Adam Zamoyski - Rites of Peace - The Fall of Napoleon and the Congress of Vienna

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Following on from his epic ‘1812: Napoleon's Fatal March on Moscow’, bestselling author Adam Zamoyski has written the dramatic story of the Congress of Vienna.In the wake of his disastrous Russian campaign of 1812, Napoleon's imperious grip on Europe began to weaken, raising the question of how the Continent was to be reconstructed after his defeat. There were many who dreamed of a peace to end all wars, in which the interests of peoples as well as those of rulers would be taken into account. But what followed was an unseemly and at times brutal scramble for territory by the most powerful states, in which countries were traded as if they had been private and their inhabitants counted like cattle.The results, fixed at the Congress of Vienna in 1815, not only laid the foundations of the European world we know; it put in place a social order and a security system that lie at the root of many of the problems which dog the world today. Although the defining moments took place in Vienna, and the principle players included Tsar Alexander I of Russia, the Austrian Chancellor Metternich, the Duke of Wellington and the French master of diplomacy Talleyrand, as well as Napoleon himself, the accepted view of the gathering of statesmen reordering the Continent in elegant salons is a false one. Many of the crucial questions were decided on the battlefield or in squalid roadside cottages amid the vagaries of war. And the proceedings in Vienna itself were not as decorous as is usually represented.Drawing on a wide range of first-hand sources in six languages, which include not only official documents, private letters, diaries and first-hand accounts, but also the reports of police spies and informers, Adam Zamoyski gets below the thin veneer of courtliness and reveals that the new Europe was forged by men in thrall to fear, greed and lust, in an atmosphere of moral depravity in which sexual favours were traded as readily as provinces and the 'souls' who inhabited them. He has created a chilling account, full of menace as well as frivolity.

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Rites of Peace The Fall of Napoleon and the Congress of Vienna - изображение 1

RITES of PEACE

The Fall of Napoleon & the Congress of Vienna

ADAM ZAMOYSKI

Rites of Peace The Fall of Napoleon and the Congress of Vienna - изображение 2

Contents

Cover Page

Title Page RITES of PEACE The Fall of Napoleon & the Congress of Vienna ADAM ZAMOYSKI

Introduction

1: The Lion at Bay

2: The Saviour of Europe

3: The Peacemakers

4: A War for Peace

5: Intimate Congress

6: Farce in Prague

7: The Play for Germany

8: The First Waltzes

9: A Finger in the Pie

10: Battlefield Diplomacy

11: Paris Triumph

12: Peace

13: The London Round

14: Just Settlements

15: Setting the Stage

16: Points of Order

17: Notes and Balls

18: Kings’ Holiday

19: A Festival of Peace

20: Guerre de Plume

21: Political Carrousel

22: Explosive Diplomacy

23: Dance of War

24: War and Peace

25: The Saxon Deal

26: Unfinished Business

27: The Flight of the Eagle

28: The Hundred Days

29: The Road to Waterloo

30: Wellington’s Victory

31: The Punishment of France

32: Last Rites

33: Discordant Concert

34: The Arrest of Europe

Bibliography

Index

About the Author

Notes

By the Same Author

Praise

Copyright

About the Publisher

Introduction

The reconstruction of Europe at the Congress of Vienna is probably the most seminal episode in modern history. Not only did the congress redraw the map entirely. It determined which nations were to have a political existence over the next hundred years and which were not. It imposed an ideology on the whole Continent, derived from the interests of four great powers. It attempted to set in stone the agreement between those powers, with the result that their expansionist urges were deflected into Africa and southern Asia. It entirely transformed the conduct of international affairs. Its consequences, direct and indirect, include all that has taken place in Europe since, including aggressive nationalism, Bolshevism, fascism, the two world wars and, ultimately, the creation of the European Union.

