Саймон Шама - Сила искусства

Тем горше осознавать разрыв между написанным словом и ощущением от разглядывания. Еще одно словечко из тех, что Марк Ротко употреблял с величайшим презрением, пренебрежительное «словоблудие» – так он называл рассуждения о словах. Если в месте, которое он в конечном итоге (с помощью галереи Тейт и каждого из нас) создал, и висит какая-то заповедь, то это призыв заткнуться наконец. Что я, в виде исключения, и сделаю.

Самоуверенно представляю вниманию читателя краткий, избирательный и субъективный путеводитель по литературе, более подробно освещающей некоторые из тем, затронутых в этой книге.

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Kris Ernst, Kurz Otto . Legend, Myth and Magic in the Image of the Artist: An Historical Experiment. Yale University Press, 1957.

Sturgis Alexander, Christiansen Rupert, Oliver Lois, Wilson Michael . Rebels and Martyrs: The Image of the Artist in the Nineteenth Century. London: National Gallery, 2006.

Wittkower Rudolf, Wittkower Margot . Born under Saturn: The Character and Conduct of Artists from Antiquity to the French Revolution. New York: W. W. Norton & Co, 1969.

Bal Mieke . Quoting Caravaggio: Contemporary Art, Preposterous History. University of Chicago Press, 1999.

Hibbard Howard . Caravaggio. New York: Harper & Row, 1983.

Langdon Helen . Caravaggio: A Life. London: Chatto & Windus, 1998.

Puglisi Catherine . Caravaggio. London: Phaidon Press, 1998.

Robb Peter . M: Caravaggio. London: Bloomsbury, 2000.

Spike John T . Caravaggio. New York; London: Abbeville Press, 2001.

Avery Charles, Finn David . Bernini: Genius of the Baroque. New York: Bullfinch Press, 1997.

Baldinucci Filippo . The Life of Bernini (1682) / Trans. C. Engass. Penn State University Press, 1966.

Blunt Anthony . Borromini. Cambridge: Harvard University Press, 1979.

Connors Joseph . Borromini and the Roman Oratory: Style and Society. Cambridge: MIT Press, 1981.

Hibbard Howard . Bernini. London: Penguin Books, 1990.

Lavin Irving . Bernini and the Unity of the Visual Arts. Vols 1, 2. New York: Oxford University Press, 1980.

Lavin Irving . Gian Lorenzo Bernini. New Aspects of His Life and Thought. Penn State University Press, 1985.

Magnuson Torgil . Rome in the Age of Bernini. Vols 1, 2. Stockholm: Almqvist & Wiksell, 1982, 1986.

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McPhee Sarah . Bernini and the Bell Towers: Architecture and Politics at the Vatican. Yale University Press, 2002.

Morrissey Jake . The Genius in the Design: Bernini, Borromini and the Rivalry That Transformed Rome. London: Duckworth & Co, 2005.

Wittkower Rudolf . Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. London: Phaidon Press, 1966.

Alpers Svetlana . Rembrandt’s Enterprise: The Studio and the Market. University of Chicago Press, 1988.

Chapman H. Perry . Rembrandt’s Self-portraits. Princeton University Press, 1992.

Haverkamp-Begemann Egbert . Rembrandt: The Night Watch. Princeton University Press, 1982.

Nadler Steven . Rembrandt’s Jews. University of Chicago Press, 2003.

Nordenfalk Carl. The Batavians’ Oath of Allegiance: Rembrandt’s Only Monumental Painting. Stockholm: Nationalmuseum, 1952.

Rethinking Rembrandt / Ed. by A. Chong, M. Zell. Boston: Isabella Stewart Gardner Museum, 2002.

Schama Simon . Rembrandt’s Eyes. New York: Alfred A. Knopf, 1999 (готовится к публикации на русском языке).

Schwartz Gary . The Rembrandt Book. New York: Harry N. Abrams, 2006.

Strauss Walter, van der Meulen Marjon . The Rembrandt Documents. New York: Abaris Books, 1979.

Van de Wetering Ernst . Rembrandt: The Painter at Work. Amsterdam University Press, 1997.

Westermann Mariët . Rembrandt. London: Phaidon Press, 2000.

White Christopher . Rembrandt and His World. London: Thames & Hudson, 1964.

Zell Michael . Reframing Rembrandt: Jews and the Christian Image in Seventeenth-century Amsterdam. Oakland: University of California Press, 2002.

Brookner Anita . Jacques-Louis David. London: Chatto & Windus, 1980.

Crow Thomas E. Emulation: Making Artists for Revolutionary France. Yale University Press, 1995.

Crow Thomas E . Painters and Public Life in Eighteenth-century Paris. Yale University Press, 1985.

Herbert Robert . David, Voltaire, ‘Brutus’ and the French Revolution: An Essay in Art and Politics. London: Allen Lane, 1972.

Honour Hugh . Neo-Classicism. New York: Penguin USA, 1968.

Jacques-Louis David’s ‘Marat’ / Ed. by W. Vaughan, H. Weston. Cambridge University Press, 1999.

Johnson Dorothy . Jacques-Louis David: New Perspectives. Newark: University of Delaware Press, 2006.

Lajer-Burcharth Ewa . Necklines: The Art of Jacques-Louis David after the Terror. Yale University Press, 1999.

Lloyd Dowd David . Pageant Master of the Republic: Jacques-Louis David and the French Revolution. New York: Books for Libraries Press, 1977.

Roberts Warren . Jacques-Louis David, Revolutionary Artist: Art, Politics and the French Revolution. Chapel Hill: University of North Carolina Press, 1989.

Rosenblum Robert . Transformations in Late Eighteenth Century Art. Princeton University Press, 1967.

Schama Simon . Citizens: A Chronicle of the French Revolution. New York: Alfred A. Knopf, 1989.

Schnapper Antoine . David. New York: Alpine Fine Arts Collection, 1983 (на русском языке: Шнаппер Антуан . Давид. М.: Изобразительное искусство, 1984).

Bailey Anthony . Standing in the Sun: A Life of J. M. W. Turner. New York: Harper Collins, 1998.

Collected Correspondence of J. M. W. Turner / Ed. by J. Gage. Oxford University Press, 1980.

Egerton Judy . Turner: The Fighting Temeraire. Yale University Press, 1995.

Finberg Alexander J. The Life of J. M. W. Turner. Oxford: Clarendon Press, 1961.

Gage John . Colour in Turner. London: Studio Vista, 1969.

Gage John . J. M. W. Turner: A Wonderful Range of Mind. Yale University Press, 1987.

Hamilton James . Turner: A Life. London: Hodder & Stoughton, 1997.

Hamilton James . Turner: The Late Seascapes. Yale University Press, 2003.