charge that he had written too seldom to Sara.

Southey had been having a difficult time. Once Coleridge had left, it seemed that ‘all the prejudices of the human heart are in arms against me’. Neither his fiancée nor his mother was keen to leave England. His rich aunt turned him out of the house one wet night when she discovered his plan to emigrate from her servant Shadrach Weeks, whom Coleridge had recruited to Pantisocracy. She was equally disapproving of his plan to marry Edith Fricker, a milliner. Though Southey (parroting Godwin) preached disregarding ‘individual feelings’ – towards one’s mother or future wife, for example – he found this principle hard to practise. To Coleridge, Southey appeared to be backsliding, now saying that some of the emigrants might continue as servants, thereby freeing others of domestic chores. ‘Let them dine with us and be treated with as much equality as they would wish – but perform that part of Labor for which their Education has fitted them,’ he advocated. ‘ Southey should not have written this Sentence,’ insisted Coleridge, who suspected that his friend’s resolve was being undermined by the women in the party. 4

But while Coleridge strove to keep Southey to the founding principles of Pantisocracy, Southey chided him for neglecting Sara Fricker. Each sought the moral high ground. Southey was painfully aware that he had forfeited his aunt’s favour, at least partly for Edith’s sake. In self-righteous mood, he was intolerant of Coleridge’s vacillating commitment to Sara. It is possible that Southey was under pressure from Edith to argue her sister’s case with his friend. But it seems likely too that Southey was genuinely concerned about Sara. There is some evidence that he had been interested in her himself, before turning his attentions towards her more placid younger sister. In later life he continued to be solicitous for her welfare. Moreover, in encouraging Coleridge’s relationship with Sara, he was binding Coleridge closer to himself – ‘I shall then call Coleridge my brother in the real sense of the word.’ 5 Conversely, Coleridge encouraged Southey’s relationship with Edith. ‘I am longing to be with you,’ he wrote to Southey on his first morning in Cambridge: ‘Make Edith my Sister – Surely, Southey! We shall be frendotatoi meta frendous . Most friendly where all are friends. She must therefore be more emphatically my Sister.’ In this overwrought dialogue, each man was goading the other to commit – to the woman certainly, but also to Pantisocracy, perhaps also to himself. For Coleridge, all three were bound up with each other: ‘America! Southey! Miss Fricker!’ He convinced himself that he was in love with her: ‘Yes – Southey – you are right – Even Love is the creature of strong Motive – I certainly love her.’ 6 Yet a week later he described himself as ‘labouring under a waking Night-Mair of Spirits’ 7 – not the expected state of mind for a young man in love. In the first letter he wrote to Sara from Cambridge, his own eloquence betrayed him into expressing emotions he did not fully feel. He later described this as ‘the most criminal action of my Life … I had worked myself to such a pitch, that I scarcely knew I was writing like an hypocrite.’ When it was too late, he recognised that he had ‘mistaken the ebullience of schematism for affection, which a moment’s reflection might have told me, is not a plant of so mushroom a growth’. 8

‘God forbid!’ replied Southey, ‘that the Ebullience of Schematism should be over. It is the Promethean Fire that animates my soul – and when that is gone, all will be darkness! I have DEVOTED myself! –’ 9

The night he arrived back in Cambridge, Coleridge wrote a strange, emotional letter to Edith, recalling his own dead sister Nancy.

I had a Sister – an only Sister. Most tenderly did I love her! Yea, I have woke at midnight, and wept – because she was not …

There is no attachment under heaven so pure, so endearing …

My Sister, like you, was beautiful and accomplished … I know, and feel , that I am your Brother – I would, that you would say to me – ‘I will be your sister – your favourite Sister in the Family of Soul.’ 10

A month later, Coleridge was thrown into deeper confusion by the arrival of an unsigned letter in a familiar hand: ‘Is this handwriting altogether erased from your Memory? To whom am I addressing myself? For whom am I now violating the Rules of female Delicacy? Is it for the same Coleridge, whom I once regarded as a Sister her best-beloved Brother?’ The writer urged him to abandon his ‘absurd and extravagant’ plan to leave England. ‘I cannot easily forget those whom I once loved,’ she wrote teasingly, and finished: ‘Farewell – Coleridge – ! I shall always feel that I have been your Sister .’ The writer, of course, was Mary Evans. She may have written at the request of George Coleridge, who was deeply distressed at the possibility that his youngest brother might emigrate. George had also written to him direct – a letter of ‘remonstrance, and Anguish, & suggestions, that I am deranged!!’

Coleridge copied out Mary’s letter for Southey:

I loved her, Southey! almost to madness … I endeavoured to be perpetually with Miss Brunton – I even hoped, that her Exquisite Beauty and uncommon Accomplishments might have cured one passion by another. The latter I could easily have dissipated in her absence – and so have restored my affections to her, whom I do not love – but whom by every tie of Reason and Honour I ought to love. I am resolved – but wretched!