The action was played out in a dramatic series of shifts of fortune, by some of the most fascinating characters of European history. At its heart stood Napoleon, fighting desperately for his throne, yet undermining his chances with every move he made and seeming to court disaster with apparent abandon. On the other side, Tsar Alexander of Russia, by now convinced of a divine calling to save the world, could not see that he posed a threat to it in the eyes of everyone else. The consummate political puppeteer Metternich excelled himself as he cajoled and manipulated in order to mould events to his own vision of a safe world. The vulpine Talleyrand weaved about in a desperate attempt to save something for France, and himself, from the wreckage of Napoleon’s empire. The eminently likeable Castlereagh, a thoroughly decent man in every respect, found himself cutting up nations and trading souls as ruthlessly as any practitioner of realpolitik . A host of other characters took their places in this great carnival at one time or another, including the Duke of Wellington, who revealed himself to be as good a statesman as he was a general, and a fascinating array of women, who played on the passions and frustrated ambitions of the great men of Europe, leading to moments of high tragedy and low farce. From gore-spattered battlefield and roadside hovel to the gilded boudoirs and ballrooms of Vienna, the scene of the action is eminently worthy of the grandeur and the squalor of the proceedings. And history has passed down an image of courtly elegance and waltzing frivolity familiar to most educated people.

Yet when I typed the words ‘Congress of Vienna’ into the British Library catalogue, I was rewarded with a list of books on: the First International Meteorological Congress, the Congress on the Biochemical Problems of Lipids, the European Regional Science Association Congress, on congresses statistical, sexual and philatelistic, on the congresses of Applied Chemistry, of Bibliophiles, of Dermatology, of Genealogical and Heraldic Sciences, Varicose Veins, Exfoliative Cytology, Birth Defects, Hepatitis B, Electroencephalography, Clinical Neurophysiology, and many, many more, all held in Vienna over the past century or so. Buried amongst these enticing titles were no more than half a dozen which related to the events of 1814–15.

Further searches revealed that literature on the subject is indeed elusive. It is also extremely one-sided and subjective. The voluminous and dense German studies, mostly produced during the nineteenth-century unification of Germany or during the period of Nazi rule, respond to a demanding agenda. The latest French contribution is entitled ‘ Le Congrès de Vienne. L’Europe Contre la France ’, which sums up a viewpoint characteristic of much French writing on the subject. British studies are marked by an ineffable condescension, based on ignorance of conditions in Europe and a conviction that Britain was a disinterested, and therefore impartial and benign, party. Whatever their provenance, most existing books on the congress are superficial in nature, and the best ones are, ironically, those that honestly set out to cover only the social and sexual side of the proceedings. In short, there is no satisfactory general study of the episode, and as a result most people know little about it, aside from the fact that a great deal of dancing took place.

The reasons for this became clear as I began to grapple with the complexities of the subject. The first is that the Congress of Vienna never actually took place in any formal sense. Just as ‘Yalta’ stands for negotiations and agreements from 1943 to 1945 and even beyond, ‘the Congress of Vienna’ is a blanket term for a process that began in the summer of 1812 and did not end until ten years later. As usual in such a long-drawn-out process, it is the minor details left unresolved in the very early stages of the negotiations that come to dominate and distort the proceedings at the crucial final stages. There is therefore no way of producing a comprehensive and comprehensible account of the episode without covering a very long period, which involves a great deal of work and dictates a more complex book than many a historian would wish to embark on.

Another, equally important, factor is the need for anyone intending to approach this subject to have a command of as many European languages as possible. The negotiations of 1812–15 can be likened to a game of poker, and as in poker, the course of the game only becomes comprehensible if one can see what cards each of the players holds and how he plays them. In addition, and this is an aspect that has probably been most difficult for historians brought up in other times to deal with, it is necessary to be able to empathise with the desires and the fears of every player, otherwise their moves and reactions make no sense. The reason it nearly came to war several times during the Congress of Vienna was not that Prussia was being gratuitously aggressive, Russia perverse, or Austria devious, but that each was in dread of being outmanoeuvred by the others.

In writing this book, I set out to give as full an account as possible of the negotiations that led to the peace settlement, in the hope that the succession of events will add up to some explanation of how it was reached. I have tried to present the hopes and fears of each side as dispassionately, but with as much sympathy, as possible, in the firm conviction that there were no ‘good’ or ‘bad’ players, merely frightened ones.

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